Canon® EOS® 77D For Dummies®

Published by: John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030-5774, www.wiley.com

Copyright © 2017 by John Wiley & Sons, Inc., Hoboken, New Jersey

Published simultaneously in Canada

No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without the prior written permission of the Publisher. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201) 748-6011, fax (201) 748-6008, or online at http://www.wiley.com/go/permissions.

Trademarks: Wiley, For Dummies, the Dummies Man logo, Dummies.com, Making Everything Easier, and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc. and may not be used without written permission. Canon and EOS are registered trademarks of Canon Kabushiki Kaisha Corporation. All other trademarks are the property of their respective owners. John Wiley & Sons, Inc. is not associated with any product or vendor mentioned in this book.

LIMIT OF LIABILITY/DISCLAIMER OF WARRANTY: THE PUBLISHER AND THE AUTHOR MAKE NO REPRESENTATIONS OR WARRANTIES WITH RESPECT TO THE ACCURACY OR COMPLETENESS OF THE CONTENTS OF THIS WORK AND SPECIFICALLY DISCLAIM ALL WARRANTIES, INCLUDING WITHOUT LIMITATION WARRANTIES OF FITNESS FOR A PARTICULAR PURPOSE. NO WARRANTY MAY BE CREATED OR EXTENDED BY SALES OR PROMOTIONAL MATERIALS. THE ADVICE AND STRATEGIES CONTAINED HEREIN MAY NOT BE SUITABLE FOR EVERY SITUATION. THIS WORK IS SOLD WITH THE UNDERSTANDING THAT THE PUBLISHER IS NOT ENGAGED IN RENDERING LEGAL, ACCOUNTING, OR OTHER PROFESSIONAL SERVICES. IF PROFESSIONAL ASSISTANCE IS REQUIRED, THE SERVICES OF A COMPETENT PROFESSIONAL PERSON SHOULD BE SOUGHT. NEITHER THE PUBLISHER NOR THE AUTHOR SHALL BE LIABLE FOR DAMAGES ARISING HEREFROM. THE FACT THAT AN ORGANIZATION OR WEBSITE IS REFERRED TO IN THIS WORK AS A CITATION AND/OR A POTENTIAL SOURCE OF FURTHER INFORMATION DOES NOT MEAN THAT THE AUTHOR OR THE PUBLISHER ENDORSES THE INFORMATION THE ORGANIZATION OR WEBSITE MAY PROVIDE OR RECOMMENDATIONS IT MAY MAKE. FURTHER, READERS SHOULD BE AWARE THAT INTERNET WEBSITES LISTED IN THIS WORK MAY HAVE CHANGED OR DISAPPEARED BETWEEN WHEN THIS WORK WAS WRITTEN AND WHEN IT IS READ.

For general information on our other products and services, please contact our Customer Care Department within the U.S. at 877-762-2974, outside the U.S. at 317-572-3993, or fax 317-572-4002. For technical support, please visit https://hub.wiley.com/community/support/dummies.

Wiley publishes in a variety of print and electronic formats and by print-on-demand. Some material included with standard print versions of this book may not be included in e-books or in print-on-demand. If this book refers to media such as a CD or DVD that is not included in the version you purchased, you may download this material at http://booksupport.wiley.com. For more information about Wiley products, visit www.wiley.com.

Library of Congress Control Number: 2017947399

ISBN 978-1-119-42009-5 (pbk); ISBN 978-1-119-42012-5 (ebk); ISBN 978-1-119-42013-2 (ebk)

About This Book

In this book, you discover not only what each bell and whistle on your camera does but also when, where, why, and how to put it to best use. Unlike many photography books, this one doesn’t require any previous knowledge of photography or digital imaging. Everything is explained in easy-to-understand language, with lots of illustrations to help clear up any confusion.

In short, what you have in your hands is the paperback version of a photography workshop tailored specifically to your camera. Whether your interests lie in taking family photos, exploring nature and travel photography, or snapping product shots for your business, you’ll get the help you need to capture the images you envision.

Within this book, you may note that some web addresses break across two lines of text. If you’re reading this book in print and want to visit one of these web pages, simply key in the web address exactly as it’s noted in the text, pretending as though the line break doesn’t exist. If you’re reading this as an e-book, you’ve got it easy — just click the web address to be taken directly to the web page.

