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A Handbook to Classical Reception in Eastern and Central Europe


A Handbook to Classical Reception in Eastern and Central Europe


Wiley Blackwell Handbooks to Classical Reception 1. Aufl.

von: Zara Martirosova Torlone, Dana LaCourse Munteanu, Dorota Dutsch

171,99 €

Verlag: Wiley-Blackwell
Format: EPUB
Veröffentl.: 06.02.2017
ISBN/EAN: 9781118832684
Sprache: englisch
Anzahl Seiten: 632

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Beschreibungen

<ul> <li><i>A Handbook to Classical Reception in Eastern and Central Europe</i> is the first comprehensive English]language study of the reception of classical antiquity in Eastern and Central Europe. This groundbreaking work offers detailed case studies of thirteen countries that are fully contextualized historically, locally, and regionally.</li> <li>The first English-language collection of  research and scholarship on Greco-Roman heritage in Eastern and Central Europe </li> <li>Written and edited by an international group of seasoned and up-and-coming scholars with vast subject-matter experience and expertise </li> <li>Essays from leading scholars in the field provide broad insight into the reception of the classical world within specific cultural and geographical areas </li> <li>Discusses the reception of many aspects of Greco-Roman heritage, such as prose/philosophy, poetry, material culture</li> <li>Offers broad and significant insights into the complicated engagement many countries of Eastern and Central Europe have had and continue to have with Greco-Roman antiquity</li> </ul>
<p>List of Illustrations x</p> <p>Notes on Contributors xii</p> <p>Acknowledgments xix</p> <p>Introduction 1<br /> <i>Zara Martirosova Torlone, Dana LaCourse Munteanu, and Dorota Dutsch</i></p> <p><b>Part I Croatia 13<br /> </b><i>Neven Jovanovic </i>́</p> <p>1 Classical Reception in Croatia: An Introduction 15<br /> <i>Neven Jovanovic </i><i>́</i></p> <p>2 Pula and Split: The Early Modern Tale(s) of Two Ancient Cities 21<br /> <i>Jasenka Gudelj</i></p> <p>3 Croatian Neo‐Latin Literature and Its Uses 35<br /> <i>Neven Jovanovic</i><i>́</i></p> <p>4 The First Dalmatian Humanists and the Classics: A Manuscript Perspective 46<br /> <i>Luka Špoljaric</i><i>́</i></p> <p>5 The Swan Song of the Latin Homer 57<br /> <i>Petra Šoštaric</i><i>́</i></p> <p><b>Part II Slovenia 67<br /> </b><i>Marko Marinc</i>̌<i>ic</i>̌</p> <p>6 Classical Reception in Slovenia: An Introduction 69<br /> <i>Marko Marinc</i><i>̌</i><i>ic</i><i>̌</i></p> <p>7 Collecting Roman Inscriptions Beyond the Alps: Augustinus Tyfernus 74<br /> <i>Marjeta Šašel Kos</i></p> <p>8 Sta. Maria sopra Siwa: Inventing a Slavic Venus 88<br /> <i>Marko Marinci</i><i>̌ </i><i>c</i><i>̌</i></p> <p>9 Images from Slovenian Dramatic and Theatrical Interpretations of Ancient Drama 99<br /> <i>Andreja N. Inkret</i></p> <p><b>Part III Czech Republic 113<br /> </b><i>Jan Ba?ant</i></p> <p>10 Classical Reception in the Czech Republic: An Introduction 115<br /> <i>Jan Ba?ant</i></p> <p>11 Classical Antiquity in Czech Literature between the National Revival and the Avant‐Garde 121<br /> <i>Daniela C</i>̌<i>adkova</i></p> <p>12 The Classical Tradition and Nationalism: The Art and Architecture of Prague, 1860–1900 133<br /> <i>Jan Ba?ant</i></p> <p>13 The Case of the <i>Oresteia</i>: Classical Drama on the Czech Stage, 1889–2012 146<br /> <i>Alena Sarkissian</i></p> <p><b>Part IV Poland 159<br /> </b><i>Dorota Dutsch</i></p> <p>14 Classical Reception in Poland: An