Details

Nik Software Captured


Nik Software Captured

The Complete Guide to Using Nik Software's Photographic Tools
1. Aufl.

von: Tony L. Corbell, Joshua A. Haftel

27,99 €

Verlag: Wiley
Format: EPUB
Veröffentl.: 30.12.2011
ISBN/EAN: 9781118236222
Sprache: englisch
Anzahl Seiten: 352

DRM-geschütztes eBook, Sie benötigen z.B. Adobe Digital Editions und eine Adobe ID zum Lesen.

Beschreibungen

<b>Learn all the features and functionality of the complete Nik family of products</b> <p>Styled in such a way as to resemble the way photographers think, Nik Software Captured aims to help you learn to apply all the features and functionality of the Nik software products. With Nik Software Captured, authors and Nik Software, Inc. insiders Tony Corbell and Josh Haftel help you use after-capture software products easier and more creatively. Their sole aim is to ensure that you can apply the techniques discussed in the book while gaining a thorough understanding of the capabilities of programs such as Dfine 2.0, Viveza 2, Color Efex Pro 4.0, Silver Efex Pro 2, Sharpener Pro 3.0, and HDR Efex Pro.</p> <ul> <li> <div>Helps you learn all the features and functionality of the Nik family of products</div> </li> <li> <div>Shares tips and techniques on retouching and exposure</div> </li> <li> <div>Offers a solid understanding of the importance of light</div> </li> <li> <div>Explores ways to save time in the digital workflow</div> </li> <li> <div>Answers the demand from readers to compile a variety of techniques conceived to help when using Adobe Photoshop, Adobe Photoshop Lightroom, and Apple's Aperture</div> </li> </ul> <p>With <i>Nik Software Captured</i>, you'll quickly benefit from the array of helpful techniques featured in this single resource.</p>
<b>About the Authors vii</b> <p><b>Introduction xvi</b></p> <p><b>About This Book xvii</b></p> <p><b>Two Points of View xvii</b></p> <p><b>Why This Book and Why Now xviii</b></p> <p><b>Conventions Used in This Book xviii</b></p> <p><b>Chapter 1: Editing Basics 2</b></p> <p><b>Fundamental Editing Techniques 3</b></p> <p>Evaluating an image before editing 3</p> <p>Planning your edits based on the human visual system 5</p> <p><b>Editing Terminology 10</b></p> <p><b>Chapter 2: The Digital Workflow 18</b></p> <p><b>A Basic Workflow 19</b></p> <p>Use the correct settings 19</p> <p>Organize your images 19</p> <p>Identify images to edit 21</p> <p>Apply any RAW-based adjustments 22</p> <p>Apply lens-based enhancements 23</p> <p>Crop the image 23</p> <p>Apply noise reduction 25</p> <p>Do panorama stitching or HDR merging and tone mapping 25</p> <p>Retouch dust or other imperfections 25</p> <p>Use Viveza 2 to balance light and color 25</p> <p>Stylize with Color Efex Pro or Silver Efex Pro 27</p> <p>Make a final round of clean-up 27</p> <p>For Photoshop only: Save a master version 27</p> <p>For Photoshop only: Resize based on output 28</p> <p>Sharpen based on output 29</p> <p>For Photoshop only: Save your sharpened working file 29</p> <p>Print or upload your masterpiece 29</p> <p><b>Creating a Custom Workflow 31</b></p> <p>Noise reduction 31</p> <p>Resizing 32</p> <p>Cropping 32</p> <p>RAW presharpening versus sharpening 32</p> <p>Output sharpening 33</p> <p>Living in the land of 2 percent versus the real world 34</p> <p><b>Your Personal Workflow 35</b></p> <p><b>Chapter 3: The Nik Software Editing Environment 36</b></p> <p><b>Differences in Host Applications 37</b></p> <p>Adobe Photoshop 37</p> <p>Adobe Photoshop Elements 