Additionally, replicas of some of your camera’s buttons and onscreen graphics appear throughout the book to help you locate the button or setting being discussed.

Foolish Assumptions

We don’t assume much about you, the reader, but we do assume the following:

• You either have or are planning to acquire a Canon EOS 77D camera.
• You want to learn about the camera’s features and how to use them.
• You would like to deepen your knowledge of photography so that you can take better still photos and movies with the 77D.

Icons Used in This Book

If this isn’t your first For Dummies book, you may be familiar with the large round icons that decorate its margins. If not, here’s your very own icon-decoder ring:

A Tip icon flags information that saves you time, effort, money, or another valuable resource, including your sanity.

When you see this icon, look alive. It indicates a potential danger zone that can result in much wailing and teeth-gnashing if it’s ignored.

Lots of information in this book is of a technical nature — digital photography is a technical animal, after all. But if we present a detail that’s useful mainly for impressing your geeky friends, we mark it with this icon.

This icon highlights information that’s especially worth storing in your brain’s long-term memory or to remind you of a fact that may have been displaced from that memory by another pressing fact.

Beyond the Book

In addition to the material in the print or e-book you’re reading right now, this product also comes with some access-anywhere goodies on the web. Check out the free Cheat Sheet for a handy reference to your camera’s buttons, controls, and exposure modes. To get this Cheat Sheet, simply go to www.dummies.com and type Canon EOS 77D For Dummies Cheat Sheet in the Search box.

Where to Go from Here

To wrap up this preamble, we want to stress that if you initially think that digital photography is too confusing or too technical for you, you’re in good company. Everyone finds this stuff mind-boggling at first. Take it slowly, trying just one or two new camera settings or techniques each time you pick up your camera. With time, patience, and practice, you’ll soon wield your camera like a pro, dialing in the necessary settings to capture your creative vision almost instinctively.

So, without further ado, we invite you to grab your camera and a cup of whatever it is you prefer to sip while you read and start exploring the rest of this book. Your EOS 77D is the perfect partner for your photographic journey, and we thank you for allowing us, through this book, to serve as your tour guides.

Preparing the Camera for Initial Use

After unpacking your camera, you have to assemble a few parts. In addition to the camera body and the supplied battery (charge it before the first use), you need a lens and a memory card. Later sections in this chapter provide details about lenses and memory cards, but here’s the short story:

• Lens: Your camera accepts Canon EF and EF-S lenses; the 18–55mm or 18–135mm kit lenses sold as a bundle with the camera body falls into the EF-S category. If you want to buy a non-Canon lens, check the lens manufacturer’s website to find out which lenses work with your camera.
• SD, SDHC, or SDXC memory card: The SD stands for Secure Digital; the HC and XC stand for High Capacity and eXtended Capacity. The different labels reflect how many gigabytes (GB) of data the card holds. SD cards hold less than 4GB; SDHC, 4GB to 32GB; and SDXC, more than 32GB.

With camera, lens, battery, and card within reach, take these steps:

1. Turn the camera off.

2. Attach a lens.

   First, remove the caps that cover the front of the camera and the back of the lens. Then locate the proper mounting index, which is a mark on the camera’s lens mount that indicates how to align the lens with the camera body. Your camera has two of these markers, one red and one white, as shown in Figure 1-1. Which marker you use depends on the lens type:

   • Canon EF-S lens: The white square is the mounting index.
   • Canon EF lens: The red dot is the mounting index.

   Your lens also has a mounting index; align that mark with the matching one on the camera body, as shown in Figure 1-1. Place the lens on the camera mount and rotate the lens toward the side of the camera that sports the white EOS logo (or, to put it another way, away from the shutter-button side of the camera). You should feel a solid click as the lens locks into place.

3. Insert the battery.

   The battery compartment is on the bottom of the camera. When inserting the battery, hold it with the contacts down and the Canon imprint facing out (toward the side of the camera with the memory card cover). Gently push the battery in until the gray lock clicks into place.

4. Insert a memory card.

   Open the memory card door and orient the card so that the notched corner is on top and the label faces the back of the camera, as shown in Figure 1-2. Push the card gently into the slot and close the card door.