Introduction 161<br /> <i>Dorota Dutsch</i></p> <p>15 From Fictitious Letters to Celestial Revolutions: Copernicus and the Classics 166<br /> <i>Dorota Dutsch and Francois Zdanowicz</i></p> <p><i>16 Respublica </i>and the Language of Freedom: The Polish Experiment 179<br /> <i>Anna Grzesk</i><i>́ </i><i>owiak</i><i>‐</i><i>Krwawicz</i></p> <p>17 Two Essays on Classical Reception in Poland 190<br /> <i>Jerzy Axer</i></p> <p>18 Parallels between Greece and Poland in Juliusz Słowacki’s Oeuvre 207<br /> <i>Maria Kalinowska</i></p> <p><b>Part V Hungary 223<br /> </b><i>Farkas Gabor Kiss</i></p> <p>19 Classical Reception in Hungary: An Introduction 225<br /> <i>Farkas Gabor Kiss</i></p> <p>20 Classical Reception in Sixteenth‐Century Hungarian Drama 233<br /> <i>Agnes Juhasz</i><i>‐</i><i>Ormsby</i></p> <p>21 <i>Truditur dies die: </i>Reading Horace as a Political Attitude in Nineteenth‐ and Twentieth‐Century Hungary 245<br /> <i>Abel Tamas</i></p> <p>22 The Shepherdess and the Myrmillo: The Sculptor Istvan Ferenczy and the Reception of Classical Antiquity in Hungary 260<br /> <i>Nora Veszpremi</i></p> <p><b>Part VI Romania 277<br /> </b><i>Dana LaCourse Munteanu</i></p> <p>23 Classical Reception in Romania: An Introduction 279<br /> <i>Radu Ardevan, Florin Berindeanu, and Ioan Piso</i></p> <p>24 Loving Vergil, Hating Rome: Coşbuc as Translator and Poet 287<br /> <i>Carmen Fenechiu and Dana LaCourse Munteanu</i></p> <p>25 Noica’s Becoming within Being and Meno’s Paradox 300<br /> <i>Octavian Gabor</i></p> <p>26 Reception of the Tropaeum Traiani: Former Paths and Future Directions 312<br /> <i>Allison L.C. Emmerson</i></p> <p><b>Part VII Bosnia</b><b>‐</b><b>Herzegovina, Serbia, and Montenegro 327 </b></p> <p><i>Nada Zec</i>̌<i>evic</i><i>́</i></p> <p>27 Classical Reception in Bosnia‐Herzegovina, Serbia, and Montenegro: An Introduction 329<br /> <i>Nada Zece</i><i>̌ </i><i>vic</i><i>́ </i><i>and Nenad Ristovic</i><i>́</i></p> <p>28 Classical Antiquity in the Franciscan Historiography of Bosnia (Eighteenth Century) 336<br /> <i>Nada Zec</i><i>̌</i><i>evic</i><i>́</i></p> <p>29 Innovative Impact of the Classical Tradition on Early Modern Serbian Literature 347<br /> <i>Nenad Ristovic </i><i>́</i></p> <p>30 Classical Heritage in Serbian Lyric Poetry of the Twentieth Century: Jovan Dučić, Miloš Crnjanski, and Ivan V. Lalić 360<br /> <i>Ana Petkovic</i><i>́</i></p> <p>31 The Ancient Sources of Njegoš’s Poetics 373<br /> <i>Darko Todorovic </i><i>́</i></p> <p><b>Part VIII Bulgaria 387<br /> </b><i>Yoana Sirakova</i></p> <p>32 Classical Reception in Bulgaria: An Introduction 389<br /> <i>Yoana Sirakova</i></p> <p>33 Bulgarian Lands in Antiquity: A Melting Pot of Thracian, Greek, and Roman Culture 396<br /> <i>Mirena Slavova</i></p> <p>34 In the Labyrinth of Allusions: Ancient Figures in Bulgarian Prose Fiction 411<br /> <i>Violeta Gerjikova</i></p> <p>35 “Bulgarian” Orpheus between the National and the Foreign, between Antiquity and Postmodernism 423<br /> <i>Yoana Sirakova</i></p> <p>36 Staging of Ancient Tragedies in Bulgaria and Their Influence on the Process of Translation and Creative Reception 437<br /> <i>Dorothea Tabakova</i></p> <p><b>Part IX Russia 449<br /> </b><i>Judith E. Kalb</i></p> <p>37 Classical Reception in Russia: An Introduction 451<br /> <i>Judith E. Kalb</i></p> <p>38 “Men in Cases”: The Perception of Classical Schools in Prerevolutionary Russia 457<br /> <i>Grigory Starikovsky</i></p> <p>39 Homer in Russia 469<br /> <i>Judith E. Kalb</i></p> <p>40 Vergil in Russia: Milestones of Identity 