Details

Designing Interiors


Designing Interiors


2. Aufl.

von: Rosemary Kilmer, W. Otie Kilmer

104,99 €

Verlag: Wiley
Format: PDF
Veröffentl.: 07.02.2014
ISBN/EAN: 9781118418666
Sprache: englisch
Anzahl Seiten: 656

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Beschreibungen

After its publication in 1992, <i>Designing Interiors</i> became a hugely successful reference tool and designing textbook. In <i>Designing Interiors, Second Edition</i>, updates on trends in sustainability and green design, building codes, universal design, and building information models amplify the already invaluable interior design tricks of trade. Design professors Rosemary and Otie Kilmer provide a fuller design history that incorporates non-Western design and dynamic color illustrations that flesh out technical concepts.
<p>PREFACE  xix</p> <p>Acknowledgements  xxiii</p> <p><b>PART ONE: THE HISTORICAL AND THEORETICAL BASES OF DESIGN</b></p> <p><b>CHAPTER 1 Interior Design, an Introduction 1</b></p> <p>Current Issues in Design 1</p> <p>Universal Design 1</p> <p>Globalization 2</p> <p>Sustainable Design 2</p> <p>Historical Overview 4</p> <p>Before the Nineteenth Century 5</p> <p>The Nineteenth and Twentieth Centuries: Decorating and Integrated Design 7</p> <p>Interior Design as a Profession 9</p> <p>The Interior Designer 9</p> <p>Allied Professions 11</p> <p>Professional Societies 12</p> <p>Entering the Field of Interior Design 14</p> <p>Academic Preparation 14</p> <p>Work Experience and Internships 15</p> <p>Career Opportunities 15</p> <p>Licensing Interior Designers 16</p> <p>For Further Reading 16</p> <p><b>CHAPTER 2 The Origins of Design 17</b></p> <p>The Meaning and Essence of Design 18</p> <p>Originality in Design 19</p> <p>Functional and Visual Design Concepts 20</p> <p>The Development of Design 22</p> <p>Context, Container, and Contents 22</p> <p>Design and Style 23</p> <p>Design History 24</p> <p>Ancient Design 24</p> <p>The Middle Ages 29</p> <p>The Renaissance, 1400–1700 32</p> <p>Baroque and Rococo, 1580–1760 39</p> <p>Early American Architecture and Interiors 44</p> <p>The Neoclassic Period and Other Revivals 49</p> <p>The Victorian Era, 1830–1901 55</p> <p>Non-European Architecture and Interiors 56</p> <p>Africa—Prehistory to the Present 56</p> <p>Islamic Design—622 to the Present 57</p> <p>China—4000 BC to AD 1912 60</p> <p>Japan—Prehistory to the Present 62</p> <p>India—2500 BC to the Nineteenth Century 62</p> <p>Pre-Columbian Era—300 BC to AD 1570 63</p> <p>Note 64</p> <p>For Further Reading 64</p> <p><b>CHAPTER 3 The Evolution of Modern Design 65</b></p> <p>New Technology and Innovative Design 65</p> <p>Michael Thonet, 1796–1871 65</p> <p>Shaker Furniture, 1747–c1860 66</p> <p>The Arts and Crafts Movement, 1860–1900 67</p> <p>Art Nouveau, 1890–1905 68</p> <p>The Vienna Secession Movement, 1897–1911 72</p> <p>The Twentieth Century 73</p> <p>Pioneers of Modernism 73</p> <p>de Stijl, 1917–1931 77</p> <p>Bauhaus, 1919–1933 77</p> <p>International Style 79</p> <p>Art Deco, 1925–1940 80</p> <p>Modernism 80</p> <p>Early Modernism, 1930–1950 81</p> <p>Middle Modernism, 1950–1970 86</p> <p>Design Trends in the Millennium 95</p> <p>Future Developments 101</p> <p>Globalization 101</p> <p>Interactive Design 102</p> <p>Environmental Responsibility in Design 102</p> <p>More for Less 104</p> <p>Social Responsibility 104</p> <p>User Participation 105</p> <p>For Further Reading 106</p> <p><b>CHAPTER 4 The Basic Theories of Design Composition 107</b></p> <p>Design Approaches 107</p> <p>Structural Design 107</p> <p>Decorative or Applied Design 