Details

<p>Heroes of the Day: Acknowledgments viii</p> <p>Hit the Lights 1</p> <p><b>DISC 1 On Through the Never 3</b></p> <p>1 Whisper Things Into My Brain: Metallica, Emotion, and Morality 5<br /> <i>Robert Fudge</i></p> <p>2 This Search Goes On: Christian, Warrior, Buddhist 16<br /> <i>William Irwin</i></p> <p>3 Alcoholica: When Sweet Amber Becomes the Master of Puppets 29<br /> <i>Bart Engelen</i></p> <p>4 Through the Mist and the Madness: Metallica’s Message of Nonconformity, Individuality, and Truth 41<br /> <i>Thomas Nys</i></p> <p><b>DISC 2 Existensica: Metallica Meets Existentialism 53</b></p> <p>5 The Metal Militia and the Existentialist Club 55<br /> <i>J. Jeremy Wisnewski</i></p> <p>6 The Struggle Within: Hetfield, Kierkegaard, and the Pursuit of Authenticity 65<br /> <i>Philip Lindholm </i></p> <p>7 Metallica, Nietzsche, and Marx: The Immorality of Morality 74<br /> <i>Peter S. Fosl</i></p> <p>8 Metallica’s Existential Freedom: From We to I and Back Again 85<br /> <i>Rachael Sotos</i></p> <p><b>DISC 3 Living and Dying, Laughing and Crying 99</b></p> <p>9 To Live is to Die: Metallica and the Meaning of Life 101<br /> <i>Scott Calef</i></p> <p>10 Madness in the Mirror of Reason: Metallica and Foucault on Insanity and Confinement 117<br /> <i>Brian K. Cameron</i></p> <p>11 Ride the Lightning: Why Not Execute Killers? 127<br /> <i>Thom Brooks</i></p> <p>12 Living and Dying as One: Suffering and the Ethics of Euthanasia 135<br /> <i>Jason T. Eberl</i></p> <p>13 Fade to Black: Absurdity, Suicide, and the Downward Spiral 148<br /> <i>Justin Donhauser and Kimberly A. Blessing</i></p> <p><b>DISC 4 Metaphysica, Epistemologica, Metallica 161</b></p> <p>14 Believer, Deceiver: Metallica, Perception, and Reality 163<br /> <i>Robert Arp</i></p> <p>15 Trapped in Myself: “One” and the Mind-Body Problem 173<br /> <i>Joanna Corwin</i></p> <p>16 Is It Still Metallica? On the Identity of Rock Bands Over Time 183<br /> <i>Manuel Bremer and Daniel Cohnitz</i></p> <p><b>DISC 5 Fans and the Band 197</b></p> <p>17 Metallica Drops a Load: What Do Bands and Fans Owe Each Other? 199<br /> <i>Mark D. White</i></p> <p>18 The Unsocial Sociability of Humans and Metal Gods 210<br /> <i>Niall Scott</i></p> <p>19 Boys Interrupted: The Drama of Male Bonding in Some Kind of Monster 219<br /> <i>Judith Grant</i></p> <p>20 Justice for All? Metallica’s Argument Against Napster and Internet File Sharing 232<br /> <i>Robert A. Delfino</i></p> <p>Who’s Who in the Metal Militia 245</p> <p>The Phantom Lord’s Index 250</p>

“The most elucidative dissertation on Metallica ever written. And a kick-ass read to boot!!!” <br /> <i>Scott Ian, guitarist for Anthrax<!--end--></i><br /> <p>“Like philosophy itself, Metallica’s music can scare the uninitiated, who fear their brains will hurt. This book makes both philosophy and Metallica accessible to the curious while deepening the experience of those already in the know.”<br /> <i>Theodore Gracyk, author of Rhythm and Noise and Listening to Popular Music</i><br /> </p> <p>“<i>Metallica and Philosophy</i> is, at long last, the book which finally gives everyone’s favorite headbangers due credit for being intelligent, questioning, and even cerebral.”<br /> <i>Joel McIver, author of Justice For All: The Truth About Metallica</i><br /> </p> <p>“Not just heavy metal, not just rock n’ roll, not just angst or anger or conceptual analysis, but a monster in a category of its own that shows us something dangerous about ourselves and our post-industrial culture.”<br /> <i>Dale Jacquette, Pennsylvania State University</i><br /> </p> <p>"Intellectual snobs and proud low-brows alike may dismiss this as a joke- though obviously not respected academic publishers Blackwell ... as an introduction to some of the major schools of thought, it is no less worthy than popular books like <i>Sophie's World</i> that have also sought to bring philosophy to the mass market."<br /> <i>Tommy Udo, Metal Hammer</i><br /> </p> <p>A “provocative study” on one of metal’s greatest bands, this paperback examines the connection between Metallica and highly regarded philosophers like Aristotle and Nietzsche, and “uses themes in Metallica’s work to illuminate topics such as death, metaphysics, epistemology, the mind-body problem, morality, justice and what we owe one another.” Edited by a college professor, chapters include “Alcoholica: When Sweet Amber Becomes The Master Of Puppets,” “To Live and Die: Metallica and The Meaning Of Life” and “Boys Interrupted: The Drama Of Male Bonding In Some Kind Of Monster.”<br /> <i>Metal Edge Magazine</i></p>

