Details

American Gothic


American Gothic

An Anthology from Salem Witchcraft to H. P. Lovecraft
Blackwell Anthologies 2. Aufl.

von: Charles L. Crow

82,30 €

Verlag: Wiley-Blackwell
Format: PDF
Veröffentl.: 17.09.2012
ISBN/EAN: 9781118326039
Sprache: englisch
Anzahl Seiten: 560

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Beschreibungen

American Gothic remains an enduringly fascinating genre, retaining its chilling hold on the imagination. This revised and expanded anthology brings together texts from the colonial era to the twentieth century including recently discovered material, canonical literary contributions from Poe and Wharton among many others, and literature from sub-genres such as feminist and ‘wilderness’ Gothic. <ul> <li>Revised and expanded to incorporate suggestions from twelve years of use in many countries</li> <li>An important text for students of the expanding field of Gothic studies</li> <li>Strong representation of female Gothic, wilderness Gothic, the Gothic of race, and the legacy of Salem witchcraft</li> <li>Edited by a founding member of the International Gothic Association</li> </ul>
List of Authors x <p>Chronology xi</p> <p>Thematic Table of Contents xv</p> <p>Preface to the Second Edition xxviii</p> <p>Editorial Principles xxix</p> <p>Acknowledgments xxx</p> <p>Introduction 1</p> <p>Cotton Mather (1663–1728) 3</p> <p>“The Tryal of G. B.” 4</p> <p>“The Trial of Martha Carrier” 8</p> <p>A Notable Exploit; wherein , Dux Faemina Facti [The Narrative of Hannah Dustan] 10</p> <p>“ Abraham Panther” 12</p> <p>A surprising account of the Discovery of a Lady … 12</p> <p>J. Hector St. John de Crèvecoeur (1735–1813) 16</p> <p>from Letters from an American Farmer : “Letter IX” 16</p> <p>Charles Brockden Brown (1771–1810) 24</p> <p>“Somnambulism: A Fragment” 24</p> <p>Washington Irving (1783–1859) 36</p> <p>“The Legend of Sleepy Hollow” 36</p> <p>John Neal (1793–1876) 55</p> <p>“Idiosyncrasies” 55</p> <p>Nathaniel Hawthorne (1804–1864) 73</p> <p>“Alice Doane ’ s Appeal” 74</p> <p>“Young Goodman Brown” 80</p> <p>Henry Wadsworth Longfellow (1807–1882) 89</p> <p>“The Skeleton in Armor” 89</p> <p>Edgar Allan Poe (1809–1849) 94</p> <p>“Hop-Frog” 94</p> <p>“The Cask of Amontillado” 100</p> <p>“The Facts in the Case of M. Valdemar” 104</p> <p>“The Fall of the House of Usher” 110</p> <p>Five Poems 121</p> <p>“The Raven” 121</p> <p>“The City in the Sea” 124</p> <p>“Ulalume” 125</p> <p>“Annabel Lee” 127</p> <p>“Dream-Land” 128</p> <p>Herman Melville (1819–1891) 131</p> <p>“The Bell-Tower” 131</p> <p>George Lippard (1822–1854) 141</p> <p>from The Quaker City; or, The Monks of Monk Hall 141</p> <p>Henry Clay Lewis (1825–1850) 146</p> <p>“A Struggle for Life” 146</p> <p>Rose Terry Cooke (1827–1892) 152</p> <p>“My Visitation” 152</p> <p>Emily Dickinson (1830–1886) 164</p> <p>Eight Poems 164</p> <p>F 43 “Through lane it lay – thro’ bramble –” 164</p> <p>F 340 “I felt a Funeral, in my Brain” 165</p> <p>F 341 “ ’ Tis so appalling – it exhilarates –” 165</p> <p>F 360 “The Soul has Bandaged moments –” 166</p> <p>F 407 “One need not be a Chamber – to be Haunted –” 166</p> <p>F 425 “ ’ Twas like a Maelstrom, with a notch” 167</p> <p>F 431 “If I may have it, when it ’ s dead,” 167</p> <p>F 1433 “What mystery pervades a well!” 168</p> <p>Louisa May Alcott (1832–1888) 170</p> <p>“A Whisper in the Dark” 170</p> <p>Harriet Prescott Spofford (1835–1921) 194</p> <p>“Her Story” 194</p> <p>“Circumstance” 206</p> <p>Ambrose Bierce (1842–1914?) 215</p> <p>“An Inhabitant of Carcosa” 215</p> <p>“The Death of Halpin Frayser” 217</p> <p>Henry James (1843–1916) 227</p> <p>The Turn of the Screw 227</p> <p>George Washington Cable (1844–1925) 290</p> <p>“Jean-Ah Poquelin” 290</p> <p>Madeline Yale Wynne (1847–1918) 304</p> <p>“The Little Room” 304</p> <p>Sarah Orne Jewett (1849–1909) 312</p> <p>“The Foreigner” 312</p> <p>Kate Chopin (1851–1904) 328</p> <p>“Désirée ’ s Baby” 328</p> <p>Mary E. Wilkins Freeman (1852–1930) 333</p> <p>“Old Woman Magoun” 333</p> <p>“Luella Miller” 344</p> <p>Gertrude Atherton (1857–1948) 353</p> <p>“The Bell in the Fog” 353</p> <p>Anonymous (Folk Tale) 367</p> <p>“Talking Bones” 367</p> <p>Charles W. Chesnutt (1858–1932) 368</p> <p>“The Dumb Witness” 369</p> <p>“The Sheriff ’ s Children” 376</p> <p>Charlotte Perkins Gilman (1860–1935) 387</p> <p>“The Giant Wisteria” 387</p> <p>“The Yellow Wall-Paper” 392</p> <p>Elia Wilkinson Peattie (1862–1935) 403</p> <p>“The House That Was Not” 403</p> <p>Edith Wharton (1862–1937) 406</p> <p>“The Eyes” 406</p> <p>Robert W. Chambers (1865–1933) 419</p> <p>“In the Court of the Dragon” 419</p> <p>Edgar Lee Masters (1868–1950) 425</p> <p>Two Poems 425</p> <p>“Nancy Knapp” 425</p> <p>“Barry Holden” 425</p> <p>Edwin Arlington Robinson (1868–1935) 427</p> <p>Six Poems 427</p> <p>“Luke Havergal” 427</p> <p>“Lisette and Eileen” 428</p> <p>“The Dark House” 429</p> <p>“The Mill” 430</p> <p>“Souvenir” 431</p> <p>“Why He Was There” 431</p> <p>Frank Norris (1870–1902) 432</p> <p>“Lauth” 432</p> <p>Stephen Crane (1871–1900) 449</p> <p>“The Monster” 449</p> <p>Paul Laurence Dunbar (1872–1906) 483</p> <p>“The Lynching of Jube Benson” 483</p> <p>Alexander Posey (1873–1908) 488</p> <p>“Chinnubbie and the Owl” 488</p> <p>Jack London (1876–1916) 492</p> <p>“Samuel” 492</p> <p>H[oward] P[hillips] Lovecraft (1890–1937) 505</p> <p>“The Outsider” 505</p> <p>Select Bibliography 510</p> <p>Index of Titles and First Lines 513</p> <p>Index to the Introductions and Footnotes 515</p>