108</p> <p>Naturalistic Design 108</p> <p>Organic Design 109</p> <p>Geometric Design 110</p> <p>Abstract Design 113</p> <p>Metamorphic Design 113</p> <p>The Elements of Design 113</p> <p>Space 114</p> <p>Line 123</p> <p>Form 124</p> <p>Shape 124</p> <p>Texture 128</p> <p>Time 131</p> <p>The Principles of Design 133</p> <p>Balance 133</p> <p>Rhythm 137</p> <p>Emphasis 138</p> <p>Proportion 138</p> <p>Scale 139</p> <p>Unity and Harmony 139</p> <p>Variety 142</p> <p>For Further Reading 142</p> <p><b>CHAPTER 5 Color and Light 143</b></p> <p>Light Sources 143</p> <p>Modifiers of Light 146</p> <p>Human Vision and Perception 147</p> <p>Color Theory and Systems 148</p> <p>Additive Method of Mixing Light 148</p> <p>Subtractive Method of Mixing Light 149</p> <p>Paint-Color Mixing 149</p> <p>Color Properties 150</p> <p>Color Systems 150</p> <p>Color Schemes 158</p> <p>Psychology of Color 165</p> <p>Color Perception 166</p> <p>Color Application in Interiors 167</p> <p>Communicating Color Decisions 172</p> <p>Note 175</p> <p>For Further Reading 175</p> <p><b>PART TWO: PLANNING RESIDENTIAL AND COMMERCIAL SPACES</b></p> <p><b>CHAPTER 6 Design As a Process 177</b></p> <p>The Design Process: The Sequential Steps 178</p> <p>Commit (Accept the Problem) 181</p> <p>State (Define the Problem) 181</p> <p>Collect (Gather the Facts) 182</p> <p>Analyze 183</p> <p>Ideate 185</p> <p>Choose (Select the Best Option) 189</p> <p>Implement (Take Action) 191</p> <p>Evaluate (Critically Review) 195</p> <p>Notes 196</p> <p>For Further Reading 196</p> <p><b>CHAPTER 7 Programming Interior Spaces 197</b></p> <p>Values in Programming 199</p> <p>The Programming Process: The Sequential Steps 200</p> <p>Establish the Goals 200</p> <p>Research, Gather, and Analyze Facts 200</p> <p>Specify Needs 205</p> <p>Evaluate 210</p> <p>Organize and Decide 211</p> <p>Present Conclusions 212</p> <p>Notes 214</p> <p>For Further Reading 214</p> <p><b>CHAPTER 8 Space Planning of Residential Interiors 217</b></p> <p>Introduction to Space Planning 217</p> <p>Space Planners and Interior Design 217</p> <p>Categories of Interior Spaces 218</p> <p>Planning Residential Spaces 221</p> <p>Planning Guidelines 222</p> <p>Space Organization 224</p> <p>Closed Planning 224</p> <p>Open Planning 225</p> <p>Interior Zoning 227</p> <p>Group/Social Spaces 227</p> <p>Private Zones 233</p> <p>Transitional Spaces and Circulation 249</p> <p>Special Housing Needs 253</p> <p>Accessibility and Adaptable Housing 253</p> <p>Housing for the Elderly 254</p> <p>For Further Reading 254</p> <p><b>CHAPTER 9 Space Planning of Commercial Interiors 255</b></p> <p>Office Design 255</p> <p>Historical Development 256</p> <p>Spatial Organization 260</p> <p>Financial Institutions 268</p> <p>Spatial Organization 269</p> <p>Retail Design 271</p> <p>Spatial Organization 274</p> <p>Hospitality Design 275</p> <p>Restaurants 275</p> <p>Hotels, Motels, Inns, Bed & Breakfast, Hostels 278</p> <p>Theaters, Concert Halls, Auditoriums, Arenas 280</p> <p>Recreational 281</p> <p>Healthcare Design 281</p> <p>Institutional, Public, Government, and Other Facilities 283</p> <p>Schools, Colleges, and Universities 283</p> <p>Public and Government 284</p> <p>Religious 284</p> <p>Industrial and Transportation 284</p> <p>Specialized Interiors 284</p> <p>For Further Reading 285</p> <p><b>PART THREE: THE EXTERIOR AND INTERIOR ENVIRONMENTS</b></p> <p><b>CHAPTER 10 Environmental Concerns, Codes, and Regulations 287</b></p> <p>The Total Environment: Influences on Interiors 287</p> <p>Environmental Planning 288</p> <p>Land Use and Development 289</p> <p>Urban Planning 290</p> <p>Cluster