Details

<p>Acknowledgments ix</p> <p>Prologue: The Argument xi</p> <p>1 As It Likes You 1</p> <p>2 How Should One Read a Shakespeare Sonnet? 38</p> <p>3 Carnal Knowledge 82</p> <p>4 Touching Moments 132</p> <p>Epilogue: What Shakespeare Proves 177</p> <p>Works Cited 187</p> <p>Picture Credits 197</p> <p>Index 199 </p>

"I cannot recommend Bruce Smith's book highly enough to any researcher interested in deepening their understanding of historical phenomenology. The first chapter on As You Like It manifests-through an analysis of the modern use of the quotative "like" and three contrasting portraits of Bacon, Descartes and Husserl in their private studies of phenomena-the central goals and underpinnings of this theoretical approach." (Routledge ABES, 2011) <p> "But Smith's pleasure-seeking book, a useful corrective to the worst excesses of historicism is police-like in its own way". (Times Higher Education Supplement, 25 November 2010)</p>

<b>Bruce R. Smith</b> is Dean's Professor of English and Professor of Theatre at the University of Southern California. He has published widely on Shakespeare with recent works including <i>The Key of Green: Passion and Perception in Renaissance Culture</i> (2009), <i>Shakespeare and Masculinity</i> (2000), and <i>The Acoustic World of Early Modern England</i> (1999). A former president of the Shakespeare Association of America, Smith has been a keynote speaker at meetings of Shakespeare and Renaissance organizations in Australia, New Zealand, France, Germany, Portugal, and the UK. He has also been featured in programs aired on BBC Radio 3, the Australian Broadcasting Corporation, the Canadian Broadcasting Corporation, Public Radio International, and TV 4 London.

Just who <i>is</i> “Shakespeare”? And what is it that makes him continue to resonate so powerfully with performers, critics, and scholars? <p>In this original examination of Shakespeare’s works and their appeal to our senses, acclaimed Shakespeare scholar Bruce R. Smith asserts that the undiminished staying power of Shakespeare has less to do with ideology than with the distinctive ways in which his poems and plays capture our imagination. <i>Phenomenal Shakespeare</i> moves well beyond traditional treatments of Shakespeare to explore not just the “idea” of the playwright, but the range of sometimes incompatible ideas that Shakespeare represents in the biographical, political, psychological, and ethical arena.</p> <p>This thought-provoking text provides a critique of contemporary approaches to Shakespeare, while also celebrating the staying power of Shakespeare on stage, on film, and on the page.</p>

"A welcome introduction to what is proving an exciting set of radically new approaches for making sense of the early modern period […] what is really groundbreaking about Smith’s work here is how it demands that we as scholars re-address what it is that we think we are doing when we read these texts."<br /> —William N. West, Northwestern University <p>"A timely and unique contribution that urges the reorientation of critical attitudes from the "state the theory, show the theory, restate the theory" approach towards a method of manifesting or showing".<br /> —P.A. Skantze, Roehampton University</p>

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