Shakespeare's IdeasMore Things in Heaven and Earth
Blackwell Great Minds 1. Aufl.
An in-depth exploration, through his plays and poems, of the philosophy of Shakespeare as a great poet, a great dramatist and a "great mind". Written by a leading Shakespearean scholar Discusses an array of topics, including sex and gender, politics and political theory, writing and acting, religious controversy and issues of faith, skepticism and misanthropy, and closure Explores Shakespeare as a great poet, a great dramatist and a "great mind"
Acknowledgements ix 1 A Natural Philosopher 1 2 Lust in Action Shakespeare's Ideas on Sex and Gender 15 3 What is Honour? Shakespeare's Ideas on Politics and Political Theory 42 4 Hold the Mirror Up to Nature Shakespeare's Ideas on Writing and Acting 74 5 What Form of Prayer Can Serve My Turn? Shakespeare’s Ideas on Religious Controversy and Issues of Faith 106 6 Is Man No More Than This? Shakespeare's Ideas on Scepticism, Doubt, Stoicism, Pessimism, Misanthropy 143 7 Here Our Play Has Ending Ideas of Closure in the Late Plays 177 8 Credo 213 Further Reading 218 Index 227
"Bevington sees a development in how important Shakespeare felt certain topics were, and so the structure of the book is both chronological and thematic, beginning with the early romances and ending with the dark eschatology of the last plays." (English, December 2010) "A personal and passionate reading of the author, unwilling to look for conclusions where there are none. Humane, wise and almost infuriatingly judicious, Shakespeare's Ideas celebrates the plurality inherent to Shakespeare's works and the expansive mind behind them." (Times Literary Supplement, February 2009) Bevington's newest book wears its considerable erudition lightly and, for the most part, well. Bevington (Univ. of Chicago) begins by pointing out that one cannot know the thoughts of Shakespeare the man, but that the plays and poems, looked at as a whole, do present a kind of philosophy--one of balance and moderation. Chapters on sex and gender, politics, writing, religion, and other topics all suggest that though Shakespeare created characters with extreme and wide-ranging views, the world of the plays (and thus perhaps of Shakespeare himself) rewards compassion, understanding, forgiveness, duty, and above all, love. In general, this is not a book for scholars; Bevington does not offer highly theoretical readings or bring up scholarly debates about meaning and textuality. But his immense knowledge of the plays and the era allow him to present complex ideas in an engaging, completely readable manner that will appeal to all readers, no matter their background. Though it offers nothing new to those who study the plays for a living, everyone else will find it a masterpiece of thoughtful investigation into the plays. Summing Up: Essential. Lower- and upper-division undergraduates, graduate students, general readers. -- A. Castaldo, Widener University (Choice, February 2009) "It's an absorbing journey, and one that will fascinate both general readers and serious scholars alike." (Yorkshire Evening Post, October 2008)
David Bevington is the Phyllis Fay Horton Distinguished Service Professor the Humanities at the University of Chicago. His numerous publications include The Bantam Shakespeare, in 29 paperback volumes (1988, new edition forthcoming), and The Complete Works of Shakespeare (fifth edition, 2003), as well as the Oxford Shakespeare edition of Henry IV Part I (1987), the New Cambridge Shakespeare edition of Antony and Cleopatra (second edition, 2005), and the Arden Shakespeare edition of Troilus and Cressida (1998). He is the senior editor of the Revels Student Editions, and is a senior editor of the Revels Plays and of the forthcoming Cambridge edition of the works of Ben Jonson. He is also general editor of English Renaissance Drama: A Norton Anthology (2002), and the author of Shakespeare: The Seven Ages of Human Experience (second edition, Blackwell, 2005).
Shakespeare was not, strictly speaking, a philosopher. That is, he did not write essays or treatises arguing philosophical positions or proposing an all-embracing philosophical scheme. However, we do have the plays and poems - and they collectively give evidence of a deep moral and intellectual commitment that we can locate in what we call “Shakespeare”, meaning not only the plays and poems themselves, but the multitudinous responses they have elicited over the four centuries or so since Shakespeare wrote them. Asking what the plays and poems suggest in continual debate about an array of topics -- sex and gender, politics and political theory, writing and acting, religious controversy and issues of faith, skepticism and misanthropy, and closure -- we can delve into the philosophy of Shakespeare as a great poet, a great dramatist and a "great mind".
"Lucid, wise and finely balanced, David Bevington's exploration of the ideas at work in Shakespeare is essential reading for beginners and experts alike." –Alexander Leggatt, Professor Emeritus of English, University of Toronto "Shakespeare’s Ideas offers all that we have come to expect of David Bevington. I cannot think of a better, more judicious scholar to guide us through the complexities of Shakespeare’s political and moral philosophy." –James Schiffer, SUNY New Paltz "The fruit of a half-century of teaching and thinking with Shakespeare, David Bevington's well-judged and genuinely informative account of Shakespeare's thought demonstrates his trademark circumspection and thoroughgoing sensitivity to the complexity and variety of the plays' questions. Useful no matter what degree your acquaintance with the Bard." –Claire McEachern, University of California, Los Angeles