Details

The Crime Fiction Handbook


The Crime Fiction Handbook


Wiley Blackwell Literature Handbooks 1. Aufl.

von: Peter Messent

18,99 €

Verlag: Wiley-Blackwell
Format: EPUB
Veröffentl.: 30.08.2012
ISBN/EAN: 9781118326541
Sprache: englisch
Anzahl Seiten: 272

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Beschreibungen

<i>The Crime Fiction Handbook</i> presents a comprehensive introduction to the origins, development, and cultural significance of the crime fiction genre, focusing mainly on American British, and Scandinavian texts. <ul> <li>Provides an accessible and well-written introduction to the genre of crime fiction</li> <li>Moves with ease between a general overview of the genre and useful theoretical approaches</li> <li>Includes a close analysis of the key texts in the crime fiction tradition</li> <li>Identifies what makes crime fiction of such cultural importance and illuminates the social and political anxieties at its heart.</li> <li>Shows the similarities and differences between British, American, and Scandinavian crime fiction traditions</li> </ul> <p> </p> <br /> <br />
<p>Acknowledgments vii</p> <p>Introductory Note ix</p> <p><b>Part 1 Introduction 1</b></p> <p><b>Part 2 The Politics, Main Forms, and Key Concerns of Crime Fiction 9</b></p> <p>The Politics of Crime Fiction 11</p> <p>The Types of Crime Fiction 27</p> <p>Classical Detective Fiction 27</p> <p>Hard-Boiled Detective Fiction 34</p> <p>The Police Novel 41</p> <p>Transgressor Narratives 50</p> <p>Vision, Supervision, and the City 60</p> <p>Crime and the Body 75</p> <p>Gender Matters 85</p> <p>Representations of Race 96</p> <p><b>Part 3 Some Key Works in Crime Fiction 107</b></p> <p>Edgar Allan Poe: “The Murders in the Rue Morgue” (1841) 109</p> <p>Arthur Conan Doyle: The Sign of Four (1890) 116</p> <p>Agatha Christie: The Murder of Roger Ackroyd (1926) 127</p> <p>Dashiell Hammett: The Maltese Falcon (1930) 136</p> <p>Raymond Chandler: The Big Sleep (1939) 143</p> <p>James M. Cain: Double Indemnity (1936) 151</p> <p>Patricia Highsmith: The Talented Mr. Ripley (1955) 159</p> <p>Chester Himes: Cotton Comes to Harlem (1965) 167</p> <p>Maj Sjöwall and Per Wahlöö: The Laughing Policeman (1968) 176</p> <p>James Ellroy: The Black Dahlia (1987) 187</p> <p>Thomas Harris: The Silence of the Lambs (1988) 198</p> <p>Patricia Cornwell: Unnatural Exposure (1997) 208</p> <p>Ian Rankin: The Naming of the Dead (2006) 218</p> <p>Stieg Larsson: The Girl with the Dragon Tattoo (2005) 227</p> <p>End Note 241</p> <p>References 243</p> <p>Index 253</p>
<p>“Summing Up: Recommended.  Upper-division undergraduates through faculty.”  (<i>Choice</i>, 1 September 2013)</p> <p>“Messent's readings are always perceptive and his book offers an excellent introduction to a diverse genre.”  (<i>The Guardian</i>, 8 March 2013)</p> <p>“Those interested in the more arcane byways of crime fiction will find this concise but intelligent volume invaluable, with its academic (but accessible) analyses of some of the key texts in the genre. What is perhaps the most valuable aspect of the book is the fact that Peter Messent has managed to unearth new insights into this much written-about subject — no easy task in the 21st century, when a considerable amount of analysis of the field (including, in a modest way, by this writer) is so endemic.”  (<i>Crime Time</i>, 27 February 2013) </p> "...at a stroke this volume joins the library of key texts in the field." (<i>Crime Time</i>, February 2013)<br /> <br /> "... a good introduction to a prolific genre." (<i>Times Literary Supplement</i>, March 2013)
<p><b>Peter Messent</b> is Emeritus Professor of Modern American Literature at the University of Nottingham. A specialist on Mark Twain, Ernest Hemingway, and crime fiction, he has published numerous books and articles on a variety of nineteenth- and twentieth-century American writers. His most recent publication is the prize-winning book <i>Mark Twain and Male Friendship</i> (2009).
<p><b>"An outstanding piece of work that deserves a wide audience. Peter Messent's The Crime Fiction Handbook is essential reading. I can imagine no better introduction to the genre."<br> <i>David Schmid, University at Buffalo</i></b> <p>With its compelling blend of murder, mystery, and detection, it should come as no surprise that crime fiction is a hugely popular literary genre. <i>The Crime Fiction Handbook</i> presents a comprehensive introduction to the origins, development, and cultural significance of the crime fiction genre, focusing mainly on its American, British, and Scandinavian forms. <p>The book's first main section presents an overview of the subject, addressing the politics of crime fiction and exploring some of its main variants – classical and hard-boiled detective fiction, the private eye and the police novel, and fictions of transgression. The section concludes with an exploration of three key elements of the genre: the links between vision, supervision, and the urban landscape; representations of the body and the acts of violence done to it; and issues both of race and gender. <p>In-depth readings of fourteen of the most important crime fictions in the Western tradition then follow, beginning with Edgar Allan Poe's "The Murders in the Rue Morgue" and proceeding from classic works by Arthur Conan Doyle, Agatha Christie, Dashiell Hammett, and Raymond Chandler to contemporary writings by James Ellroy, Thomas Harris, Patricia Cornwell, Ian Rankin, and Stieg Larsson. <p><i>The Crime Fiction Handbook</i> offers fascinating insights into the appeal of crime fiction while revealing how the genre both entertains and provides a mirror to the most pressing social issues of the day.

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