   The memory-card access light (refer to Figure 1-2) blinks for few seconds to let you know that the camera recognizes the card. (The light appears even when the camera is turned off.)

5. Rotate the monitor to the desired viewing position.

   When you first take the camera out of its box, the monitor is positioned with the screen facing inward, protecting it from scratches and smudges. Gently lift the right side of the monitor up and away from the camera back. You can then rotate the monitor to move it into the traditional position on the camera back, as shown on the left in Figure 1-3, or swing the monitor out to get a different viewing angle, as shown on the right.

6. Move the On/Off switch to the On position.

   Okay, that’s an odd way to say “Turn on the camera,” right? Agreed, but there’s good reason for it: This particular On/Off switch, shown in Figure 1-4, has three positions. When you rotate the switch to On, the camera comes to life and is ready to take still photos. When you move the switch one step further, to the movie camera symbol, the camera turns on and then sets itself to Movie mode. You can’t take a still photograph in Movie mode; it’s only good for recording video.

   It’s easy to accidentally move the On/Off switch all the way to the Movie mode setting when you really want to take regular photos, so pay attention when turning the camera on until you get used to this arrangement. (One clue that you’ve rotated the switch too far is that the camera automatically engages Live View, which disables the viewfinder and presents a live preview of your subject on the camera monitor.)

7. Set the language, time zone, and date.

   When you power up the camera for the first time, the monitor displays a screen asking you to set the date, time, and time zone. The easiest way to adjust these settings is to use the touch screen, which is enabled by default. Just tap an option to select it and then tap the up/down arrows at the bottom of the screen to set the value for that option. Finally, tap OK to exit the screen.

   You also can adjust settings by using the Set button and the four Quick Control keys surrounding it (these controls live just to the right of the monitor). Press the left/right keys to highlight a setting, press Set to activate the option, press the up/down keys to change the value, and press Set again to finalize the change.

   The date/time information is included as metadata (hidden data) in the picture file. You can view metadata in some playback display modes (see Chapter 9) and in certain photo programs, including Canon Digital Photo Professional (see Chapter 10).

8. Adjust the viewfinder to your eyesight.

   This step is critical; if you don’t set the viewfinder to your eyesight, subjects that appear out of focus in the viewfinder might actually be in focus, and vice versa. If you wear glasses while shooting, adjust the viewfinder with your glasses on.

   You control viewfinder focus through the dial labeled in Figure 1-5. (In official lingo, it’s called the diopter adjustment dial.) After taking off the lens cap, follow these steps:

   1. Look through the viewfinder, press the shutter button halfway, and then release it.

      In dim lighting, the built-in flash may pop up; ignore it for now and concentrate on the lines that appear in the center of the frame and the row of data displayed at the bottom of the frame.

   2. Rotate the adjustment dial until the viewfinder markings and data appear sharpest.

      Ignore the scene you see through the lens; that won’t change because you’re not actually focusing the camera. If the markings turn off before you finish making your adjustments, give the shutter button another quick half-press and release to redisplay them.

      Can’t get the display sharp enough? You may need an adapter that enables further adjustment of the viewfinder. Look for an E-series dioptric adjustment lens adapter.

   3. If necessary, close the flash unit.

9. Select an exposure mode by pressing and holding the lock-release button and rotating the Mode dial (refer to Figure 1-4).

   The exposure mode determines how much control you have over various camera settings, as well as whether any special effects are applied. Chapter 2 explains the various exposure modes. For easiest operation, set the dial to Scene Intelligent Auto, as shown Figure 1-4. Be aware, though, that some camera features are available only in the four advanced shooting modes: P, Tv, Av, and M. The lock-release button is a handy feature that keeps you from accidentally turning the Mode dial when you aren’t intending to.

That’s all there is to it — the camera is now ready to go. The rest of this chapter familiarizes you with other major camera features and explains such basics as how to navigate menus, use the touch screen, and view and adjust camera settings.

One more thing before you go: The official name for Canon’s fully automatic exposure mode is Scene Intelligent Auto because, in this mode, the camera’s brain analyzes the light and color information it picks up through the lens, consults an internal database to help it determine what type of scene you’re shooting, and then adjusts picture settings as it deems necessary. In other words, Scene Intelligent Auto mode is intelligent enough to set up the camera to best capture the scene.

