Details

A Companion to Modernist Poetry


A Companion to Modernist Poetry


Blackwell Companions to Literature and Culture 1. Aufl.

von: David E. Chinitz, Gail McDonald

145,99 €

Verlag: Wiley
Format: PDF
Veröffentl.: 28.03.2014
ISBN/EAN: 9781118604434
Sprache: englisch
Anzahl Seiten: 624

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Beschreibungen

<b>A COMPANION TO MODERNIST POETRY</b> <p><b>A Companion to Modernist Poetry</b> <p><i>A Companion to Modernist Poetry</i> presents contemporary approaches to modernist poetry in a uniquely in-depth and accessible text. The first section of the volume reflects the attention to historical and cultural context that has been especially fruitful in recent scholarship. The second section focuses on various movements and groupings of poets, placing writers in literary history and indicating the currents and countercurrents whose interaction generated the category of modernism as it is now broadly conceived. The third section traces the arcs of twenty-one poets’ careers, illustrated by analyses of key works. <p>The <i>Companion</i> thus offers breadth in its presentation of historical and literary contexts and depth in its attention to individual poets; it brings recent scholarship to bear on the subject of modernist poetry while also providing guidance on poets who are historically important and who are likely to appear on syllabi and to attract critical interest for many years to come. <p>Edited by two highly respected and notable critics in the field, <i>A Companion to Modernist</i> Poetry boasts a varied list of contributors who have produced an intense, focused study of modernist poetry.
Notes on Contributors ix <p>Introduction 1<br /><i>David E. Chinitz and Gail McDonald</i></p> <p>1 Rhythm, Form, and Diction in Modernist Poetry 4<br /><i>Michael H. Whitworth</i></p> <p><b>Part I Influences and Institutions 21</b></p> <p>2 Urbanism 23<br /><i>Julia E. Daniel</i></p> <p>3 The Visual Arts 34<br /><i>Leonard Diepeveen</i></p> <p>4 Music 47<br /><i>Brad Bucknell</i></p> <p>5 Fiction 58<br /><i>John Xiros Cooper</i></p> <p>6 Science and Technology 69<br /><i>Katy Price</i></p> <p>7 Popular Culture 81<br /><i>Michael Coyle</i></p> <p>8 Religion: Orthodoxies and Alternatives 95<br /><i>Lara Vetter</i></p> <p>9 Politics 107<br /><i>Sascha Bru</i></p> <p>10 War and Empire 119<br /><i>Vincent Sherry</i></p> <p>11 Psychology and Sexuality 132<br /><i>Gabrielle McIntire</i></p> <p>12 Symbolism and Decadence 144<br /><i>Barry J. Faulk</i></p> <p>13 The European Avant-Garde 157<br /><i>Michael Levenson</i></p> <p>14 Little Magazines 172<br /><i>Suzanne W. Churchill</i></p> <p>15 Modernist Criticism 185<br /><i>Chris Baldick</i></p> <p><b>Part II Groups and Groupings 197</b></p> <p>16 The Georgian Poets and the Genteel Tradition 199<br /><i>Meredith Martin and Erin Kappeler</i></p> <p>17 The New Poetry 209<br /><i>John Timberman Newcomb</i></p> <p>18 Poetry of the Great War 222<br /><i>Eve C. Sorum</i></p> <p>19 The Harlem Renaissance 234<br /><i>Karen Jackson Ford</i></p> <p>20 The Fugitives 246<br /><i>Gail McDonald</i></p> <p>21 Modernist Women Poets 256<br /><i>Miranda Hickman</i></p> <p>22 Left Poetry 267<br /><i>Walter Kalaidjian</i></p> <p>23 Objectivism 281<br /><i>Stephen Cope</i></p> <p>24 World Modernist Poetry in English 296<br /><i>Omaar Hena</i></p> <p>25 Modernism: The Next Generation 310<br /><i>Susan Rosenbaum</i></p> <p><b>Part III Poets 323</b></p> <p>26 Thomas Hardy 325<br /><i>Tim Armstrong</i></p> <p>27 W. B. Yeats 335<br /><i>Steven Matthews</i></p> <p>28 Gertrude Stein 348<br /><i>Susan Holbrook</i></p> <p>29 Robert Frost 358<br /><i>Robert