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A lively, engaging history of The Great War written for a new generation of readers

In recent years, scholarship on World War I has turned from a fairly narrow focus on military tactics, weaponry, and diplomacy to incorporate considerations of empire, globalism, and social and cultural history. This concise history of the first modern, global war helps to further broaden the focus typically provided in World War I surveys by challenging popular myths and stereotypes to provide a new, engaging account of The Great War.

The conventional World War I narrative that has evolved over the past century is that of an inevitable but useless war, where men were needlessly slaughtered due to poor decisions by hidebound officers. This characterization developed out of a narrow focus on the Western Front promulgated mainly by British historians. In this book, Professor Proctor provides a broader, more multifaceted historical narrative including perspectives from other fronts and spheres of interest and a wider range of participants. She also draws on recent scholarship to consider the gendered aspect of war and the ways in which social class, religion, and cultural factors shaped experiences and memories of the war.

  • Structured chronologically to help convey a sense of how the conflict evolved
  • Each chapter considers a key interpretive question, encouraging readers to examine the extent to which the war was total,modern, and global
  • Challenges outdated stereotypes created through a focus on the Western Front Considers the war in light of recent scholarship on empire, global history, gender, and culture
  • Explores ways in which the war and the terms of peace shaped the course of the 20th century

World War I: A Short History is sure to become required reading in undergraduate survey courses on WWI, as well as courses in military history, the 20th century world, or the era of the World Wars.

Tammy M. Proctor, PhD is Department Head and Professor of History at Utah State University, Logan. She holds a doctoral degree in history from Rutgers University and has also taught at Wittenberg University. Previous books include An English Governess in the Great War: The Secret Brussels Diary of Mary Thorp (2017), Civilians in a World at War, 1914–1918 (2010), and Female Intelligence: Women and Espionage in the First World War (2003).

WILEY SHORT HISTORIES

General Editor: Catherine Epstein

This series provides concise, lively introductions to key topics in history. Designed to encourage critical thinking and an engagement in debate, the books demonstrate the dynamic process through which history is constructed, in both popular imagination and scholarship. The volumes are written in an accessible style, offering the ideal entry point to the field.

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A History of the Cuban Revolution, 2nd Edition
Aviva Chomsky

Vietnam: Explaining America's Lost War, 2nd Edition
Gary R. Hess

A History of Modern Europe: From 1815 to the Present
Albert S. Lindemann

Perspectives on Modern South Asia: A Reader in Culture, History, and Representation
Kamala Visweswaran

Nazi Germany: Confronting the Myths
Catherine Epstein

World War I: A Short History
Tammy M. Proctor

World War I

A Short History


Tammy M. Proctor










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List of Illustrations

Maps

Map 1 The world in 1914.
Map 2a An overview of the major fronts of the war.
Map 2b The Western Front in 1915.
Map 2c Important sites on the Eastern Front.
Map 3 The new map of Europe after the war.

