Cover: Jeremiah Through the Centuries by Mary Chilton Callaway

Wiley Blackwell Bible Commentaries

Series Editors: John Sawyer, Christopher Rowland, Judith Kovacs, David M. Gunn Editorial Board: Ian Boxall, Andrew Mein, Lena‐Sofia Tiemeyer

Further information about this innovative reception history series is available at www.bbibcomm.info.

John Through the Centuries
Mark Edwards

Revelation Through the Centuries
Judith Kovacs and Christopher
Rowland

Judges Through the Centuries
David M. Gunn

Exodus Through the Centuries
Scott M. Langston

Ecclesiastes Through the Centuries
Eric S. Christianson

Esther Through the Centuries
Jo Carruthers

Psalms Through the Centuries:Volume I
Susan Gillingham

Galatians Through the Centuries
John Riches

Pastoral Epistles Through the Centuries
Jay Twomey

1 & 2 Thessalonians Through the Centuries
Anthony C. Thiselton

Six Minor Prophets Through the Centuries
Richard J Coggins and Jin H. Han

Lamentations Through the Centuries
Paul M. Joyce and Diana Lipton

James Through the Centuries
David B. Gowler

The Acts of the Apostles Through the Centuries
Heidi J. Hornik and Mikeal C. Parsons

Chronicles Through the Centuries
Blaire A. French

Isaiah Through the Centuries
John F.A. Sawyer

Psalms Through the Centuries:
Volume II
Susan Gillingham

Matthew Through the Centuries
Ian Boxall

Jeremiah Through the Centuries
Mary Chilton Callaway

Forthcoming

1, 2 Peter and Jude Through the Centuries
Rebecca Skaggs

Johan Through the Centuries
Lena-Sofia Tiemeyer

1 and 2 Kings Through the Centuries
Michael O’Kane

Psalms Through the Centuries: Volume III
Susan Gillingham

Luke Through the Centuries
Mark Bilby

Amos and Micah Through the Centuries
Matthew Coomber

Ezra-Nehemiah Through the Centuries
Hannah Harrington

Mark Through the Centuries
Christine Joynes

Colossians and Philemon Through the Centuries
Harry O. Maier

Ezekiel Through the Centuries
Andrew Mein

Genesis Through the Centuries
Dan Rickett

Jeremiah Through the Centuries




Mary Chilton Callaway









No alt text required.




For Jamie
who always finds grace in the wilderness

List of Illustrations

Introduction

Figure 1 Rembrandt van Rijn, Jeremiah Lamenting the Destruction of Jerusalem. Rijksmuseum, Amsterdam.
Figure 2 Jeremiah with scroll and Ark. Wall fresco in the synagogue at Dura Europos. Public domain.
Figure 3 John of Damascus, Sacra Parallela. Bibliothèque Nationale de France. Grec 923, fol. 258v. Constantinople.
Figure 4 Prophet Jeremiah, Basilica of San Vitale, Ravenna. De Agostini Picture Library/Bridgeman Images.
Figure 5 The Prophet Armia, miniature from the “Jami’ al‐Tawarikh” of Rashid al‐Din, Ms Or 20 f. 13v c. 1307. Edinburgh University Library/Bridgeman Images.
Figure 6 Headpiece to Jeremiah in the Coverdale Bible 1535. Reproduced with permission of the syndics of the Cambridge University Library.
Figure 7 The Prophet Jeremia. Jan van der Straet, called Stradanus. Icones Prophetarum Veteris Testamenti Antwerp 1613. Private collection.
Figure 8 Jeremiah before Zedekiah. Claes Jansz. Visscher. Theatrum Biblicum, hoc est historiae sacrae Veteris et Novi Testamenti tabulis aeneis expressae. Rare Books Division, The New York Public Library, Astor, Lenox and Tilden Foundations.
Figure 9 Title page of Michael Ghislerius, In Ieremiam prophetam commentarii 1623. Reproduced by permission of the Andover‐Harvard Theological Library, Harvard.
Figure 10 Frontispiece to Desmarais’ Jérémie, Poëme en Quatre Chants. Paris 1771. Private collection.
Figure 11 A children’s Jeremiah. Charles Foster’s Bible Pictures and What They Teach Us 1893. Private collection.
Figure 12 Jeremiah resisting a repressive regime. D.C. Comics, Picture Stories from the Bible. M.C. Gaines 1943. Private collection.
Figure 13 Jeremiah as twentieth‐century boy contemplating his call. Arthur S. Maxwell, The Bible Story Vol 5, p. 179. 1955. Private collection.
Figure 14 Jeremiah models resisting ridicule. My Book of Bible Stories. Watchtower Bible and Tract Society, 1978. Private collection.
Figure 15 Jeremiah bullied. Children’s story bible from the early twentieth century. Private collection.
Figure 16 Charity medal by Louis Rosenthal, 1938. Private collection.
Figure 17 Doug Johnson, “Lamentation for the Ages”.
Figure 18 Marc Chagall, "Solitude." Oil on canvas. Tel Aviv Museum of Art. Gift of the artist, 1953. Photo: Avraham Hai. © 2019 Artists Rights Society (ARS), New York/ADAGP, Paris.