Faggen</i></p> <p>30 Wallace Stevens 367<br /><i>Malcolm Woodland</i></p> <p>31 Mina Loy 380<br /><i>Cristanne Miller</i></p> <p>32 William Carlos Williams 389<br /><i>Christopher MacGowan</i></p> <p>33 D. H. Lawrence 402<br /><i>Holly A. Laird</i></p> <p>34 Ezra Pound 412<br /><i>Rebecca Beasley</i></p> <p>35 H.D. 425<br /><i>Helen Sword</i></p> <p>36 Marianne Moore 438<br /><i>Robin G. Schulze</i></p> <p>37 T. S. Eliot 450<br /><i>Anthony Cuda</i></p> <p>38 Claude McKay 464<br /><i>William J. Maxwell</i></p> <p>39 Edna St. Vincent Millay 474<br /><i>Melissa Bradshaw</i></p> <p>40 Hugh MacDiarmid 484<br /><i>Margery Palmer McCulloch</i></p> <p>41 E. E. Cummings 494<br /><i>Michael Webster</i></p> <p>42 David Jones 505<br /><i>Thomas Dilworth</i></p> <p>43 Melvin Tolson 515<br /><i>Kathy Lou Schultz</i></p> <p>44 Hart Crane 526<br /><i>Sunny Stalter-Pace</i></p> <p>45 Langston Hughes 536<br /><i>David E. Chinitz</i></p> <p>46 W. H. Auden 551<br /><i>Stan Smith</i></p> <p>Conclusion: Modernist Poetry Today 563</p> <p>47 Contemporary Critical Trends 565<br /><i>Matthew Hofer</i></p> <p>Index 578</p>
<p>“This Companionis thoroughly recommended for university libraries supporting degree programmes in English literature or American literature and public libraries seeking contemporary scholarship to augment their poetry collections.”  (<i>Reference Reviews</i>, 1 September 2015)</p>
<p><b>David E. Chinitz</b> is Professor of English at Loyola University Chicago, USA, and President of the Modernist Studies Association. His publications include <i>A Companion to T S. Eliot</i> (Wiley Blackwell, 2009), <i>Which Sin to Bear? Authenticity and Compromise in Langston Hughes</i> (2013), and <i>T S. Eliot and the Cultural Divide</i> (2003), as well as a range of articles in such journals as <i>Callaloo, American Literary History, Modernism/modernity</i>, and <i>PMLA</i>.</p> <p><b> Gail McDonald</b> teaches at Goldsmiths College, University of London, UK. She is the author of <i>Learning to Be Modern: Pound, Eliot, and the American University</i> (1993), <i>American Literature and Culture, 1900-1960</i> (Wiley Blackwell, 2006), and articles on American progressivism, modernist poetry, and pedagogy. A founder and past president of the Modernist Studies Association, she is Director of the T. S. Eliot International Summer School.
<p><b>A Companion to Modernist Poetry</b></p> <p><i>A Companion to Modernist Poetry</i> presents contemporary approaches to modernist poetry in a uniquely in-depth and accessible text. The first section of the volume reflects the attention to historical and cultural context that has been especially fruitful in recent scholarship. The second section focuses on various movements and groupings of poets, placing writers in literary history and indicating the currents and countercurrents whose interaction generated the category of modernism as it is now broadly conceived. The third section traces the arcs of twenty-one poets’ careers, illustrated by analyses of key works. <p>The <i>Companion</i> thus offers breadth in its presentation of historical and literary contexts and depth in its attention to individual poets; it brings recent scholarship to bear on the subject of modernist poetry while also providing guidance on poets who are historically important and who are likely to appear on syllabi and to attract critical interest for many years to come. <p>Edited by two highly respected and notable critics in the field, <i>A Companion to Modernist</i> Poetry boasts a varied list of contributors who have produced an intense, focused study of modernist poetry.

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