Details

A Companion to Creative Writing


A Companion to Creative Writing


Blackwell Companions to Literature and Culture 1. Aufl.

von: Graeme Harper

148,99 €

Verlag: Wiley-Blackwell
Format: PDF
Veröffentl.: 14.03.2013
ISBN/EAN: 9781118325797
Sprache: englisch
Anzahl Seiten: 456

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Beschreibungen

<b>A COMPANION TO CREATIVE WRITING</b> <p><i>A Companion to Creative Writing</i> is a comprehensive collection covering myriad aspects of the practice and profession of creative writing in the contemporary world. The book features contributions from an international cast of creative writers, publishers and editors, critics, translators, literary prize judges, and many other top professionals. Chapters not only consider the practice of creative writing in terms of how it is “done,” but also in terms of what occurs in and around creative writing practice. Chapters address a wide range of topics including the writing of poetry and fiction; playwriting and screenwriting; writing for digital media; editing; creative writing and its engagement with language, spirituality, politics, education, and heritage. Other chapters explore the role of literary critics and ideas around authorship, as well as translation and creative writing, the teaching of creative writing, and the histories and character of the marketplace, prizes, awards, and literary events. With its unprecedented breadth of coverage, <i>A Companion to Creative Writing</i> is an indispensable resource for those who are undertaking creative writing, studying creative writing at any level, or considering studying creative writing.
<p>Notes on Contributors ix</p> <p>Foreword by Sir Andrew Motion xiii</p> <p>Introduction 1<br /><i>Graeme Harper</i></p> <p><b>Part I Creative Writing 7</b></p> <p>1 The Architecture of Story 9<br /><i>Lorraine M. López</i></p> <p>2 Writing Creative Nonfi ction 24<br /><i>Bronwyn T. Williams</i></p> <p>3 Writing Poetry 40<br /><i>Nigel McLoughlin</i></p> <p>4 Writing for Children and Young Adults 56<br /><i>Kathleen Ahrens</i></p> <p>5 Write on! Practical Strategies for Developing Playwriting 71<br /><i>Peter Billingham</i></p> <p>6 Writing for Sound/Radio 86<br /><i>Steve May</i></p> <p>7 Writing the Screenplay 98<br /><i>Craig Batty</i></p> <p>8 New Media Writing 115<br /><i>Carolyn Handler Miller</i></p> <p>9 How to Make a Pocket Watch: The British Ph.D. in Creative Writing 129<br /><i>Simon Holloway</i></p> <p>10 Creative Writing and the Other Arts 144<br /><i>Harriet Edwards and Julia Lockheart</i></p> <p><b>Part II The Creative Writer’s Profession 161</b></p> <p>11 Agents, Publishers, and Booksellers: A Historical Perspective 163<br /><i>John Feather</i></p> <p>12 The Changing Role of the Editor: Editors Past, Present, and Future 179<br /><i>Frania Hall</i></p> <p>13 Translation as Creative Writing 195<br /><i>Manuela Perteghella</i></p> <p>14 Creative Writing and “the lash of criticism” 213<br /><i>Steven Earnshaw</i></p> <p>15 But What’s Really at Stake for the Barbarian Warrior? Developing a Pedagogy for Paraliterature 229<br /><i>Jeffrey S. Chapman</i></p> <p>16 Creative Writing and Education 245<br /><i>Jeri Kroll</i></p> <p>17 The Rise and Rise of Writers’ Festivals 263<br /><i>Cori Stewart</i></p> <p>18 Creative Writing Research 278<br /><i>Graeme Harper</i></p> <p>19 Literary Prizes and Awards 291<br /><i>Claire Squires</i></p> <p><b>Part III Creative Writing in the World 305</b></p> <p>20 D.H. Lawrence, Forever on the Move: Creative Writers and Place 307<br /><i>Louise DeSalvo</i></p> <p>21 The Psychology of Creative Writing 320<br /><i>Marie J.C. Forgeard, Scott Barry Kaufman, and James C. Kaufman</i></p> <p>22 Creative Writing around the World 334<br /><i>Matthew McCool</i></p> <p>23 Creative Hauntings: Creative Writing and Literary Heritage at the British Library 348<br /><i>Jamie Andrews</i></p> <p>24 Politics 357<br /><i>Jon Cook<br /><br /></i>25 Creative Writing and the Cold War University 377<br /><i>Eric Bennett</i></p> <p>26 “To the imagination, the sacred is self-evident”: Thoughts on Spirituality and the Vocation of Creative Writing 393<br /><i>J. Matthew Boyleston</i></p> <p>27 The Writer-Teacher in the United States: The Place of Teachers in the Community of Writers 405<br /><i>Patrick Bizzaro</i></p> <p>28 Creative Writing to the Future 421<br /><i>Graeme Harper</i></p> <p>Index 433</p>
<p><b>The Editor</b></p> <p><b>Graeme Harper</b> is a Professor of Creative Writing and Dean of The Honors College at Oakland University, Michigan. He has also been a Professor and Honorary Professor of Creative Writing in the UK and in Australia. His recent publications include <i>Inside Creative Writing: Interviews with Contemporary Writers</i> (2012) and <i>On Creative Writing</i> (2010). Writing as Brooke Biaz, his works include <i>The Invention of Dying</i> (2013) and <i>Small Maps of the World</i> (2006). Harper is also Editor of <i>New Writing: The International Journal for the Practice and Theory of Creative Writing. </i>
<p><i>A Companion to Creative Writing</i> is a comprehensive collection covering myriad aspects of the practice and profession of creative writing in the contemporary world. The book features contributions from an international cast of creative writers, publishers and editors, critics, translators, literary prize judges, and many other top professionals. Chapters not only consider the practice of creative writing in terms of how it is “done,” but also in terms of what occurs in and around creative writing practice. Chapters address a wide range of topics including the writing of poetry and fiction; playwriting and screenwriting; writing for digital media; editing; creative writing and its engagement with language, spirituality, politics, education, and heritage. Other chapters explore the role of literary critics and ideas around authorship, as well as translation and creative writing, the teaching of creative writing, and the histories and character of the marketplace, prizes, awards, and literary events. With its unprecedented breadth of coverage, <i>A Companion to Creative Writing</i> is an indispensable resource for those who are undertaking creative writing, studying creative writing at any level, or considering studying creative writing. </p>

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