Commentary

Figure 19 Jer 1:1. Jeremiah as author of his book. © M. Moliero Editor (www.moliero.com), The Bible of St. Louis, vol. 2, f. 130r.
Figure 20 Jeremiah 1:1. Copper figure engraving by Cornelis Martinus Spanoghe, 1784, from his Very Correct Discourse of the History of the Old Testament. Private collection.
Figure 21 The birth of Jeremiah and its allegory © M. Moliero Editor. www.moliero.com. The Bible of St. Louis. vol. 2, f. 130r.
Figure 22 Jeremiæ the Prophet. Matthäus Merian, Iconum Biblicarum, 1630. Private collection.
Figure 23 Jer 1:5. A nineteenth‐century imagining of Jeremiah receiving God’s call. F.B. Meyer, Jeremiah: Priest and Prophet 1894. Private collection.
Figure 24 Jer 1:9. God places the word in a receptive Jeremiah’s mouth. British Library Royal MS 1 E IX (“The Bible of Richard II”) folio 193r. Bridgeman Images.
Figure 25 Jer. 1:6‐9. Winchester Bible, f148. ©The Dean & Chapter of Winchester, 2019. Reproduced by kind permission of the Dean & Chapter of Winchester.
Figure 26 Contemporary reception of Jer 1:10. Visual Theology, by permission of The Rev. David Perry, England
Figure 27 Benjamin West, The Call of Jeremiah. Courtesy of Musée des Beaux‐Arts de Bordeaux.
Figure 28 Political cartoon from Flugblätter der Reformation und des Bauernkriges. Courtesy of Widener Library, Harvard University.
Figure 29 The boiling pot. Engraving by Matthias Scheits for Tableaux de vieux et nouveau testament. Amsterdam 1710. Private collection.
Figure 30 Jer 5:21. “Was Jeremiah speaking to you?” Advertisement from the Saturday Evening Post 1924.
Figure 31 Jer 8:7. Frank Beard, Picture Puzzles, or How to Read the Bible by Symbols. Private collection.
Figure 32 Jer 8:22. Election Day Sermon “The Balm of Gilead” preached in Cape Cod in 1670. Collection of the Massachusetts Historical Society.
Figure 33 Jer 9:1. Saul Rabino. “Jeremiah.” 1935 lithograph. Private collection.
Figure 34 Jer 9:1. Title page of Fons Lachrymarum with illustration of King Charles. RareBook 147377, The Huntington Library, San Marino, California.
Figure 35 Jer 9:21. Icones Mortis Sexaginta Imaginibus 1648. Bridwell Library Special Collections, Perkins School of Theology, Southern Methodist University.
Figure 36 Jer 10:14. Caricature of Erasmus as Jeremiah. Hans Holbein 1509. Print Collection, The New York Public Library.
Figure 37 Jer 13:17. Jeremiah weeps in the English Civil War. Harley MS 5987 61 (engraving) / British Library © British Library Board. All Rights Reserved/Bridgeman Images.
Figure 38 Jer 18. Jeremiah’s potter as an allegory for the conversion of Saul. © M. Moleiro Editor (www.moleiro.com), The Bible of St. Louis, vol.2, f.130r.
Figure 39 Jer 19. Jeremiah smashes the jug. Brown’s Self‐Interpreting Family Bible. Private Collection.
Figure 40 Jer 20:2. “Le Grande‐Prêtre Frappe Jérémie.” M. Desmarais 1771, Paris. Private Collection.
Figure 41 Jer 20:2. The Children of the Bible: As Examples and Warnings. Frances M. Caulkins. 1850. Private collection.
Figure 42 Sculpture by Andrew Mabanji. Courtesy of Saint John’s Abbey, Collegeville, MN.
Figure 43 Jer 20:14–15. Figure 34. Jeremiah’s curse as medieval allegory condemning contemporary bishops. © M. Moliero Editor (www.moliero.com), The Bible of St. Louis, vol. 2, f. 141r.