Planning 290</p> <p>Specialized Planning 292</p> <p>New Towns 292</p> <p>Zoning 293</p> <p>Form Determinants for Buildings 294</p> <p>Site Planning 294</p> <p>Site Analysis 295</p> <p>Building Siting and Design 296</p> <p>Building Codes 296</p> <p>Building Codes and Interiors 297</p> <p>Fire Resistance, Safety, and Fire Protection 299</p> <p>Accessibility 300</p> <p>Barrier-Free Access 302</p> <p>General Guidelines 302</p> <p>Historic Preservation, Restoration, and Adaptive Reuse 305</p> <p>Background 306</p> <p>Landmarks: Districts and Buildings 306</p> <p>Historic Buildings and Interiors 306</p> <p>For Further Reading 307</p> <p><b>CHAPTER 11 Interior Environmental Control and Support Systems 309</b></p> <p>Energy Conservation and Climate Control 309</p> <p>The Human Comfort Zone 310</p> <p>Solar Energy and Interiors 317</p> <p>Electrical Systems for Buildings 323</p> <p>Water Use in Buildings 328</p> <p>Mechanical Conveying Systems 331</p> <p>Acoustics 332</p> <p>For Further Reading 335</p> <p><b>CHAPTER 12 Lighting for Interiors 337</b></p> <p>Natural Light 338</p> <p>Controlling Daylight 339</p> <p>Artificial Light 340</p> <p>The Measurement of Light 340</p> <p>Artificial Light Sources 343</p> <p>Incandescent Lamps 343</p> <p>Electric Discharge Sources 346</p> <p>Color Appearance of Light 353</p> <p>Lighting Needs and Application 354</p> <p>Lighting for Special Groups 355</p> <p>General or Ambient Lighting 355</p> <p>Task Lighting 356</p> <p>Accent or Special-Emphasis Lighting 356</p> <p>Lighting Fixtures and Techniques 357</p> <p>Manufactured Luminaires 357</p> <p>Spatially Integrated Lighting Systems 359</p> <p>Portable Lighting Fixtures 361</p> <p>Electrical Controls for Lighting 362</p> <p>Interior Applications of Lighting 363</p> <p>Office Lighting 363</p> <p>Retail Lighting 367</p> <p>Restaurant Lighting 368</p> <p>Healthcare Facilities Lighting 369</p> <p>Lighting Codes and Regulations 370</p> <p>For Further Reading 372</p> <p><b>PART FOUR: INTERIOR MATERIALS, ARCHITECTURAL SYSTEMS, FINISHES, AND COMPONENTS</b></p> <p><b>CHAPTER 13 Materials—Characteristics and Applications 373</b></p> <p>Introduction to Selecting Materials 373</p> <p>Materials, Environmental Concerns, and Sustainability 373</p> <p>Natural Materials 375</p> <p>Converted Materials 375</p> <p>Artificial Materials 375</p> <p>Material Selection 375</p> <p>Wood 376</p> <p>Physical Properties 376</p> <p>Hardwoods and Softwoods 379</p> <p>Wood Layering 380</p> <p>Designing with Wood 383</p> <p>Wood Finishes 386</p> <p>Masonry 388</p> <p>Stone 388</p> <p>Brick 390</p> <p>Concrete Masonry Units 392</p> <p>Glass Block 395</p> <p>Concrete 395</p> <p>Cement Manufacturing 395</p> <p>Plaster, Stucco, and Synthetic Mixtures 395</p> <p>Ceramics 397</p> <p>Earthenware and Stoneware 397</p> <p>Porcelain and China 398</p> <p>Ceramic Tiles 398</p> <p>Glass 399</p> <p>Manufactured Glass 399</p> <p>Architectural Glass 400</p> <p>Decorative Glass 402</p> <p>Metals 402</p> <p>Ferrous (Iron-Bearing) Metals 404</p> <p>Nonferrous Metals 405</p> <p>Finishing and Coating Metals 405</p> <p>Plastics 405</p> <p>Thermoplastics and Thermoset Plastic 406</p> <p>Plastic Fabrication 406</p> <p>Plastic Laminates 407</p> <p>Solid Surface Materials 408</p> <p>Carbon Fiber 408</p> <p>Textiles 408</p> <p>Selection and Application of Fabrics 409</p> <p>Fibers 411</p> <p>Yarns 413</p> <p>Textile Construction 414</p> <p>Textile Colorants 416</p> <p>Fabric Finishes 417</p> <p>Textiles for Interiors 419</p> <p>Miscellaneous Materials 420</p> <p>Rubber, Cork, and Leather 420</p> <p>Paint and Related