480<br /> <i>Zara Martirosova Torlone</i></p> <p>41 Russian Encounters with Classical Antiquities: Archaeology, Museums, and National Identity in the Tsarist Empire 493<br /> <i>Caspar Meyer</i></p> <p><b>Part X Armenia and Georgia 507<br /> </b><i>Zara Martirosova Torlone</i></p> <p>42 Armenian Culture and Classical Antiquity 509<br /> <i>Armen Kazaryan and Gohar Muradyan</i></p> <p>43 Medieval Greek–Armenian Literary Relations 516<br /> <i>Gohar Muradyan</i></p> <p>44 The “Classical” Trend of the Armenian Architectural School of Ani: The Greco‐Roman Model and the Conversion of Medieval Art 528<br /> <i>Armen Kazaryan</i></p> <p>45 Classical Reception in Georgia: An Introduction 541<br /> <i>Ketevan Gurchiani</i></p> <p>46 Greek Tragedy on the Georgian Stage in the Twentieth Century 548<br /> <i>Ketevan Gurchiani</i></p> <p>Index 560</p>
<p><b>Zara Martirosova Torlone </b>is Professor in the Department of Classics at Miami University, USA. She is the author of <i>Russia and the Classics </i>(2009) and <i>Vergil in Russia</i> (2015), editor of <i>Classical Reception in Eastern Europe </i>(a special issue of <i>Classical Receptions Journal), </i>and co‑editor of <i>Insiders and Outsiders in Russian Cinema </i>(with Stephen Norris, 2008). She has written numerous articles concerning classical literature and its reception, especially in Russian culture.</p> <p><b>Dana LaCourse Munteanu</b> is Associate Professor in the Department of Greek and Latin at Ohio State University, Newark, USA. She is the author of <i>Tragic Pathos: Pity and Fear in Greek Philosophy and Tragedy </i>(2012) and the editor of <i>Emotion, Genre and Gender in Classical Antiquity </i>(2011). She has written several articles on Greek philosophy, tragedy and the reception.</p> <b>Dorota Dutsch</b> is Associate Professor of Classics at the University of California, Santa Barbara, USA. She is the author of <i>Feminine Discourse in Roman Comedy: On Echoes and Voices</i> (2008), and co‐editor of <i>Women in the Drama of the Roman Republi</i>c (with David Konstan and Sharon James, 2015), <i>Ancient Obscenities</i> (with Ann Suter, 2015),and <i>The Fall of the City in the Mediterranean </i>(with Ann Suter and Mary Bachvarova, 2016).
<p>Central and Eastern Europe’s rich and longstanding history of classical receptions is largely unknown beyond its borders. <i>A Handbook to Classical Reception in Eastern and Central Europe</i> is the first comprehensive English‐language study of the reception of classical antiquity in Eastern and Central Europe. This groundbreaking work offers detailed case studies of twelve countries that are fully contextualized historically, locally, and regionally.</p> <p>This handbook is divided into chapters by country. Case studies delve into the pre-national and national receptions of classical literature and material culture Croatia, Slovenia, Czech Republic, Poland, Hungary, Romania, Bosnia-Herzegovina, Serbia and Montenegro, Bulgaria, Russia, Armenia and Georgia. This volume features contributions from scholars based both within and beyond the region, providing an invaluable range of perspectives which help to extend reception studies into histories, literatures, and cultures previously inaccessible to English speakers.</p> This handbook unveils ways in which specific national cultures have engaged with classical Greece and Rome and helps readers understand, in turn, how classical antiquity contributed to the idea of nation building in the region. 

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