<p>“This excellent anthology provides an entertaining collection of gothic works of various genres written by both canonical authors, such as Nathaniel Hawthorne and Edgar Allan Poe, and less familiar American writers, such as Harriet Prescot Spofford and Ella Wilkinson Peattie ... Summing Up: Recommended. Lower-and upper-division undergraduates; general readers.” (<i>Choice</i>, 1 January 2014)</p> <p>"One of the main strengths of this collection lies in the fact that it places alongside the intelligent selection of extracts from authors already rightly well associated with the genre contributions from lesser known figures such as George Lippard. John Neal, Charles W. Chestnutt, and Cotton Mather, to name but a few. The edition also benefits greatly from a much greater acknowledgement of the traditionally underlooked contributions to the genre made by female authors… The anthology's thoughtful selection of texts and authors, and useful, practical, scholarly apparatus mean that it should be an immensely useful resource for anyone teaching on courses related to this ever-expanding and influential subsection of American literary studies." - Bernice Murphy<i>, Trinity College Dublin</i></p>
<p><b>Charles L. Crow</b> is Professor Emeritus of English at Bowling Green State University in Ohio, USA, and has been a visiting scholar or lecturer at universities in Austria, the Czech Republic, China, and Croatia. He edited the first edition of this volume for Blackwell in 1999 and has written monographs and articles on several nineteenth- and twentieth-century American writers. A founding member of the International Gothic Association, he is also editor of <i>A</i> <i>Companion to the Regional Literatures of America</i> (Wiley-Blackwell, 2003).</p>
<p>The chilling creativity of the American Gothic has retained its power to attract readers since it burst onto the literary scene in the eighteenth century, yet it has been the object of serious scholarship for only a few decades. Edited by a founding member of the International Gothic Association, the new edition of this anthology incorporates the whole range of factual and imaginative writing, from Cotton Mather’s account of the witchcraft trials in the colonial era, through the poetry of Poe, Dickinson, and Longfellow and unsettling tales both long (Henry James’s <i>The Turn of the Screw</i>)and short (the anonymous “Talking Bones”), to the beginning of modernism in the twentieth century.</p> <p>The collection demonstrates the startling abundance of themes explored by these writers and reflects contemporary academic perspectives, with generous selections from genres such as feminist and “wilderness” Gothic. This new edition benefits from more than ten years of suggestions from readers and teachers while still offering prose and poetry from luminaries such as Nathaniel Hawthorne, Herman Melville, Henry James, Stephen Crane, Jack London, and Edith Wharton. It includes recently unearthed as well as canonical material and provides an unflinching view of America’s secrets and fears: the thoughts that have been repressed, silenced, or forbidden. All editorial materials have been revised for this new edition, which includes brand-new selections such as the captivity narrative of Hannah Dustan, Madeline Yale Wynne’s “The Little Room,” Charlotte Perkins Gilman’s “The Yellow Wallpaper,” and H. P. Lovecraft’s “The Outsider.”</p>
<p>“This anthology is comprehensive and authoritative and will be an essential source for scholars and students for years to come. Professor Crow is to be congratulated for the meticulous care he has taken to introduce authors and for the extraordinary inclusiveness of the material selected.”—<i>Dr Andrew Smith, University of Sheffield</i></p> <p>“This is the definitive anthology of American Gothic tales, the one that offers the most representative range of major authors and texts, in addition to excellent introductions and helpful annotations. All of this has only been enhanced in this Second Edition, since now there is even a wider range of important Gothic works for students and more advanced scholars to study and interpret. For reading and understanding the American Gothic short story, then, there is no better single volume anywhere.” <i>—Jerrold E. Hogle, University of Arizona</i></p>

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