Details

Greek Drama and the Invention of Rhetoric


Greek Drama and the Invention of Rhetoric


1. Aufl.

von: David Sansone

98,99 €

Verlag: Wiley-Blackwell
Format: EPUB
Veröffentl.: 30.07.2012
ISBN/EAN: 9781118358375
Sprache: englisch
Anzahl Seiten: 272

DRM-geschütztes eBook, Sie benötigen z.B. Adobe Digital Editions und eine Adobe ID zum Lesen.

Beschreibungen

<b>GREEK DRAMA and the Invention of Rhetoric</b> <p>“An impressively erudite, elegantly crafted argument for reversing what ‘everybody knows’ about the relation of two literary genres that played before mass audiences in the Athenian city state.” <p><i><b>Victor Bers,</b></i> <i>Yale University</i> <p>“Sansone’s book is first-rate and should be read by any scholar interested in the origins of Greek rhetorical theory or, for that matter, interested in Greek tragedy. That Greek tragedy contains elements properly described as rhetorical is familiar, but Sansone goes far beyond this understanding by putting Greek tragedy at the heart of a counter-narrative of those origins.” <p><i><b>Edward Schiappa,</b> The University of Minnesota</i> <p>This book challenges the standard view that formal rhetoric arose in response to the political and social environment of ancient Athens. Instead, it is argued, it was the theater of Ancient Greece, first appearing around 500 BC that prompted the development of formalized rhetoric, which evolved soon thereafter. Indeed, ancient Athenian drama was inextricably bound to the city-state’s development as a political entity, as well as to the birth of rhetoric. Ancient Greek dramatists used mythical conflicts as an opportunity for staging debates over issues of contemporary relevance, civic responsibility, war, and the role of the gods. <p>The author shows how the essential feature of dialogue in drama created a ‘counterpoint’—an interplay between the actor making the speech and the character reacting to it on stage. This innovation spurred the development of other more sophisticated forms of argumentation, which ultimately formed the core of formalized rhetoric.
Preface <p>Part One: What Drama Does and How It Does It</p> <p>1. Setting the Stage<br /> 2. Seeing is Believing<br /> 3. The Muse Takes a Holiday<br /> 4. “It’s counterpoint,” he countered, and pointed.<br /> 5. Illusion and Collusion<br /> 6. Reaction Time</p> <p>Part Two: The Second Stage: The Invention of Rhetoric</p> <p>7. Paradigm Shift Happens<br /> 8. Perhaps You Will Object<br /> 9. Putting the Accuser on Trial<br /> <br /> Works Cited<br />  </p>
<p>“Every reader, both novice and expert, will learn a great deal from this insightful and refreshing study.”  (<i>Vorlagen und Nachrichten</i>, 1 November 2014)</p> <p>"The book is lively and readable, and should be read by everyone interested either in tragedy or in the origins of rhetoric."  (<i>Bryn Mawr Classical Review</i>, 16 June 2013)  </p> <p><i>“</i>Sansone considers a wide range of text and offers a valuable discussion of how many features of formal rhetoric may be traced back to drama and earlier literary genres.”  (<i>Anglo-Hellenic Review</i>, 1 March 2013)</p> <p>“The book is elegantly and often wittily written, with a wide range of cultural reference, and can strongly be recommended to anyone interested in the drama of any period.”  (Rogueclassicism, 26 February 2013)</p> <br /> <br /> <p><b> </b></p> <br /> <br /> <p><b> </b></p>
<p><b>David Sansone</b> is Professor Emeritus of Classics at the University of Illinois. A former editor of the journal <i>Illinois Classical Studies</i>, he has also served on the editorial boards of <i>Classical Philology </i>and <i>Bryn Mawr Classical Review</i>, and been a member of the Board of Directors of the American Philological Association. He is the author of <i>Greek Athletics and the Genesis of Sport </i>(1988), <i>Plutarch: Lives of Aristeides and Cato</i> (1989) and <i>Ancient Greek Civilization</i> (Wiley-Blackwell, 2009).
<p>“An impressively erudite, elegantly crafted argument for reversing what ‘everybody knows’ about the relation of two literary genres that played before mass audiences in the Athenian city state.” <p><i><b>Victor Bers,</b></i> <i>Yale University</i> <p>“Sansone’s book is first-rate and should be read by any scholar interested in the origins of Greek rhetorical theory or, for that matter, interested in Greek tragedy. That Greek tragedy contains elements properly described as rhetorical is familiar, but Sansone goes far beyond this understanding by putting Greek tragedy at the heart of a counter-narrative of those origins.” <p><i><b>Edward Schiappa,</b> The University of Minnesota</i> <p>This book challenges the standard view that formal rhetoric arose in response to the political and social environment of ancient Athens. Instead, it is argued, it was the theater of Ancient Greece, first appearing around 500 BC that prompted the development of formalized rhetoric, which evolved soon thereafter. Indeed, ancient Athenian drama was inextricably bound to the city-state’s development as a political entity, as well as to the birth of rhetoric. Ancient Greek dramatists used mythical conflicts as an opportunity for staging debates over issues of contemporary relevance, civic responsibility, war, and the role of the gods. <p>The author shows how the essential feature of dialogue in drama created a ‘counterpoint’—an interplay between the actor making the speech and the character reacting to it on stage. This innovation spurred the development of other more sophisticated forms of argumentation, which ultimately formed the core of formalized rhetoric.
<p>“An impressively erudite, elegantly crafted argument for reversing what ‘everybody knows’ about the relation of two literary genres that played before mass audiences in the Athenian city state.”<br /> – <i>Victor Bers, Yale University</i></p> <p>“Sansone’s book is first-rate and should be read by any scholar interested in the origins of Greek rhetorical theory or, for that matter, interested in Greek tragedy. That Greek tragedy contains elements properly described as rhetorical is familiar, but Sansone goes far beyond this understanding by putting Greek tragedy at the heart of a counter-narrative of those origins.”<br /> – <i>Edward Schiappa, The University of Minnesota</i></p>

Diese Produkte könnten Sie auch interessieren:

Greek Tragedy
Greek Tragedy
von: Nancy Sorkin Rabinowitz
PDF ebook
33,99 €
A Companion to Catullus
A Companion to Catullus
von: Marilyn B. Skinner
PDF ebook
44,99 €
The Blackwell History of the Latin Language
The Blackwell History of the Latin Language
von: James Clackson, Geoffrey Horrocks
PDF ebook
33,99 €