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<p><b>Notes on Contributors xi<br /><br /></b><b>Acknowledgments xix</b></p> <p>Introduction 1</p> <p><i>Paul Booth<br /><br /></i><b>Part I Histories, Genealogies, Methodologies 11<br /><br /></b>1 Fandom, Negotiation, and Participatory Culture 13<br /><i>Henry Jenkins</i></p> <p>2 Foundational Discourses of Fandom 27<br /><i>Daniel Cavicchi</i></p> <p>3 Literature Fandom and Literary Fans 47<br /><i>Alexandra Edwards<br /><br /></i>4 The Fan Experience 65<br /><i>Karen Hellekson</i></p> <p>5 <i>Soap Fans</i>, Revisited 77<br /><i>C. Lee Harrington and Denise Bielby</i></p> <p>6 Not My Lifeblood: Autoethnography, Affective Fluctuations and Popular Music Antifandom 91<br /><i>Ross Garner</i></p> <p>7 Representations of Fans and Fandom in the British Newspaper Media 107<br /><i>Lucy Bennett</i></p> <p>8 Ethics in Fan Studies Research 123<br /><i>Ruth A. Deller</i></p> <p><b>Part II Fan Practices 143</b></p> <p>9 Make Space for Us! Fandom in the Real World 145<br /><i>Lynn Zubernis and Katherine Larsen</i></p> <p>10 Nostalgia, Fandom and the Remediation of Children’s Culture 161<br /><i>Lincoln Geraghty</i></p> <p>11 Fan Fashion: Re?-enacting <i>Hunger Games </i>through Clothing and Design 175<br /><i>Nicolle Lamerichs</i></p> <p>12 Slash/Drag: Appropriation and Visibility in the Age of <i>Hamilton </i>189<br /><i>Francesca Coppa</i></p> <p>13 “Becoming a Part of the Storytelling”: Fan Vidding Practices and Histories 207<br /><i>Katharina Freund</i></p> <p><b>Part III Fandom and Cultural Studies 225</b></p> <p>14 “Angry False?-Teeth?-Chattering Mayhem”: Synecdochic Fandom, Representation and Performance in Mature Woman Fandom of British Professional Wrestling 227<br /><i>Tom Phillips</i></p> <p>15 It’s About Who You Know: Social Capital, Hierarchies and Fandom 243<br /><i>Bertha Chin</i></p> <p>16 Ontological Security and the Politics of Transcultural Fandom 257<br /><i>Lori Morimoto</i></p> <p>17 Fandom and Otaku 277<br /><i>Miranda Ruth Larsen</i></p> <p>18 Otaku Pedestrians 289<br /><i>Marc Steinberg and Edmond Ernest dit Alban</i></p> <p>19 The Unbearable Whiteness of Fandom and Fan Studies 305<br /><i>Mel Stanfill</i></p> <p>20 Who Do You Mean by “Fan?” Decolonizing Media Fandom Identity 319<br /><i>Rukmini Pande</i></p> <p>21 Racebending and Prosumer Fanart Practices in <i>Harry Potter </i>Fandom 333<br /><i>Jessica Seymour</i></p> <p><b>Part IV Digital Fandom 349</b></p> <p>22 Tumblr Pedagogies 351<br /><i>Melanie E.S. Kohnen</i></p> <p>23 Active Fandom: Labor and Love in The Whedonverse 369<br /><i>Casey J. McCormick</i></p> <p>24 <i>“May We Meet Again”</i>: Social Bonds, Activities, and Identities in the #Clexa Fandom 385<br /><i>Mélanie Bourdaa</i></p> <p>25 Of Spinoffs and Spinning Off 401<br /><i>Louisa Stein</i></p> <p>26 #AskELJames, <i>Ghostbusters</i>, and #Gamergate: Digital Dislike and Damage Control 415<br /><i>Bethan Jones</i></p> <p>27 Red Pillers, Sad Puppies, and Gamergaters: The State of Male Privilege in Internet Fan Communities 431<br /><i>Katie Wilson</i></p> <p>28 “Fate Has a Habit of Not Letting Us Choose Our Own Endings”: Post?]object Fandom, Social Media and Material Culture at the End of <i>Hannibal </i>447<br /><i>Rebecca Williams</i></p> <p><b>Part V The Future of Fan Studies 461</b></p> <p>29 Understanding <i>Which </i>Fandom? Insights from Two Decades as a Music Fan Researcher 463<br /><i>Mark Duffett</i></p> <p>30 Implicit Fandom in the Fields of Theatre, Art, and Literature: Studying “Fans” Beyond Fan Discourses 477<br /><i>Matt Hills</i></p> <p>31 Janeites and Sherlockians: Literary Societies, Cultural Legitimacy, and Gender 495<br /><i>Roberta Pearson</i></p> <p>32 Porn Consumers as Fans 509<br /><i>Alan McKee</i></p> <p>33 Kant/Squid (The Fanfiction Assemblage) 521<br /><i>Anne Jamison</i></p> <p>34 Interdisciplinarity in Fan Studies 539<br /><i>Tisha Turk</i></p> <p><b>Index 553</b></p>

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