Figure 44 Jer 27:2; 28:10. Theatrum Biblicum. 1674. Rare Books Division, The New York Public Library, Astor, Lenox and Tilden Foundations.
Figure 45 Jer 29:19. A contemporary Jeremiah warns inhabitants of New York City. Private collection.
Figure 46 Jer 31:22. © M. Moliero Editor, www.moliero.com), The Bible of St. Louis, vol. 2, f. 148r.
Figure 47 Jer 36:23. © M. Moliero Editor (www.moliero.com), The Bible of St. Louis, vol. 2, f. 150r.
Figure 48 Jer 36:23. Jehoiakim watches the scroll burn. Jehoiakim burns Jeremiah's words. Johann Dietenberger, Biblia. 1534. Courtesy of the Richard C. Kessler Reformation Collection, Pitts Theology Library, Candler School of Theology, Emory University.
Figure 49 Jer 36:23. Jehoiakim burns Jeremiah’s scroll. Jan Luykens in Christoph Weigel’s Historiae celebriores Veteris Testamenti Iconibus representatae (1712). Private collection.
Figure 50 Jer 36:23. Jehoiakim burns the scroll. Christoph Weigel. Biblia ectypa. 1695. Courtesy of the Pitts Theology Library, Candler School of Theology, Emory University.
Figure 51 Jer 38:6. Matthäus Merian. Jeremiah dropped into the cistern, engraved by F.H. van Hove. Private collection.
Figure 52 M. Demaris, Jérémie, Poëme en quatre Chants. 1771, page 56. Private collection.
Figure 53 Jer 38:6. From an eighteenth‐century family bible published in Leeds, England. Private collection.
Figure 54 Jer 38:6. Jeremiah lowered into the cistern. From an English family Bible, 1834. Private collection.
Figure 55 Jer 38:6. Jeremiah in the cistern as trope of personal trouble for contemporary Christians. Courtesy of Pastor Jeff Warren, Park Cities Baptist Church, Dallas, Texas. 2014
Figure 56 Jer 38:12–13. Ebed Melek directs Jeremiah’s rescue. Jan van Luyken, 1712. Private collection.
Figure 57 Jer 38:12–13. Ebed Melek directs Jeremiah’s rescue. Bernard Picart. Courtesy of the Pitts Theology Library, Candler School of Theology.
Figure 58 Jer 38:12–13. Ebed Melek drawn by William Gunning King for Bibby’s Annual 1914. Private collection.
Figure 59 Jer 38:13. An American Ebed Melek for children. Herbert Rudeen 1959. Private collection.
Figure 60 Abimelech asleep with his figs. Early fifteenth‐century French Bible. Pierpont Morgan Library. Ms M. 395, fol.99r.
Figure 61 Jer 43:9. Illustration in a nineteenth‐century family Bible. Private collection.
Figure 62 Jer 44. Jeremiah preaches in Egypt. From a sixteenth‐century German Bible. Private collection.
Figure 63 Martyrdom of Jeremiah in the twelfth‐century Edili Bible. The Biblioteca Medicea Laurenziana, ms. Edili 125, f.121r. Reproduced with permission of MiBACT. Further reproduction by any means is prohibited.
Figure 64 Martyrdom of Jeremiah in fourteenth‐century Latin Bible. Bibliothèque nationale de France. Latin 17198, fol. 264v.
Figure 65 Martyrdom of Jeremiah in Bible historiale. Bibliothèque nationale de France. Latin 4915.
Figure 66 Jeremiah holding the Ark, with the martyrdom in background. Engraving by Johann Friedrich Fleischberger, seventeenth century. Private collection.
Figure 67 Martyrdom of Jérémie in M. Demarais, Jérémie, Poëme en Quatre Chants, Paris 1771. Private collection.
Figure 68 Jer 51:7. Lucas Cranach, The Whore of Babylon, 1522.

