Details

The Literary Theory Handbook


The Literary Theory Handbook


Wiley Blackwell Literature Handbooks 2. Aufl.

von: Gregory Castle

24,99 €

Verlag: Wiley-Blackwell
Format: PDF
Veröffentl.: 20.05.2013
ISBN/EAN: 9781118332474
Sprache: englisch
Anzahl Seiten: 448

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Beschreibungen

<p><i>The</i> <i>Literary Theory Handbook</i> introduces students to the history and scope of literary theory, showing them how to perform literary analysis, and providing a greater understanding of the historical contexts for different theories.</p> <p> </p> <ul> <li>A new edition of this highly successful text, which includes updated and refined chapters, and new sections on contemporary theories</li> <li>Far reaching in its inclusion of a detailed history of theory and in-depth discussions of major theories and movements</li> <li>Four distinct perspectives on theory—historical, thematic, biographical, practical—are carefully intertwined, so that key concepts, terms and ideas are developed in different contexts and cross-referenced, in the text and in the index.</li> <li>Includes alphabetically-arranged biographies designed for quick reference, and sample readings to illustrate the practical application of theory</li> </ul>
<p>Acknowledgments x</p> <p>Alphabetical Listing of Key Movements and Theories xii</p> <p>Introduction 1</p> <p>The Nature of Literary Theory 2</p> <p>What is Literature? 4</p> <p>The Practice of Theory 8</p> <p>How To Use the Handbook 9</p> <p><b>1 The Rise of Literary Theory 11</b></p> <p>Early Developments in Literary Theory 12</p> <p>Modernism and Formalism, 1890s–1940s 18</p> <p>Cultural and Critical Theory, 1930s–1960s 24</p> <p>The Poststructuralist Turn, 1960s–1970s 27</p> <p>Culture, Gender, and History, 1980s–1990s 33</p> <p>Postmodernism and Post-Marxism, 1980s–2000s 39</p> <p>Posthumanism: Theory at the Fin de Siècle 44</p> <p>Conclusion 47</p> <p><b>2 The Scope of Literary Theory 51</b></p> <p><b>1 Form/Structure/Narrative/Genre</b> 52</p> <p>Formalism and Structuralism 52</p> <p>New Criticism 59</p> <p>Chicago School Neo-Aristotelian Theory 63</p> <p>Narrative Theory/Narratology 68</p> <p>Theory of the Novel 75</p> <p><b>2 Ideology/Philosophy/History/Aesthetics</b> 84</p> <p>Marxist Theory 84</p> <p>Critical Theory 91</p> <p>Post-Marxist Theory 101</p> <p>New Historicism/Cultural Poetics 119</p> <p>Postmodernism 125</p> <p><b>3 Language/Systems/Texts/Readers</b> 142</p> <p>Phenomenology and Hermeneutics 142</p> <p>Reader-Response Theory 153</p> <p>Deconstruction 160</p> <p>Poststructuralism 167</p> <p><b>4 Mind/Body/Gender/Identity</b> 178</p> <p>Psychoanalysis 178</p> <p>Feminist Theory 190</p> <p>Gender Studies 198</p> <p>Gay and Lesbian Studies 204</p> <p>Trauma Studies 209</p> <p><b>5 Culture/Ethnicities/Nations/Locations</b> 218</p> <p>Cultural Studies 218</p> <p>African American Studies 225</p> <p>Ethnic and Indigenous Studies 231</p> <p>Chicano/a Studies 232</p> <p>Native and Indigenous Studies 235</p> <p>Asian American Studies 237</p> <p>Postcolonial Studies 242</p> <p>Transnationalism 254</p> <p><b>6 People/Places/Bodies/Things</b> 266</p> <p>Posthumanism 266</p> <p>Evolutionary Literary Theory 278</p> <p>Object-Oriented Ontologies 283</p> <p>Disability Studies 290</p> <p>Ecocriticism 298</p> <p>3 Key Figures in Literary Theory 313</p> <p>Theodor Adorno (1903–69) 313</p> <p>Giorgio Agamben (1942– ) 314</p> <p>Louis Althusser (1918–90) 315</p> <p>Mikhail Mikhailovich Bakhtin (1895–1975) 316</p> <p>Roland Barthes (1915–80) 317</p> <p>Jean Baudrillard (1929–2007) 318</p> <p>Walter Benjamin (1892–1940) 319</p> <p>Homi Bhabha (1949– ) 320</p> <p>Pierre Bourdieu (1930–2002) 321</p> <p>Lawrence Buell (1939– ) 322</p> <p>Judith Butler (1956– ) 323</p> <p>Hélène Cixous (1937– ) 324</p> <p>Lennard Davis (1949– ) 324</p> <p>Teresa de Lauretis (1939– ) 325</p> <p>Gilles Deleuze (1925–95) and Félix Guattari (1930–92) 326</p> <p>Paul de Man (1919–83) 327</p> <p>Jacques Derrida (1930–2004) 328</p> <p>Terry Eagleton (1943– ) 330</p> <p>Frantz Fanon (1925–61) 330</p> <p>Stanley Fish (1938– ) 331</p> <p>Michel Foucault (1926–84) 332</p> <p>Henry Louis Gates (1950– ) 333</p> <p>Sandra Gilbert (1936– ) and Susan Gubar (1944– ) 334</p> <p>Stephen Greenblatt (1943– ) 335</p> <p>Elizabeth Grosz (1952– ) 336</p> <p>Stuart Hall (1932– ) 337</p> <p>Donna Haraway (1944– ) 338</p> <p>N. Katherine Hayles (1943– ) 339</p> <p>bell hooks (1952– ) 340</p> <p>Luce Irigaray (1930– ) 341</p> <p>Wolfgang Iser (1926–2007) 342</p> <p>Fredric Jameson (1934– ) 343</p> <p>Julia Kristeva (1941– ) 344</p> <p>Jacques Lacan (1901–81) 345</p> <p>Bruno Latour (1947– ) 346</p> <p>Jean-François Lyotard (1924–98) 348</p> <p>J. Hillis Miller (1928– ) 349</p> <p>Antonio Negri (1933– ) 350</p> <p>Jacques Rancière (1940– ) 351</p> <p>Edward Said (1935–2003) 352</p> <p>Eve Kosofsky Sedgwick (1950–2009) 353</p> <p>Elaine Showalter (1941– ) 354</p> <p>Gayatri Chakravorty Spivak (1942– ) 355</p> <p>Raymond Williams (1921–88) 356</p> <p>Cary Wolfe (1959– ) 358</p> <p>Slavoj ?i?ek (1949– ) 358</p> <p>4 Reading with Literary Theory 361</p> <p>William Shakespeare, The Tempest 362</p> <p>John Keats, “Ode on a Grecian Urn” 364</p> <p>Charlotte Brontë, Jane Eyre; Jean Rhys, Wide Sargasso Sea 366</p> <p>Joseph Conrad, Heart of Darkness; Chinua Achebe, Things Fall Apart 370</p> <p>Virginia Woolf, To the Lighthouse 374</p> <p>Zora Neale Hurston, Their Eyes Were Watching God 376</p> <p>Samuel Beckett, Endgame 378</p> <p>Salman Rushdie, Midnight’s Children 380</p> <p>Recommendations for Further Reading 383</p> <p>Glossary 392</p> <p>Index 412</p>
<p><b>Gregory Castle</b> is a professor of British and Irish literature at Arizona State University. He is author of <i>Modernism and the Celtic Revival</i> (2001), <i>Reading the Modernist Bildungsroman</i> (2006), and <i>The Blackwell</i> <i>Guide to Literary Theory</i> (2007) and has  edited <i>Postcolonial Discourses</i> (2000) and the <i>Encyclopedia of Literary and Cultural Theory, vol. 1</i> (Wiley-Blackwell, 2011). He has also published numerous essays on Joyce, Yeats, Wilde, and other Irish writers.</p>
<p><em style="mso-bidi-font-style: normal;">The <em style="mso-bidi-font-style: normal;">Literary Theory Handbook provides the ideal starting point to the subject for students, offering clarity on the history, scope and application of literary theory, and providing four distinct entryways into this vast and varied discourse. </em></em></p> <p>Raising key questions about the nature of theory and literature, individual chapters offer historical, thematic, biographical, practical perspectives on theoretical concepts, ideas and modes of practice. A chapter on the historical development of theoretical movements, trends and ideas makes connections between and among theories across a century of development. Separate entries on major theories bring together similar methods or objects of study, such as Form, Structure, and Narrative, and short biographical sketches provide a handy reference for key theorists and their major works. The final section of the <em style="mso-bidi-font-style: normal;">Handbook features brief readings of literary texts—including works by Shakespeare, Conrad, Faulkner, Beckett, and Rushdie—each informed by multiple perspectives that exemplify theoretical practice.</em></p>
<p>“Gregory Castle's <i>Literary Theory Handbook</i> brings his account of theory up to the minute, practically, incorporating--and relating to one another--the most significant developments in literary and cultural theory of the twenty-first century (cognitive theory, the new materialism, disability studies, ecocriticism and animal studies).  Castle does justice to the complexity of the issues he covers (his handling of deconstruction and Lacanian psychoanalytic theory is admirable), and one has to marvel at both the impartiality of his account and the lucidity of his writing, with a clear sense throughout of his audience and of what needs to be said.”—<i><b>David Richter</b>, CUNY</i></p> <p>"Comprehensive and clear, Castle's <i>Handbook</i> is essential for students seeking accessible and thorough summaries of all of the schools of contemporary critical thought and analysis.  Each chapter covers a lot of material, and each is beautifully written."—<i><b>Michael Ryan</b>, Temple University</i></p>

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