Coatings 421</p> <p>For Further Reading 422</p> <p><b>CHAPTER 14 Architectural Systems and Interior Finishes 423</b></p> <p>Sustainable Architecture and Engineering 423</p> <p>Building Shell and Structural Systems 424</p> <p>Structural Design 424</p> <p>Structural Characteristics of Materials 424</p> <p>Basic Structural Elements 424</p> <p>Structural Systems 431</p> <p>Floor Systems 431</p> <p>Wood Floor Systems 433</p> <p>Steel Floor Systems 433</p> <p>Concrete Floor Systems 434</p> <p>Specialized Floor Systems 434</p> <p>Floor Finishes and Specification Criteria 434</p> <p>Hard Flooring 435</p> <p>Resilient Flooring 440</p> <p>Soft Floor Coverings 441</p> <p>Wall Systems 449</p> <p>Wall Construction 449</p> <p>Wall Finishes and Specification Criteria 451</p> <p>Ceiling Systems 458</p> <p>Ceiling Construction 458</p> <p>Ceiling Surface Materials 460</p> <p>For Further Reading 462</p> <p><b>CHAPTER 15 Interior Components 463</b></p> <p>Stairs 463</p> <p>Stair Construction and Design 463</p> <p>Doors 464</p> <p>Door Types 464</p> <p>Door Styles and Construction 468</p> <p>Door Frames and Hardware 470</p> <p>Windows 471</p> <p>Window Types 471</p> <p>Window Construction 474</p> <p>Interior Window Treatments 476</p> <p>Functional Considerations 476</p> <p>Aesthetic Factors 477</p> <p>Cost Factors 477</p> <p>Types of Window Treatments 477</p> <p>Cabinetry 482</p> <p>Cabinet Specifications 483</p> <p>Cabinet Construction 483</p> <p>Cabinet Hardware 485</p> <p>Cabinet Tops 486</p> <p>Fireplaces 486</p> <p>Fireplace Construction 486</p> <p>Fireplace Types 488</p> <p>Fireplace Locations 488</p> <p>For Further Reading 489</p> <p><b>PART FIVE: FURNITURE, FURNISHINGS, AND EQUIPMENT</b></p> <p><b>CHAPTER 16 Furniture 491</b></p> <p>Designing with Furniture 491</p> <p>Programming for Furniture 492</p> <p>Space Planning and Furniture 492</p> <p>Furniture Plans and Panel Installation 493</p> <p>Selection Criteria for Furniture 494</p> <p>Function 495</p> <p>Furniture for Special Groups 496</p> <p>Design Characteristics 496</p> <p>Life-Cycle Assessments and Costs 498</p> <p>Furniture Types 498</p> <p>Seating 498</p> <p>Tabular Units (Tables) 505</p> <p>Sleeping Units 505</p> <p>Storage Units 506</p> <p>Task Units (Desks) 510</p> <p>Systems Furniture 512</p> <p>Specialized Furniture 516</p> <p>Furniture Materials and Construction 517</p> <p>Wood 517</p> <p>Metals 519</p> <p>Plastics 521</p> <p>Upholstered Furniture 521</p> <p>For Further Reading 523</p> <p><b>CHAPTER 17 Furnishings and Equipment 525</b></p> <p>Furnishings 525</p> <p>Accessories 527</p> <p>Artwork 529</p> <p>Plants 536</p> <p>Signage and Graphics 540</p> <p>Equipment 544</p> <p>Residential Equipment 545</p> <p>Office Equipment 545</p> <p>Healthcare Equipment 546</p> <p>Hospitality Equipment 546</p> <p>Retail Equipment 546</p> <p>Institutional Equipment 546</p> <p>For Further Reading 547</p> <p><b>PART SIX: ASPECTS OF PROFESSIONAL PRACTICE</b></p> <p><b>CHAPTER 18 Design Communication 549</b></p> <p>Drawing as Design Communication 552</p> <p>Architectural Graphics 553</p> <p>Architectural Drawings 553</p> <p>Three-Dimensional Drawings 566</p> <p>Digital Media for Design Communication 573</p> <p>Photography 574</p> <p>Videos 574</p> <p>Models as Design Communication 574</p> <p>Conceptual Models 575</p> <p>Study Models 575</p> <p>Presentation Models 575</p> <p>Building the Model 575</p> <p>Materials, Techniques, and Reproduction 578</p> <p>Drawing Papers and Boards 578</p> <p>Drawing and Lettering Aids 578</p> <p>Blueprints and Photographic Reproduction 578</p> <p>Oral and Written Communication 