Series Editors’ Preface

The Blackwell Bible Commentaries series, the first to be devoted primarily to the reception history of the Bible, is based on the premise that how people have interpreted, and been influenced by, a sacred text like the Bible is often as interesting and historically important as what it originally meant. The series emphasizes the influence of the Bible on literature, art, music and film, its role in the evolution of religious beliefs and practices, and its impact on social and political developments. Drawing on work in a variety of disciplines, it is designed to provide a convenient and scholarly means of access to material until now hard to find, and a much‐needed resource for all those interested in the infl uence of the Bible on Western culture.

Until quite recently this whole dimension was for the most part neglected by biblical scholars. The goal of a commentary was primarily, if not exclusively, to get behind the centuries of accumulated Christian and Jewish tradition to one single meaning, normally identified with the author’s original intention. The most important and distinctive feature of the Blackwell Commentaries is that they will present readers with many diff erent interpretations of each text, in such a way as to heighten their awareness of what a text, especially a sacred text, can mean and what it can do, what it has meant and what it has done, in the many contexts in which it operates.

The Wiley Blackwell Bible Commentaries will consider patristic, rabbinic (where relevant), and medieval exegesis, as well as insights from various types of modern criticism, acquainting readers with a wide variety of interpretative techniques. As part of the history of interpretation, questions of source, date, authorship, and other historical‐critical and archaeological issues will be discussed; but since these are covered extensively in existing commentaries, such references will be brief, serving to point readers in the direction of readily accessible literature where they can be followed up.

Original to this series is the consideration of the reception history of specific biblical books arranged in commentary format. The chapter‐by‐chapter arrangement ensures that the biblical text is always central to the discussion. Given the wide influence of the Bible and the richly varied appropriation of each biblical book, it is a difficult question which interpretations to include. While each volume will have its own distinctive point of view, the guiding principle for the series as a whole is that readers should be given a representative sampling of material from different ages, with emphasis on interpretations that have been especially influential or historically significant. Though commentators will have their preferences among the different interpretations, the material will be presented in such a way that readers can make up their own minds on the value, morality, and validity of particular interpretations.

The series encourages readers to consider how the biblical text has been interpreted down the ages and seeks to open their eyes to diff erent uses of the Bible in contemporary culture. The aim is to write a series of scholarly commentaries that draw on all the insights of modern research to illustrate the rich interpretative potential of each biblical book.

John Sawyer
Christopher Rowland
Judith Kovacs
David M. Gunn

Acknowledgments

Well over a decade ago, John Sawyer entrusted me with the task of writing the Jeremiah volume for the Blackwell Bible Commentary series. His patient editorial support made it possible for me to search out the sources, sometimes translate them, and weave them into a reception history. Judith Kovacs had originally challenged me to write a proposal for the book, and with characteristic generosity offered critical and creative support throughout the writing, even though as New Testament editor of the series she did not have to read a word. Her friendship and insights have been a sustaining presence. David Gunn has given crucial help with multiple readings, corrections, and above all encouragement and advice about the pictures. Rebecca Harkin has ably steered me through the shoals.

Early in my graduate studies Professor James A. Sanders introduced me to the Hebrew text and the passionate persona of Jeremiah. Later, as my Doktorvater on another topic, he directed me to the deep theologies and holy sense of humor in Jewish exegetical traditions. His wise teaching planted the seeds for this book.