<b>William Irwin</b> is Assistant Professor of Philosophy at King's College, Pennsylvania. He has edited <i>Seinfeld and Philosophy: A Book about Everything and Nothing</i>; <i>The Simpsons and Philosophy: The D'oh! of Homer</i> (with Mark T. Conard and Aeon J. Skoble); and <i>Critical Thinking: A Student's Introduction</i> (with Gregory Bassham, H. Nardone, and J. Wallace). He is also the author of <i>Intentionalist Interpretation: A Philosophical Explanation and Defense</i> and editor of <i>The Death and Resurrection of the Author</i>.

<p>Hit the lights and jump in the fire, you're about to enter the School of Rock! Today's lecture will be a crash course in brain surgery. This hard and fast lesson is taught by instructors who graduated from the old school—they actually paid $5.98 for <i>The $5.98 EP</i>. But back before these philosophy professors cut their hair, they were lieutenants in the Metal Militia.</p> <p><i>Metallica</i> is the 'thinking man's' metal band and the headbanger's CNN. Snobs and music critics have often dismissed <i>Metallica</i> as mindless noise; we're here to set the record straight. 'In pursuit of truth no matter where it lies,' this book considers questions that philosophers have been pondering for ages, including: Does <i>Metallica's</i> music provide an Aristotelian catharsis or does it just make kids go postal? Can 'Fade to Black' save you from suicide? Are we all in the 'Sanitarium'? How can we 'Escape' to be free? What can Nietzsche tell us about the God That Failed? What can Descartes and 'One' tell us about the relationship between the mind and the body? Did Lars make a sound argument against Napster?</p> <p><i>Metallica</i> is more than just a band, and this book is much more than just a ticket to ride down memory lane. This is an in-depth analysis of the soundtrack to your life. So start your CD player, fire up your iPod, or, better yet, break out the old vinyl. We're going' for a ride with the four horsemen, and a few philosophers too.</p>

“The most elucidative dissertation on Metallica ever written. And a kick-ass read to boot!!!” <br /> <i>Scott Ian, guitarist for Anthrax<!--end--></i><br /> <p>“Like philosophy itself, Metallica’s music can scare the uninitiated, who fear their brains will hurt. This book makes both philosophy and Metallica accessible to the curious while deepening the experience of those already in the know.”<br /> <i>Theodore Gracyk, author of Rhythm and Noise and Listening to Popular Music</i><br /> </p> <p>“<i>Metallica and Philosophy</i> is, at long last, the book which finally gives everyone’s favorite headbangers due credit for being intelligent, questioning, and even cerebral.”<br /> <i>Joel McIver, author of Justice For All: The Truth About Metallica</i><br /> </p> <p>“Not just heavy metal, not just rock n’ roll, not just angst or anger or conceptual analysis, but a monster in a category of its own that shows us something dangerous about ourselves and our post-industrial culture.”<br /> <i>Dale Jacquette, Pennsylvania State University</i><br /> </p> <p>"Intellectual snobs and proud low-brows alike may dismiss this as a joke- though obviously not respected academic publishers Blackwell ... as an introduction to some of the major schools of thought, it is no less worthy than popular books like <i>Sophie's World</i> that have also sought to bring philosophy to the mass market."<br /> <i>Tommy Udo, Metal Hammer</i><br /> </p> <p>A “provocative study” on one of metal’s greatest bands, this paperback examines the connection between Metallica and highly regarded philosophers like Aristotle and Nietzsche, and “uses themes in Metallica’s work to illuminate topics such as death, metaphysics, epistemology, the mind-body problem, morality, justice and what we owe one another.” Edited by a college professor, chapters include “Alcoholica: When Sweet Amber Becomes The Master Of Puppets,” “To Live and Die: Metallica and The Meaning Of Life” and “Boys Interrupted: The Drama Of Male Bonding In Some Kind Of Monster.”<br /> <i>Metal Edge Magazine</i></p>

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