39</p> <p>Adobe Photoshop Lightroom 42</p> <p>Aperture 43</p> <p>Standalone Nik Software plug-ins 44</p> <p>Other Host Applications 45</p> <p><b>Which Host Application to Use? 46</b></p> <p><b>Standardized user interface 47</b></p> <p>Left pane 47</p> <p>Top toolbar 48</p> <p>Right pane 48</p> <p>Bottom toolbar 48</p> <p>Image area 50</p> <p><b>Batch Processing in Photoshop 50</b></p> <p><b>Chapter 4: UPoint 54</b></p> <p><b>U Point Technology Explained 55</b></p> <p><b>How U Point Technology Works 58</b></p> <p><b>Using Anchor Control Points 61</b></p> <p><b>The Different Uses of U Point Technology 61</b></p> <p><b>What Is Noise? 67</b></p> <p><b>Chapter 5: Dfine 2.0 68</b></p> <p><b>How Dfine 2.0 Works 70</b></p> <p><b>Step 1: Measuring Noise 71</b></p> <p><b>Step 2: Reducing Noise 72</b></p> <p>Reducing noise globally and selectively with control points 74</p> <p>Reducing noise globally and selectively with color ranges 77</p> <p>Using the Advanced Noise Reduction tools77</p> <p><b>Using the Modes Popup Menu to Review the Noise and Selection Masks 82</b></p> <p><b>When to Use Dfine 2.0 to Reduce Noise85</b></p> <p><b>Chapter 6: Viveza 2 88</b></p> <p><b>The Viveza 2 Interface 90</b></p> <p>Adding control points 90</p> <p>Grouping and ungrouping 90</p> <p>Global and selective indicators 91</p> <p>Expand and Collapse buttons 92</p> <p>Enhancement sliders 92</p> <p>Color picker and Eyedropper tool 94</p> <p>Control Point List 95</p> <p>Levels and Curves control 96</p> <p><b>Applying Viveza 2 to Your Photographs 97</b></p> <p>Working with landscape images98</p> <p>Working with portrait images103</p> <p><b>Chapter 7: HDR Efex Pro 3.0 110</b></p> <p><b>HDR Imaging Explained 111</b></p> <p>The two stages of HDR image processing 112</p> <p><b>How to Capture and Process the Image Series for Best Results 117</b></p> <p>Reducing motion 117</p> <p>Optimal camera settings 118</p> <p>Processing a series of images 118</p> <p><b>Working with HDR Efex Pro 120</b></p> <p>Merging with HDR Efex Pro 120</p> <p>Alignment and ghost-reduction settings 124</p> <p>Tone mapping with HDR Efex Pro 128</p> <p><b>HDR panoramas 136</b></p> <p>Setting up to shoot an HDR panorama 137</p> <p>Creating the panoramas 137</p> <p>Create the HDR panorama 139</p> <p><b>Chapter 8: Color Efex Pro 4 140</b></p> <p><b>Working with the Filter List and Presets141</b></p> <p><b>Basic Controls144</b></p> <p><b>Taking Advantage of Recipes149</b></p> <p><b>Th e Powerful History Browser151</b></p> <p><b>Example Images and Enhancements152</b></p> <p>Example 1: A portrait photo152</p> <p>Example 2: A landscape photo156</p> <p>Example 3: An architectural photo159</p> <p><b>Chapter 9: Silver Efex Pro 2 162</b></p> <p><b>Creating Amazing Black-and-White Images 163</b></p> <p><b>Working with Silver Efex Pro 2 164</b></p> <p>Starting with presets 164</p> <p>Brightness controls 165</p> <p>Contrast controls 168</p> <p>Structure controls 170</p> <p>Selective Adjustments section 173</p> <p>Color filters 176</p> <p>Film types 178</p> <p>Finishing Adjustments section 179</p> <p>Loupe & Histogram section 181</p> <p>History Browser 183</p> <p><b>Image Workflows 184</b></p> <p>Example 1: A portrait image 185</p> <p>Example 2: A portrait image 187</p> <p>Example 3: A landscape image 189</p> <p><b>Chapter 10: Sharpener Pro 3.0 196</b></p> <p><b>Th e Importance of Sharpening Digital Images 197</b></p> <p>Detail loss during capture 197</p> <p>Detail loss during image processing 199</p> <p>Detail loss during output 