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<p>1 On writing letters – from a liquid modern world 1</p> <p>2 Crowded solitude 6</p> <p>3 Parents and children conversing 10</p> <p>4 Offline, online 14</p> <p>5 As the birds do 18</p> <p>6 Virtual sex 22</p> <p>7 Strange adventures of privacy (1) 26</p> <p>8 Strange adventures of privacy (2) 30</p> <p>9 Strange adventures of privacy (3) 34</p> <p>10 Parents and children 38</p> <p>11 Teenager spending 42</p> <p>12 Stalking the Y generation 46</p> <p>13 Freedom's false dawn 50</p> <p>14 The arrival of child-women 54</p> <p>15 It is the eyelash's turn 58</p> <p>16 Fashion, or being on the move 62</p> <p>17 Consumerism is not just about consumption 67</p> <p>18 Whatever happened to the cultural elite 71</p> <p>19 Drugs and diseases 75</p> <p>20 Swine flu and other reasons to panic 79</p> <p>21 Health and inequality 83</p> <p>22 Be warned 87</p> <p>23 The world inhospitable to education? (part one) 91</p> <p>24 The world inhospitable to education? (part two) 95</p> <p>25 The world inhospitable to education? (part three) 99</p> <p>26 Ghosts of New Years past and New Years to come 102</p> <p>27 Predicting the unpredictable 106</p> <p>28 Calculating the incalculable 111</p> <p>29 Phobia’s twisted trajectories 115</p> <p>30 Interregnum 119</p> <p>31 Whence the superhuman force – and what for? 123</p> <p>32 Back home, you men? 128</p> <p>33 Escape from crisis 132</p> <p>34 Is there an end to depression? 136</p> <p>35 Who says you have to live by the rules? 141</p> <p>36 The phenomenon of Barack Obama 146</p> <p>37 Culture in a globalized city 149</p> <p>38 The voice of Lorna’s silence 153</p> <p>39 Strangers are dangers . . . Are they, indeed? 157</p> <p>40 Tribes and skies 163</p> <p>41 Drawing boundaries 167</p> <p>42 How good people turn evil 172</p> <p>43 Fate and character 178</p> <p>44 Albert Camus, or: <i>I</i> rebel, therefore <i>we</i> exist . . . 182</p> <p>Notes 186</p>

"Bauman is geniunely interested in changing attitudes between generations (about parenting, privacy, shopping, risk and the like), and the evolution of mores in fashion, culture, and education, never resorting to the boo-hurrah dichotomies employed by true professionals of this genre. Sympathy for the young is ever-present: there is much about the ambiguous goods of texting, Facebook and the like, and Bauman already saw modern existence as 'a life of continuous emergency' even before the financial crisis struck. Overall: magnificently untweetable."<br /><b>Steven Poole, The Guardian</b>

<b>Zygmunt Bauman</b> (1925-2017) was Emeritus Professor of Sociology at the University of Leeds

This liquid modern world of ours, like all liquids, cannot stand still and keep its shape for long. Everything keeps changing - the fashions we follow, the events that intermittently catch our attention, the things we dream of and things we fear. And we, the inhabitants of this world in flux, feel the need to adjust to its tempo by being ‘flexible' and constantly ready to change. We want to know what is going on and what is likely to happen, but what we get is an avalanche of information that threatens to overwhelm us. <p>How are we to sift the information that really matters from the heaps of useless and irrelevant rubbish? How are we to derive meaningful messages from senseless noise?<br /> We face the daunting task of trying to distinguish the important from the insubstantial, distil the things that matter from false alarms and flashes in the pan.<br /> <br /> Nothing escapes scrutiny so stubbornly as the ordinary things of everyday life, hiding in the light of deceptive and misleading familiarity. To turn them into objects of attention and scrutiny, they must first be torn out from that daily routine: the apparently familiar must be made strange. This is precisely what Zygmunt Bauman seeks to do in these 44 letters: each tells a story drawn from ordinary lives, but tells it in order to reveal an extraordinariness that we might otherwise overlook.</p> <p>Arresting, revealing, disconcerting, these snapshots of life by the most brilliant analyst of our liquid modern world will appeal to a wide readership.</p>

GB