Details

Acknowledgments ix <p>Introduction 1</p> <p>1 A Brief Essay on Taste 5</p> <p>2 The Dreadful Legacy of Modernism 44</p> <p>3 Is Shakespeare Any Good? 90</p> <p>4 Mad Theories 131</p> <p>5 Defining Literature: The Bête Noir of Academia 166</p> <p>6 Evaluation 193</p> <p>7 Popular Literature 243</p> <p>8 Is Literature Any Good For Us? 272</p> <p>References 321</p> <p>Index 326</p>

<b>Richard Bradford</b> is Research Professor of English at the University of Ulster. He is the author of two dozen books, including specialised academic monographs and six literary biographies including <i>Literary Rivals, </i>(2014), <i>The Novel Now</i> (2007) and <i>First Boredom, Then Fear: The Life of Philip Larkin</i> (2006)

After reading a few pages of a book, you might find yourself gripped, moved, bored, or—in the case of far too many literary “classics”—somewhat astonished that it ever got into print at all. While initial impressions are often influenced by personal literary tastes, one may also be reacting to writing that is very good—or genuinely bad. But who decides what constitutes “good” literature? If you wish to know the reasons <i>why</i> a book is considered good or bad, you’d be hard-pressed to find the answers in a university literature course. Exploring issues that academics have studiously avoided for years, <i>Is Shakespeare any Good?</i> reveals why certain literary works and authors are treated as superior to others, and boldly questions the literary establishment’s criteria for creating an imperium of “great” writers. <br /><br />Author Richard Bradford shows us how to articulate our own informed opinions on the qualities or deficiencies of a literary work—whether the author in question is James Joyce, Jeffrey Archer, or the Bard of Avon himself. Also covered are: self-appointed arbiters of taste in the literary world; academia’s wretched influence in shaping literary merit (or to be more accurate its failure to say  anything relevant); whether popular literature’s bad rap is warranted; does reading and studying literature do us any good?; the dreadful legacy of Modernism; and more. It also asks this frank question of one of literature’s greatest sacred cows—who <i>says</i> we can’t dislike Shakespeare? Lively and provocative, <i>Is Shakespeare any Good?</i> is certain to raise a few eyebrows while elevating the level of debate about the true nature of literary merit.

'Richard Bradford has produced a pugnacious and carefully constructed critique of modern attitudes to the vexed question of how we should set about evaluating literary texts. Its insistence on the desirability of that much maligned abstract 'taste' is thoroughly to be applauded.'—<b>D. J. Taylor, Author of <i>Orwell: The Life</i>, winner of the Whitbread Biography Prize.</b>

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