199</p> <p><b>Removing the Guesswork from a Complicated Task 200</b></p> <p><b>How Sharpener Pro 3.0 Works 203</b></p> <p><b>Applying Sharpener Pro to Your Images 204</b></p> <p>RAW Presharpening 204</p> <p>Output-based sharpening 209</p> <p>Creative sharpening 212</p> <p><b>Important Controls in the Settings 217</b></p> <p>Default Control Point Settings 217</p> <p>Image Size sliders 219</p> <p><b>Chapter 11: Portraits Start to Finish 220</b></p> <p><b>Example 1: Candace 221</b></p> <p>What we did in Viveza 2 223</p> <p>What we did in Color Efex Pro 4 227</p> <p>What we did in Sharpener Pro 3.0 227</p> <p><b>Example 2: Lori 232</b></p> <p>What we did in Viveza 2 233</p> <p>What we did in Color Efex Pro 4 235</p> <p>What we did in Sharpener Pro 3.0 238</p> <p><b>Chapter 12: Landscapes Start to Finish 244</b></p> <p><b>Example 1: Trees of Peterhof 245</b></p> <p>What we did in Dfi ne 2.0 245</p> <p>What we did in Silver Efex Pro 2 245</p> <p>What we did in Sharpener Pro 3.0 251</p> <p><b>Example 2: Cliff Jump 253</b></p> <p>What we did in Dfine 2.0 253</p> <p>What we did in Viveza 2 254</p> <p>What we did in Color Efex Pro 4 255</p> <p><b>Example 3: Black-and-White HDR 258</b></p> <p>What we did in HDR Efex Pro 261</p> <p>What we did in Silver Efex Pro 2 262</p> <p><b>Appendix A: The Rise of Digital Photography and the History of Nik 270</b></p> <p>The Rise of Digital Photography 271</p> <p>The History of Nik Software 272</p> <p><b>Appendix B: Index 276</b></p>
<b>Tony L. Corbell</b> has been a professional photographer for over 30 years. He has photographed three U.S. presidents, 185 world leaders, sports celebrities, hundreds of brides and grooms, and an occasional astronaut, and has lectured in more than 20 countries. Tony created the award-winning Nik Software educational department and teaches workflow and photographic techniques. <p><b>Joshua A. Haftel</b> has been hooked on photography since he was yearbook photographer in high school. With a degree from the Rochester Institute of Photography, he has traveled the world photographing famous sites. When he's not taking pictures, Josh manages the entire product line of photographic tools for Nik Software.</p>
<b>Learn to get the most from Nik Software's photographic tools</b> <p>From noise reduction and image sharpening to the versatile digital filters in Color Efex Pro to the incredible U Point technology, Nik Software photographic tools are truly in a class of their own. Explore them all with renowned photographer and instructor Tony Corbell and Nik Software's Senior Product Manager Josh Haftel. In-depth instruction on using the software, behind-the-scenes looks into the products, and recommended digital workflow steps show you exactly when and how to use these powerful tools, so you can make the most of every image.</p> <ul> <li> <p>Incorporate techniques to optimize your digital workflow</p> </li> <li> <p>Control how much and where to apply noise reduction in images</p> </li> <li> <p>Convert photos into striking black-and-white images</p> </li> <li> <p>Use HDR techniques to enhance and create images with a wider range of colors and tonality</p> </li> <li> <p>Experiment with Color Efex Pro 4.0 filters and effects to enhance photographs</p> </li> <li> <p>Learn to globally or selectively control light and color in photos</p> </li> </ul> <p>Covers Dfine 2.0, Viveza 2, HDR Efex Pro, Color Efex Pro 4.0, Silver Efex Pro 2, and Sharpener Pro 3.0</p>

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