Exploring External Camera Features

Scattered across your camera’s exterior are numerous features that you use to change picture-taking settings, review your photos, and perform various other operations. Later chapters explain how and when to use these tools; the following sections provide just a basic “What’s this thing do?” introduction to them. (Don’t worry about memorizing the button names; throughout the book, figures and margin symbols tell you exactly which button or switch to use.)

Topside controls

Your virtual tour begins on the top of the camera, shown in Figure 1-6.

Here are the items of note:

• On/Off/Movie mode switch: As outlined in the preceding section, setting the switch to the movie-camera icon turns on the camera and sets it to Movie mode. Set the switch to On for still photography.

  Even when the switch is in the On position, the camera automatically goes to sleep after a period of inactivity to save battery power. To wake the camera up, press the shutter button halfway and release it. See the section “Setup Menu 2” for help adjusting the timing of the automatic shutoff.

• Mode dial with lock-release button: Press and hold the lock-release button in the center of the Mode dial, and then rotate the dial to select an exposure mode, which determines whether the camera operates in fully automatic, semi-automatic, or manual exposure mode when you take still pictures.
• Viewfinder adjustment dial: Use this dial to adjust the viewfinder focus to your eyesight, as outlined in the preceding section.

• Main dial: As its name implies, this dial is central to many camera functions, from scrolling through menus to changing certain shooting and playback settings.

  On some camera screens, you see a symbol that resembles the top half of a dial that has notches around the edge. That’s designed to remind you that you use the Main dial to adjust the setting.

• Red-Eye Reduction/Self-Timer Lamp: When you set your flash to Red-Eye Reduction mode, this little lamp emits a brief burst of light prior to the real flash — the idea being that your subjects’ pupils will constrict in response to the light, thus lessening the chances of red-eye. If you use the camera’s self-timer feature, the lamp lights during the countdown period before the shutter is released. See Chapter 2 for more details about Red-Eye Reduction flash mode and the self-timer function.
• AF Area Selection button: Press this button to access the AF Area Selection setting, which is related to autofocusing (see Chapter 5).
• ISO button: True to its name, this button displays a screen where you can adjust the ISO setting, which determines how sensitive the camera is to light. Chapter 4 details this critical setting.
• LCD panel illumination button: This button illuminates the top LCD panel with an amber backlight.
• Shutter button: You no doubt already understand the function of this button, but you may not realize that when you use autofocus and autoexposure, you need to use a two-stage process when taking a picture: Press the shutter button halfway, pause to let the camera set focus and exposure, and then press down the rest of the way to capture the image. You’d be surprised how many people mess up their pictures because they press that button with one quick jab, denying the camera the time it needs to set focus and exposure.
• Flash hot shoe: This is the connection for attaching an external flash and other accessories such as flash adapters, bubble levels, flash brackets, off-camera flash cords, and the GP-E2 GPS Receiver.

• Focal plane indicator: Should you need to know the exact distance between your subject and the camera, the focal plane indicator. This mark indicates the plane at which light coming through the lens is focused onto the camera’s image sensor. Basing your measurement on this mark produces a more accurate camera-to-subject distance than using the end of the lens or some other point on the camera body as your reference point.

Back-of-the-body controls

Traveling over the top of the camera to its back, you encounter the smorgasbord of controls shown in Figure 1-7.

Some buttons have multiple “official” names because they serve multiple purposes depending on whether you’re taking pictures, reviewing images, recording a movie, or performing some other function. This book refers to these buttons by the first label you see in the following list (and in Figure 1-7) to simplify things. Again, though, the margin icons show you exactly which button you should press.

Starting at the top-right corner of the camera back and working westward (well, assuming that your lens is pointing north, anyway), here’s an introduction to the buttons and other controls on this side of the camera:

• AF Point Selection/Magnify button: In certain shooting modes, you press this button to specify which autofocus points or zones you want the camera to use when establishing focus. You can also use it in Live View or Movie mode to magnify the display to check focus (see Chapter 5). In Playback mode (see Chapter 9), you use this button to magnify the image display (thus, the plus sign in the button’s magnifying glass icon).

• AE Lock/FE Lock/Index/Reduce button: During shooting, press this button to lock autoexposure (AE) settings (see Chapter 4) and to lock flash exposure (FE), a feature detailed in Chapter 2.