Two editors have patiently worked over every detail of the manuscript to correct my lapses. I am indebted to Cynthia Shattuck for her expert readerly eye and merciless editor’s pencil, which made the book leaner and better. Caroline McPherson put the manuscript into final shape, dealing graciously with late changes and bibliographic challenges.

Graduate students Alex Hwang and Jennifer Jamer located troves of Patristic sources and put them into a usable form, sometimes hunting down the Greek original. Ankie Wiegerink and Jan van dear Staak generously translated an eighteenth‐century Dutch text about Ebed Melek, which proved to be a challenge even for native Dutch speakers.

Fordham University has supported the project with two sabbatical leaves and a grant to help pay for permissions to publish images. Colleagues Harry Nasuti, J. Patrick Hornbeck, and Elizabeth Johnson have offered important insights and friendly goading in equal measure. Graphic designer Marc Tremitiere made many of the pictures in the book possible by expertly scanning my trove of antique prints into high‐resolution images. Marta Martin Pérez and Ariadna Fernendez at the publishing company M. Moliero generously made available high‐resolution images from the Bible moralisée, which are a linchpin in the reception history of Jeremiah.

The rich but sometimes arcane resources that provide the raw material for reception history are housed in libraries around the world. I am indebted to the patient and creative assistance given by librarians at the British Library, Bibliothèque nationale de France, Fordham University Library, Houghton Library of Harvard University, New York Public Library, Pierpont Morgan Library, and Union Theological Seminary Rare Books Collection.

I am grateful for the persistent challenge posed by members of the Writing/Reading Jeremiah Group of the Society of Biblical Literature, and the opportunities they gave me to test and refine ideas about the reception of Jeremiah. In addition, Walter Brueggemann, Robert Carroll, Andrew Mein, Kathleen O’Connor, Carolyn Sharp, and Lou Stulman have generously offered support and asked sometimes discomfiting but always generative questions. Members of the Columbia University Hebrew Bible Seminar have offered constructive critiques in a formal setting together with helpful resources informally. The nine superb essays on the reception of Jeremiah in The Book of Jeremiah: Composition, Reception, and Interpretation, edited by Jack R. Lundbom, Craig A. Evans, and Bradford A. Anderson (Brill 2018) appeared after my manuscript was substantially complete, so I was regrettably not able to incorporate their insights. Likewise, Mark Leuchter’s essay in The Oxford Handbook to the Book of Jeremiah was not available. I take these omissions as a good sign that reception history of Jeremiah has become significant in biblical studies.

Special thanks to Hannah Boone Callaway for help with translating and understanding important eighteenth‐century French texts about Jérémie, and for insights into French political history and humor. Equally valuable were her expert readerly eye and persistent challenges to make the narrative compelling.

Finally, my beloved Jamie has made this book possible. His extravagant care, creative problem solving, insightful comments, and good‐humored support are embedded in every page. He reminded me early and often that Jeremiah speaks to the present, whenever that is.

Testimonia

Jeremiah the Man

“He was the most compassionate of the prophets.”

Gregory Nazianzus, Oration 17, 373 ce

“It was this good man’s unhappiness to be a Physician to a dying State.”

John Trapp, A Commentary upon Jeremiah, 1660

“Jeremiah is by no means wanting either in elegance or sublimity, although, generally speaking, inferior to Isaiah in both … His thoughts indeed are somewhat less elevated … but the reason of this may be, that he is mostly taken up with the gentler passions of grief and pity, for the expression of which he has a peculiar talent.”

Robert Lowth, cited in B. Blaney, Jeremiah, and Lamentations. A New Translation with notes … 1784, p. 8

“Every thing relating to Jeremiah shows him to have been a man of an equivocal character.”

Thomas Paine, Age of Reason II, 1795

“Jeremiah has a kind of feminine tenderness and susceptibility; strength was to be educed out of a spirit which was inclined to be timid and shrinking.”

F.D. Maurice, Prophets and Kings of the Old Testament: A Series of Sermons, 1853, p. 370

“He was set by God’s hand as a solitary beacon on a lofty tower, in a dark night, in a stormy sea; lashed by waves and winds, but never shaken from his foundations.