Figures

Preface The effects of World War I were far‐reaching, from ruined landscapes to ruined lives. This photo depicts part of the battlefield at Verdun, France, nearly a century after the war. Source: Photo by author, 2004.
Figure 1.1 The war began with an assassination in Sarajevo, but the first fighting of the war occurred in Belgrade, Serbia. In this photo Serb children “play soldier” in their wartime nation. Source: Imperial War Museum.
Figure 2.1 Ordinary people found themselves in extraordinary circumstances during the war. Here an Ottoman prisoner of war cuts his Australian captor’s hair at Gallipoli in 1915. Source: Imperial War Museum.
Figure 3.1 The Western Front evokes images of endless trenches and destroyed environments. One strategy employed to stop the German Army’s advance in Belgium was the flooding of the battlefield by the Yser River. Here a sentry guards the flooded zone. Source: Photo of scrapbook page by author: Brand Whitlock Papers, Library of Congress.
Figure 4.1 Conditions for soldiers and laborers varied tremendously depending on the Front. Here, members of the King’s African Rifles and porters carry munitions across a river. In East Africa, travel was dangerous and difficult. Source: © Imperial War Museums (Q 67823).
Figure 5.1 In addition to millions of soldiers drawn into war service, millions of civilian women, men, and children performed war work at home and abroad. Here an American woman volunteer works behind the lines in France. Source: U.S. Army Signal Corps #21357, Record Group 111, National Archives and Records Administration.
Figure 6.1 One result of the First World War was the destruction of historic empires, including the Russian Empire in the Revolution of 1917. This photograph depicts enthusiastic revolutionary crowds in St. Petersburg. Source: Library of Congress Prints and Photographs, LC‐USZ62‐31831.
Figure 7.1 The peace treaties that followed the war created almost immediate conflict despite a celebration by the media in postcards such as this one. Wilson’s moment of glory at Versailles disappeared in the political firestorm he faced when he returned home. Source: Library of Congress Prints and Photographs, LC‐DIG‐stereo‐1s04279.
Figure 8.1 War cemeteries and monuments from the First World War document the millions of war dead in this conflict. In the postwar period, political leaders sometimes used the dead for their own advancement or for an ideological purpose, as with Benito Mussolini’s massive memorial to the war dead at Redipuglia. Source: Photo by author, 2012.
Figure 9.1 World War I straddled the divide between past wars and ways of fighting and the new technological modern combat of the twentieth century. This German officer and his horses are reminiscent of cavalry images of the past, yet these figures are altered forever by the gas masks that each is wearing. Source: © Imperial War Museums (Q 52280).

Preface

image
The effects of World War I were far‐reaching, from ruined landscapes to ruined lives. This photo depicts part of the battlefield at Verdun, France, nearly a century after the war.

Source: Photo by author, 2004.

One hundred years after the battles that raged in northern France, it is still possible to find copious evidence of World War I on the Western Front. Pieces of munitions, sometimes even unexploded shells, sit on the side of the road awaiting pickup by the army’s disposal squad. One can glimpse the scarred shell holes and remains of trench networks in wooded copses just off the highways and byways of the region, and small tourist signs point to memorials, cemeteries, and places of importance. While the Western Front is perhaps the best‐known area of fighting between 1914 and 1918, it is not the only landscape disrupted by war. Stone trenches line the mountains between Italy and Austria, and remains from the war appear in remote areas of eastern Europe and western Asia. Monuments and markers point to places around the world where refugees fled, where enemy aliens were interned, and where wartime disasters unsettled communities. World War I had an impact—not just on physical landscapes and families—but on the social, religious, economic, political, and cultural frameworks of the twentieth‐century world. This impact was uneven, and some areas experienced only a whisper of war’s reshaping potential, but large numbers of people across the globe saw their worlds turned upside‐down.

This short history of World War I cannot tell the whole story of this conflict, which was waged from 1914 to 1918 (officially) and which straddled more than a decade of serious global violence. Instead, my aim is to suggest for students interested in the history of the war a broad framework or way of seeing that will help them make sense of all the other materials they read and watch and hear. Each chapter answers a central question about the war and its aftermath, and at the conclusion of every section there is a timeline and select reading list for context. Ideally, when they finish the book, readers will want to go looking for more information about all the ideas that have only been suggested here.

The central aim of World War I: A Short History is to provide an accessible and concise overview of the first modern, global war. Many people have a cursory knowledge of the events of World War I, and most understand the stereotypical narrative that has developed, namely that of an inevitable but useless war, where men were slaughtered as a consequence of the poor decisions of out‐of‐touch senior officers. This trope, widely used in both scholarly and popular works, developed out of a narrow focus on the Western Front and particularly through the writing of a British version of the war. Many films and novels feature this story of the war, using the narrative of senseless war to frame the tales of individuals caught up in a futile machinery of violence. A good example is the film Gallipoli (released 1981), in which poor communication and a leader who is far from the front and immune from the realities of battle sends young men to their deaths. More recently, the film Joyeux Noel [Merry Christmas] (released 2006) humanizes the experience of fighting and loss through the stories of individual men and officers, but demonizes the military command as without pity or understanding. It is this sense of a disconnect between the bloodshed of ordinary people and what seems to be a heartless attitude on the part of the military leaders that has captured the attention of a generation.

