Details

<ul style="white-space: normal; text-transform: none; word-spacing: 0px; color: #000000; text-align: left; font: 11px Verdana, Geneva, Arial, Helvetica, sans-serif; widows: 1; letter-spacing: normal; text-indent: 0px; -webkit-text-stroke-width: 0px;"> <li>Map</li> <li>Chronology</li> <li>Acknowledgements</li> <li>Introduction: Youth in China</li> <li>No More Revolution</li> <li>Youth Scapes</li> <li>Changing Youth Values</li> <li>The Chapters</li> <li>Creative Warfare</li> <li>Chapter 1: Youth and Power: Education, Family, and the State</li> <li>Introduction</li> <li>Political Values and Party Membership</li> <li>Family and Familism</li> <li>Pedagogy and Education</li> <li>Conclusion</li> <li>Chapter 2: Dressing up the Future: Chinese Youth Today</li> <li>Introduction</li> <li>Global Inauthenticities</li> <li>Fashion Styles</li> <li>Sonic Styles</li> <li>Digital Styles</li> <li>Conclusion</li> <li>Chapter 3: Localization of Regional Culture</li> <li>Introduction</li> <li>Localizing TV format from without</li> <li>Regional TV Formats and Class Re-imagination</li> <li>Running Man: The Turn to Gamification</li> <li>Popular Music and Fandom</li> <li>The Chinese AKB48: irrelevance to politics</li> <li>TFBoys and Korean Imagination</li> <li>Conclusion</li> <li>Chapter 4 Chinese Heteronormativity and Its Discontents</li> <li>Introduction</li> <li>Chinese Genders?</li> <li>Heteronormative Aspirations I: Survey Findings</li> <li>Heteronormative Aspirations II: Media Representations</li> <li>Unsettling Heteronormativity I: Romance Comedy</li> <li>Unsettling Heteronormativity II: Queer China</li> <li>Unsettling Heteronormativity III: Sex and Feminism</li> <li>Conclusion</li> <li>Chapter 5: Mobility, Marginalization and Desire</li> <li>Introduction</li> <li>Migrant Youth, Representation and Desire</li> <li>Migrant Youth as Media Producers</li> <li>Migrant Youth and New Media Technologies</li> <li>Gaming and Immaterial Labour</li> <li>Goldfarming versus Farming</li> <li>From Village to Art Village: New Spaces and Mobility</li> <li>Conclusion</li> <li>Conclusion: Youth and Hope</li> <li>References</li> </ul>

“Using an innovative methodology including interviews and ethnographic studies, the authors have given us a complex study of youth cultures. They do an excellent job of examining important and understudied issues such as media representations of youth in contemporary popular and digital culture.”<br /><b>Stanley Rosen, University of Southern California</b><br /><br /> “In this interrogation of the multiplicity of youth cultures in China, the authors ditch familiar stereotypes of China’s youth to explore how young urban people are charting challenging paths for China’s future. Based largely on ethnographic research, this book will appeal to non-specialist readers as well as students of contemporary Chinese culture and society.”<br /><b>Harriet Evans, University of Westminster<br /></b><b><br /></b>"Jeroen de Kloet and Anthony Y. H. Fung provide a sophisticated and erudite account of how appropriations and localisations of international digital technologies, music trends and fashion styles enable Chinese youth to experiment with "spontaneous" and "unpredictable" identities and embodiments as they navigate through cultural spaces [… They] surmise that Chinese youth can think, feel and act imaginatively and critically so as to anticipate and aspire to a politics of the future as difference […] which could have political consequences in years to come."<b><b><br /><b>Journal of Contemporary Asia</b></b></b>

<b>Jeroen de Kloet</b> is Professor in Globalization Studies and Director of the Amsterdam Centre for Globalisation Studies (AGCS) at the University of Amsterdam<br /><br /> <b>Anthony Y. H. Fung</b> is Professor and Director of the School of Journalism and Communication at the Chinese University of Hong Kong, he is also Professor at Beijing Normal University and Jinan University in China

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