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<p>Introduction Repair, Reworld: The Many Ways of Saying ‘No’</p> <p>Chapter 2 Prologue: Drawing an Argument for Refusal</p> <p>Chapter 3 Centring Civilisation: Now and After the Apocalypse</p> <p>Chapter 4 Digital Doubles: The Major Agency of Minor Bits</p> <p>Chapter 5 Expanding Bodies: Pedagogical Models for Pluralistic Spatialities</p> <p>Chapter 6 Shebeen Operations: Navigating Deviance</p> <p>Chapter 7 Earth Versus FIFA: Resisting Globalisation on the Open Pitch</p> <p>Chapter 8 A Cottage to Breathe In: Refusing Museums, Making Homes</p> <p>Chapter 9 A Space of Problems: The Child-Cities of Columbus</p> <p>Chapter 10 Reclaiming Their Future: Riotous Resistance and Indigenous Creativity in South America's Highest Metropolis</p> <p>Chapter 11 The Eruv as Legal Fiction: Changing Rules in the Public Realm</p> <p>Chapter 12 From Altars to Alterity: Offerings and Inheritances for Queer Vietnamese Kin</p> <p>Chapter 13 101 Ways to Refuse a Wall</p> <p>Chapter 14 Meanwhile Bodies: Architecture Without Property</p> <p>Chapter 15 To Not Refuse Our Ravaged World</p> <p>Chapter 16 From Another Perspective – Balking in the Balkans: Lebbeus Woods – Zagreb Free Zone Revisited</p> <p>Contributors</p> <p>About Architectural Design</p>

<p><b>Jill Stoner </b>is currently Director of the Azrieli School of Architecture and Urbanism at Carleton University in Ottawa Canada, and Professor Emerita of the College of Environmental Design at the University of California, Berkeley. She holds a Master of Architecture from the University of Pennsylvania (1979) and a Bachelor of Arts in Comparative Literature from New College in Sarasota, Florida (1975). Her professional practice earned her architectural firm numerous design awards, including first-place honors in two international urban competitions, and two AIA awards for school renovations.</p> <p>Stoner is recognized internationally for her contributions to architectural theory. She has lectured throughout the US and in Italy, Argentina, Denmark, the UK and Canada on spatial references and resonances in contemporary fiction and poetry, the concept of urban wilderness, global issues of space as an instrument of aggression, and the untapped potential of vacancy in the American post-recession landscape. Her first book, <i>Poems for Architects</i> (William Stout Publishers 2001) traces the spatial politics of the 20th century through an anthology of modern poems. Her second book, <i>Toward a Minor Architecture</i> (MIT Press 2012), proposes a more politicized agenda for architecture in the 21st century.</p>

<p><b>Guest-edited by Jill Stoner and Ozayr Saloojee</b></p> <p>Over the past decade, and in a more concentrated form over the past two years, there has been increasing recognition of architecture’s systemic complicity in constructing and upholding hierarchies of race and class, and privileging colonial paradigms that perpetuate spatial and economic inequity. This <i>AD</i> issue reveals how designers, practitioners, scholars and architects are participating in dismantling the major canons of Western architecture. The work is both literal and figural: taking buildings apart and reconstituting them, and challenging mythologies that include drawing-as-analogue, building-as object, architect-as-hero and nature-as-other.</p> <p>Architecture has both potential and responsibility for political agency in the public realm. The contributions to this issue foreground emancipatory spatial ideas and practices from around the world, demonstrating that refusal is no longer just absence and denial, but a constructive mode of resistance and action that needs to be approached through subversive urban works, design pedagogy and alliances across multiple disciplines.</p> <p><b>Contributors:</b> Piper Bernbaum, Carwil Bjork-James, Thiresh Govender, Lucia Jalón Oyarzun, Jennifer Newsom and Tom Carruthers, Cong Chi Nguyen, Quilian Riano, Hannah Le Roux, Alberto de Salvatierra, Cathy Smith, Chat Travieso, and Ilze Wolff.</p>

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