  This button also serves two image-viewing functions: It switches the display to Index mode, enabling you to see multiple image thumbnails at once. And if you magnify a photo, pressing the button reduces the magnification level.

• AF-ON button: Just like pressing the shutter button halfway, pressing this button initiates autofocus. See Chapter 5 for more information on focusing.
• Live View/Movie button: Press this button to shift to Live View mode, which enables you to compose your pictures using the monitor instead of the viewfinder. When shooting movies, press the button to start and stop recording. (You must first set the On/Off/Movie switch to the Movie position.)
• Q (Quick Control) button: Press this button to shift to Quick Control mode, which enables you to adjust major shooting settings quickly. See “Using Quick Control Mode,” later in this chapter, for help.
• Wi-Fi button: Pressing this button enables certain wireless communication features. See the appendix for an explanation of Wi-Fi operations.
• Playback button: Press this button to switch the camera into picture-review mode.
• Memory card access light: This light glows while the camera is recording data to the memory card. Don’t power off the camera while the light is lit, or you may damage the card or camera.

• Set button and Quick Control keys: The Set button and the four-way directional pad with buttons, known as Quick Control keys, team up to perform several functions, including choosing options from the camera menus. You use the Quick Control keys to navigate through menus and then press the Set button to select a specific menu setting.

  In this book, the instruction “Press the left Quick Control key” means to press the one to the left of the Set button; “press the right Quick Control key” means to press the one to the right of the Set button, and so on.

  During viewfinder photography — that is, when you’re using the viewfinder and not the monitor to frame your shots — the Quick Control keys also have individual responsibilities, which are indicated by their labels:

  • Press the up key to change the White Balance setting. The White Balance control, explained in Chapter 6, enables you to ensure that colors are rendered accurately.
  • Press the right key to adjust the AF Operation mode. This option controls one aspect of the camera’s autofocus behavior, as outlined in Chapter 5.
  • Press the left key to change the Drive mode. The Drive mode settings enable you to switch the camera from single-frame shooting to continuous capture or any of the other drive modes, including remote shooting. See Chapter 2 for details.
  • Press the down key to change the Picture Style. Chapter 6 explains Picture Styles, which you can use to adjust the color, contrast, and sharpness of your pictures.

  For Live View and Movie shooting, the Quick Control keys perform different actions. See Chapter 5 for help.

• Quick Control dial: The Quick Control dial surrounds the Set button and the Quick Control keys. Rotating the dial offers a handy way to quickly scroll through options and settings. It’s a timesaver, so we point out when to use it as we provide instructions throughout the book.
• Erase button: Sporting a trash can icon, the universal symbol for delete, this button lets you erase pictures from your memory card during playback. Chapter 9 has specifics.
• Multi Function Lock switch: You can rotate this switch up, in the direction of the arrow, to lock the Quick Control dial so that you don’t accidentally move the dial and change a camera setting that you aren’t intending to modify. If you want an even larger safety net, you can set things up so that the switch also locks the Main dial and the touch screen (when shooting). The section “Setup Menu 4,” toward the end of this chapter, has details.
• Display-off sensor: This handy gizmo senses when you bring your eye up to the viewfinder and turns the LCD monitor off so that the glare from the display doesn’t bother you. When you pull your eye back, the LCD monitor comes back on.

• Info button: In Live View, Movie, and Playback modes, pressing this button changes the picture-display style.

  During viewfinder photography, you can press the Info button to toggle the display off or cycle between the Quick Control screen and electronic level. (These displays are explained later in this chapter.)

• Menu button: Press this button to display camera menus; press a second time to exit the menus. See the upcoming section “Ordering from Camera Menus” for help navigating menus.

And the rest …

The remaining external features of note are shown in Figure 1-8 and described in the following list.

• Wireless remote-control sensor: This sensor can pick up the signal from the optional Canon wireless remote-control unit. The part number is Canon RC-6, and sells for about $20.

  You also have two other wireless remote-control options: If you have a smartphone or tablet that can run the Canon Connect app, you can use that device as a wireless remote. The appendix provides more information. Alternatively, you can buy the Canon Wireless Remote Control BR-E1 (about $50), which connects to your camera via Bluetooth, also detailed in the appendix. We bring them up now because unlike the RC-6 unit, these two tools don’t need to be aimed at the camera’s remote-control sensor to work.