The ubiquity of this image of World War I makes it a fascinating topic. However, it also demands the production of a new volume for classrooms that challenges this narrative. What is needed is a corrective to this vision of the war, one that digs deeper into the mechanisms by which battle was waged for more than four years. Here, each chapter re‐establishes the broader context of the war by including the rest of the fronts: Italy, Russia, East Africa, and Mesopotamia, to name some of the more important war zones. The war encompassed and affected a broad swath of humanity, and this book brings some of those voices back into the story of the conflict. By doing so, the Western Front story gains a back‐story and a necessary complexity. Many leaders acted in concert with their allies, and often an offensive in one sector was coordinated to help another sector advance. With poor communication and uncertain transport/supply trains, officers and civilian officials struggled to understand the many moving parts that made up the war effort around the globe. Here, students will get a sense of some of those challenges.

Each chapter of this book is arranged in a loose chronological fashion with a featured year of the war framing the discussion. In addition, each chapter contains a wide‐ranging geographical coverage of the topic with short, specific examples to help support this view of war. Because the common narrative is so strong, the book provides an equally strong counter‐narrative to help displace current myths about the war. The story of this book is focused around the linked questions—to what extent was this war total, modern, and global? Readers are encouraged to answer these questions for themselves as they progress, using the tools in each chapter. Perhaps at this point, readers might be thinking—who really cares? Is World War I all that significant anyway in the scheme of things? This book argues that the war was a pivotal point in world history in the twentieth century for three main reasons.

First, it gave concrete reality to the possible. By this, I mean that ideas that had emerged in laboratories and factories, in diplomatic offices and imperial outposts, now could be tested in the social experiment that was war. World War I featured the development of new weapons, which were tested and perfected in the field, with deadly results. Well‐known examples include tanks, aerial bombs, and poison gas delivered in shells. The war also witnessed the birth of a broad coalition of charitable and humanitarian organizations with the express aim of alleviating the suffering of victims of war. Some of these organizations survived the war as international and permanent agencies devoted to the lives of war victims or children displaced by violence. Certainly, ideas about what could or should be done for the victims of war were transformed by this conflict. Governments also expanded to meet the needs of a modern wartime economy and society; many nations created whole sections to handle pension claims from widows and veterans, for instance. States also codified international agreements and rules for passports. Tax structures that had been reformed during the war became permanent fixtures of life. In short, World War I wrote the rules for what war meant in the modern world, while simultaneously reforming governments, societies, and economies.

Second, the experience of World War I fundamentally reshaped geopolitical lines, not only reframing power blocs but also redrawing political boundaries. Four well‐established empires in Eurasia disappeared as a result of the war (German Empire, Austro‐Hungarian or Habsburg Empire, Russian Empire, Ottoman Empire), and many other states emerged as new entities. Examples include Poland, Czechoslovakia, and Yugoslavia, to name only a few. Imperial lines outside of Europe also changed, with the creation of a category of states known as mandates. Many of these mandate states, such as Syria and Iraq, faced tutelage from European nations (France and Britain, respectively), and while they looked forward to eventual independence, this timeline was uncertain and highly managed by their imperial masters. It is also important to remember that the war displaced vast numbers of people, many of whom lost their citizenship along with their homes. The population exchanges between Turkey and Greece fundamentally restructured religious, political, and cultural life in those two nations and upended the lives of nearly two million people. Russian refugees from a variety of regions including modern Georgia, Azerbaijan, Ukraine, and Belarus streamed into cities seeking work, many of them classified as “stateless.” To summarize this point, the modern political landscape was born out of World War I.