Christopher Wordsworth, Bishop of Lincoln 1875, The Books of Jeremiah, Lamentations, and Ezekiel in the Authorized Version, p. x

“Jeremiah’s ministry may be summed up in three words: good hope, labour, disappointment.”

John Henry Newman, Parochial and Plain Sermons, Vol.8
Sermon 9. ‘Jeremiah, A Lesson for the Disappointed’ p. 127

“Of the truth of his conviction he never had a moment’s doubt; he knew that Jehovah was on his side, that on Him depended the eternal future. But, instead of the nation, the heart and the individual conviction were to him the subject of religion.”

Wellhausen, Prolegmena to the History of Israel, Trans. John Sutherland Black, Allan Menzies p. 491

“There are always Jeremiahs who go about saying that we have never had such bad times.”

Daily Express, 23 February 1928

“In the midst of danger he was brave. In the midst of trouble he was true. In the midst of confusion he was calm. In the midst of dark he was a flame.”

Roy L. Smith, Writing Scripture Under Dictators, Nashville: Abingdon‐Cokesbury, 1943, p. 60

“Jeremiah was a weak and timid man, but God’s power worked in him.”

George André, The Prophet Jeremiah, Sunbury, PA: Believers Bookshelf, 1988

“We hear him as he secretly talks with God.”

Martin Luther King, Jr. ‘The Significant Contributions of Jeremiah to Religious Thought’ (unpuslished seminary paper, 1948) inThe Papers of MLK, Jr. Vol. 7, p. 181

“He was accused of fantasizing, being stubborn, disturbing the peace and being an enemy of the people, as have those in every age even up to the present day who were seized and possessed by God.”

Dietrich Bonhoeffer, sermon, 21 January 1934, DBWE 13, p. 347

“Jeremiah was truly the genius of torment and dissent; the Euripides, the Pascal or the Dostoevsky of the Old Testament.”

Thomas Römer, ‘La conversion du prophète Jérémie à la thèologie deutéronomiste,’ 1997

“Polarity of emotion is a striking fact in the life of Jeremiah. We encounter him in the pit of utter agony and at the height of extreme joy, carried away by divine wrath and aching with supreme compassion.”

Abraham Joshua Heschel, The Prophets

The Book

“The book of Jeremiah is all doom.”

Talmud, Baba Batra 14

“In order that nothing be lacking in the sense even though much is lacking in the words, I have prepared the warp and the woof for you; you yourself will weave the most beautiful garment.”

Jerome, In Hieremiam, Prologue

“Frequently in the first part there is something in a later chapter which really took place before that which is spoken of in an earlier chapter. So it seems as though Jeremiah did not compose these books himself, but that the parts were taken piecemeal from his utterances and written into a book. For this reason one must not worry about the order or be hindered by the lack of it.”

Martin Luther, Preface to the Prophet Jeremiah, 1532

“It is a necessary thing to the understanding of the prophets to know the stories of the times wherein they prophesied.”

Myles Coverdale, Marginal Note to Jer. 1:1, 1535

“We may all very profitably read the Prophet Jeremy, who is full of incitation to repentance and new obedience.”

John Trapp, Commentary on Jeremiah, 1660

“The prophecies of Jeremiah, which are related historically, are also taken from various chronicles; for not only are they heaped together confusedly, without any account being taken of dates but also the same story is told in them differently in different passages.”

Benedict Spinoza, A Theologico‐Political Treatise, 1670

Were I … to write in such a disordered manner, no body would read what was written, and every body would suppose, that the writer was in a state of insanity. The only way to account for the disorder is, that the book is a medley of detached unauthenticated anecdotes, put together by some stupid book‐maker, under the name of Jeremiah.”

Thomas Paine, The Age of Reason, Part II 1795, Paris, pp. 48, 52

“The prophet’s individuality is so impressed on his writings as to disarm suspicion of their authenticity.”

Christopher Wordsworth, Bishop of Lincoln, 1875, The Books of Jeremiah, Lamentations, and Ezekiel in the Authorized Version, p. x.