• Lens-release button: Press this button to disengage the lens from the lens mount so that you can remove it from the camera. While pressing the button, rotate the lens toward the shutter-button side of the camera to dismount the lens.
• Flash button: Press this button to raise the built-in flash in the advanced exposure modes (P, Tv, Av, and M).
• Microphone: You can record movie audio via the built-in microphone, which picks up sound from the two clusters of holes, one of which is labeled Microphone in Figure 1-8.
• Depth-of-Field Preview button: When you press this button, the image in the viewfinder (or, in Live View mode, on the monitor) offers an approximation of the depth of field that will result from your selected aperture setting, or f-stop. Depth of field refers to the distance over which the scene appears to be in focus. Chapter 5 provides details.
• Speaker: When you play a movie that contains audio, the sound comes wafting through these little holes.

• Connection ports: Hidden under two covers on the left side of the camera, you find inputs for connecting the camera to various devices. Open the smaller cover to access the connections for a wired remote control or external microphone. Under the larger door, you find a digital terminal for connecting the camera to your computer via USB and an HDMI out port that sends the signal from your camera to an HDMI TV. To use either feature, you need to purchase a cable to make the connection. For USB downloading, check the Canon website for the cables that will do the trick. For HDMI output, you can use any HD cable that has a Type-C connection on one end (the end that goes into the camera).

  See Chapter 8 for help with displaying images on an HD television; Chapter 9 explains how to connect the camera via USB in order to download pictures to your computer. (Spoiler alert: Downloading via USB is probably not your cheapest or easiest option; instead, consider using a memory-card reader or taking advantage of wireless transfer.)

If you turn the camera over, you find a tripod socket, which enables you to mount the camera on a tripod that uses a ¼-inch screw, plus the chamber that holds the battery, as well as a connection port for attaching a Canon power adapter. See the camera manual for specifics on running the camera on AC power.

Changing from Standard to Guided Display Mode

By default, your camera is set to Standard Display Mode. Alternatively, you can set the camera to provide information to you in a Guided Display Mode. In this mode, designed for novices, camera screens are simplified and offer explanations and feedback when you adjust certain settings.

For example, the left side of Figure 1-9 shows the display when Tv exposure mode (shutter-priority auto-exposure) is selected. Likewise, the right side shows the guided menu with the Shooting settings menu selected.

Guided mode is fine for users who need more of a helping hand than the standard screens provide. But assuming that you bought this book because you want to learn more about your camera and master the ins and outs of photography, you don’t fall into that category. Standard mode is a better choice, for several reasons:

• Although the Guided screens make understanding some options easier, in many cases, they can be just as baffling as the Standard screens.
• The Guided screens often focus on one particular aspect of a camera setting without explaining how that setting affects other characteristics of your picture. When you change the shutter speed, for example, the camera has to make adjustments to one or two other critical settings — aperture and/or ISO — in order to properly expose the picture. Those settings, detailed along with shutter speed in Chapter 4, have their own impact on the look of your picture.
• Standard mode also saves you some steps as you make certain camera adjustments.
• The Guided screens limit your access to many shooting settings. In addition, when you use Guided mode, you can’t access the My Menu feature, which enables you to create a custom menu that contains the menu options you use most.
• Most other Canon dSLRs don’t offer Guided mode, so if you’re moving to the 77D from a previous Canon model that used standard displays, using Guided mode requires you to do unnecessary retraining. If you step up to a more advanced Canon model in the future, you also likely won’t have the option to use Guided mode.

For these reasons, figures and instructions from this point forward relate to using the camera in the Standard mode instead of Guided mode.

If you want to experiment, navigate to the Display Level menu and play around with different settings. The Shooting screen and Menu display are set to Standard by default, as shown on the left in Figure 1-10. The Mode and Feature guides are enabled by default, as shown in the figure. To change settings, select the setting you want to change, tap OK or press the Set button, and then highlight a new option, as shown on the right in Figure 1-10. Tap OK or press Set to make the change.

We leave it up to you whether to disable these features. After you’re familiar with the various exposure modes and camera settings, they simply slow you down, so we keep them off. But if you find them helpful, by all means leave them set to Enable. Just remember that instructions from here on out won’t mention them.