Finally, World War I set the stage for the extremist politics of the interwar period and ultimately served as a major factor in the outbreak of World War II. It was a precursor. The unprecedented numbers of people involved in the war meant upheaval in the postwar period as soldiers sought to reintegrate into society. Families faced personal challenges with the return of their loved ones, but at every level—household, neighborhood, town, nation—people sought to make sense of the war and return to something that could be perceived as “normal” life. For many, this proved impossible, and the growth of paramilitary units, many of which contained disaffected ex‐soldiers, threatened social harmony. Revolutions, civil disorder, and economic instability also plagued postwar nations. Framed by the perceived problems of the peace treaties in many parts of the world, grievances and disorder gave way to extremist political solutions. Fascism, along with Stalin’s version of communism, gained traction by the late 1920s. In this climate of political experimentation, military coups d’état and authoritarian regimes marked interwar politics around the world. Even nations with democratic traditions experienced unprecedented concentration of power. For instance, the only US president to win an election four times was an interwar leader, Franklin D. Roosevelt.

These three themes are important reasons for studying World War I, but they are not the only reasons that the war’s legacy is still important more than 100 years later. Unlike World War II, the 1914–1918 war remains a contentious event. The British Parliament squabbled in 2014 about how to commemorate the war in their nation, and journalists often raise the specter of the war in explaining political divisions in the Middle East or the rise of nationalism in the last 100 years. World War I: A Short History details the multitude of ways that the war functioned as a rupture between the wars of the past and the wars still to come. As British poet and novelist Thomas Hardy wrote in his 1918 poem, “And There Was a Great Calm”: “There was peace on earth, and silence in the sky;/ Some could and some could not, shake off misery:/ The Sinister Spirit sneered ‘It had to be!’/ And again the Spirit of Pity whispered, ‘Why?’” Hardy posed the ultimate question asked by the survivors as they contemplated the armistice: Why? This book will explore that question.

Citations

Page Source
x Gallipoli. 1999. DVD. Directed by Peter Weir. Paramount Pictures.
x Joyeux Noel [Merry Christmas]. 2006. DVD. Directed by Christian Carion. Sony Pictures Home Entertainment.
xiii Hardy, Thomas. “And There was a Great Calm.” 1918. Accessed December 18, 2015. http://www.poetryfoundation.org/poem/248470
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Map 1 The world in 1914.

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Map 2a An overview of the major fronts of the war.

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Map 2b The Western Front in 1915.

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Map 2c Important sites on the Eastern Front.

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Map 3 The new map of Europe after the war.

Acknowledgments

Writing a textbook, especially a short history about a complicated global topic, has been an adventure for me. I would never have attempted such a book without 20 years of teaching this material. The students I have taught always questioned and challenged me, provided new insights on the war, and, in the case of my Fall 2015 World War I class at Utah State University, read the manuscript of this book and provided a critique. To all the undergraduate students with whom I have worked at Utah State, Wittenberg University, Lakeland College, Princeton University, and Rutgers University: you have my sincere gratitude. I would also like to offer my thanks to Dr. John McGowan and his honors course in Fall 2015 at the University of North Carolina–Chapel Hill for reading part of the manuscript and offering suggestions. While all mistakes are, of course, still my own, these additional student eyes provided excellent feedback for the book. My colleagues at Wittenberg and Utah State and elsewhere have engaged in countless conversations about teaching, scholarship, and the meaning of life, and I thank them all for helping me maintain a balanced view of what is important. Special thanks to to all my colleagues and friends, but especially to Christian Raffensperger, Nancy McHugh, Molly Wood, Joe O’Connor, John Flora, Leslie Keeney, Carmen Hernandez, Dar Brooks Hedstrom, Amy Livingstone, Susan Grayzel, Sophie de Schaepdrijver, Jeannie Banks Thomas, and Laura Gelfand for their good counsel and friendship.

I want to thank Dr. Catherine Epstein, editor of this short history series, for sharing her own manuscript and book on Nazi Germany. She has provided advice, speedy feedback, and encouragement throughout this process. Editors and other staff at Wiley‐Blackwell have also provided excellent advice as they have shepherded this book through the editorial process. My thanks go to Peter Coveney, Jayne Fargnoli, Haze Humbert, and Denisha Sahadevan for their help. In addition, I appreciate the constructive suggestions I received from anonymous reviewers of the initial proposal and of the draft manuscript.

As always, I would like to recognize the support of my families—both the Proctors and the Shirleys. Finally, my thanks go to my husband, Todd Shirley, for his patience and good humor as I worked on this project.