“Though it was ‘the word of the Lord,’ these communications were ‘words of Jeremiah;’ his personality, temperament, experiences, style of thought, modes of expression, are all stamped upon these Divine messages. Inspiration does not obliterate, scarcely subordinates individuality.”

Preacher’s Complete Homiletic Commentary, Vol. 17: 8, Funk & Wagnalls, 1892

“As a lad I started to read the Scripture through according to the familiar schedule, three chapters each weekday and five on Sunday, by which we were assured that in a single year we could complete the reading of the Book. I got safely through Numbers and Leviticus, even Proverbs did not altogether quench my ardor, but I stuck in the middle of Jeremiah and never got out. I do not blame myself, for how can a boy read Jeremiah in its present form and understand it?”

Harry Emerson Fosdick, The Modern Use of the Bible, 1930, p. 21

“It is a hardy adventurer who decides to brave the book of Jeremiah.”

Andrew Shead, www.matthiasmedia.com

“The book of Jeremiah does not contain stories about arks or whales or a talking donkey. The stories in this book can be a little difficult for children to understand.”

Annabelle Lee, eHow Contributor to site for children’s activities for Jeremiah Bible Stories

Actualizations

“I myself was initiated under Moses the God‐beloved into his greater mysteries, yet when I saw the prophet Jeremiah and knew him to be not only himself enlightened, but a worthy minister of the holy secrets, I was not slow to become his disciple.”

Philo of Alexandria, Cherubim II.49

“Jeremiah’s case is the case of all the Ministry, placed between two gulfs, two seas, two rocks, two fires: God’s curse, and the world’s hatred.”

John Hull Lectures upon the Lamentations of Jeremiah, 1620, p. 6

“Although he were not … free from all fault (for he had his out‐bursts) yet he was a man of singular sanctimony and integrity, good of a little child, a young Saint, and an old Angel; an admirable Preacher … a pattern to all Preachers of the Gospel.”

John Trapp, A Commentary or Exposition upon the Book of the Prophet Jeremiah, London, 1660, p. 219

“How comes it that such ancient faith has so wholly faded from among Christian mankind? Where shall we to‐day look for a preacher, fearless, plain‐spoken, earnest, sincere, like Jeremiah? If he were among us, would he fare much better than the prophet?”

Cunningham Geikie, Hours with the Bible: From Manasseh to Zedekiah, 1887, p. 158

“Jeremiah has proved a sympathizing companion and comforter in seasons of individual suffering and national calamity from the first destruction of Jerusalem down to the siege of Paris in our own day.”

In Preface by the General Editor to Carl Wilhelm Eduard Nägelsbuch’s Book of Jeremiah, 1871, p. i

“Children, being with God does not make one happy. We learn this from Jeremiah.”

Dietrich Bonhoeffer, children’s meditation, 1927, in The Young Bonhoeffer, p. 514

“Jeremiah was a bullfrog.”

Hoyt Axton, 1971

“Among the prophets Jeremiah seems to me the most ‘modern’ of sensibilities, kin to the wager of Paschal, Kierkegaard’s bleak isolation and abandonment, Hopkins’ dark night, let us dare say, kin to Graham Green’s: ‘My salvation is: I do not believe my disbelief.’”

Dan Berrigan, Jeremiah: The World, the Wound of God, Minneapolis: Fortress, 1999, p.88

“ Who reads Jeremiah for pleasure?”

M.D. Aeschliman, Review of Jonathan Swift: A Hypocrite Reversed, National Review October 24, 1986, p. 54

“‘He’s a right Jeremiah.’ That means a depressing and pessimistic person who will be the wet blanket at every party.”

Alan Pain, I am Jeremiah (Don’t Laugh), East Sussex, Kingsway, 1990

“What’s wrong with America is not a very complicated question. It can put in just a few words from the Prophet Jeremiah.”

Darryl Walker, America’s Return: Solutions from the Prophet Jeremiah, Tate Publishing, 2016

“Jeremiah puts us on edge with ourselves.”

Renita J. Weems in Global Bible Commentary, ed. Daniel Patte, Nashville: Abingdon, 2004, p. 224