578</p> <p>Oral Dialogue 578</p> <p>Written Communication 579</p> <p>Computers in Interior Design 580</p> <p>Computer Digital Manipulation 580</p> <p>Databases and Spreadsheets 580</p> <p>Word Processing 581</p> <p>Putting the Presentation Together 581</p> <p>For Further Reading 582</p> <p><b>CHAPTER 19 The Professional Practice of Interior Design—Business and Management 583</b></p> <p>Interior Design as a Business 583</p> <p>Residential and Nonresidential Practice 583</p> <p>Specialization 584</p> <p>Types of Services Offered 584</p> <p>Entering the Business World 584</p> <p>Business Operations 585</p> <p>Types of Business Organizations 585</p> <p>Operational Goals and Objectives 586</p> <p>Marketing, Public Relations, Ethics 590</p> <p>Business Consultants 590</p> <p>Fees and Compensation 591</p> <p>Contractual Agreements 591</p> <p>Bookkeeping and Accounting 594</p> <p>Project Management 594</p> <p>Design Teams and Staff Organization 596</p> <p>Project Consultants and Resources 597</p> <p>The Client’s Budget and Costs 598</p> <p>Project Scheduling 598</p> <p>Professionalism and Regulation in Interior Design 606</p> <p>For Further Reading 606</p> <p>Glossary 607</p> <p>index 619</p>
<p><b>ROSEMARY KILMER, ASID, IDEC, LEED® AP,</b> and <b>W. OTIE KILMER, AIA,</b> are both Professors Emeritis of interior design at Purdue University. Rosemary Kilmer has served on the Board of Directors for the NCIDQ exam. She is also a member of professional associations, as well as being an Accredited LEED Professional. W. Otie Kilmer has taught design and drawing for over 30 years. His successful career as an architect and interior designer has included work with high-profile international design firms. The authors lead their own design practice, Kilmer and Associates.</p>
<p><b><i>Now Updated!</i></b></p> <p><b>The classic introduction to interior design</b></p> <p>Highly acclaimed, <i>Designing Interiors</i> opened up the world of interior design for a generation of professionals. Now, the <i>Second Edition</i> is poised to usher in a new era of design and a new generation of interior designers.</p> <p>This comprehensive revision includes a brand new introduction to non-Western design, preparing readers to enter the profession in a global millennium. This new section on non-European interiors covers design and architecture in Africa, China, Japan, India, the Islamic world, and the Pre-Columbian Americas. Readers will also learn about European design from the Classical period through the Victorian age.</p> <p><i>Designing Interiors</i>, Second Edition provides vital information on 21st century design trends and key issues related to building codes. Most importantly, <i>Designing Interiors</i> covers the one issue no one can ignore today: sustainability. This <i>Second Edition</i> provides detailed information on the sustainability concerns of wood, masonry, ceramics, plastics, and other materials.</p> <p>This book introduces key fundamentals, including:</p> <ul> <li>Principles of design</li> <li>Color and light</li> <li>The design process and programming</li> <li>Residential & commercial interiors</li> <li>Codes and regulations</li> <li>Materials, furniture, and lighting</li> <li>Globalization and Social Responsibility</li> <li>Business management</li> <li>Environmentally responsive design</li> </ul> <p>For the big-picture understanding of 21st century demands, a complete grasp of sustainable architecture and interiors is vital—and also included in the <i>Second Edition</i> of <i>Designing Interiors</i>.</p>

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