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A Companion to Thomas Hardy


A Companion to Thomas Hardy


Blackwell Companions to Literature and Culture, Band 128 1. Aufl.

von: Keith Wilson

36,99 €

Verlag: Wiley-Blackwell
Format: PDF
Veröffentl.: 29.09.2010
ISBN/EAN: 9781444324228
Sprache: englisch
Anzahl Seiten: 504

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Beschreibungen

Through original essays from a distinguished team of international scholars and Hardy specialists, <i>A Companion to Thomas Hardy</i> provides a unique, one-volume resource, which encompasses all aspects of Hardy's major novels, short stories, and poetry<br /> <ul> <li>Informed by the latest in scholarly, critical, and theoretical debates from some of the world's leading Hardy scholars<br /> </li> <li>Reveals groundbreaking insights through examinations of Hardy’s major novels, short stories, poetry, and drama<br /> </li> <li>Explores Hardy's work in the context of the major intellectual and socio-cultural currents of his time and assesses his legacy for subsequent writers</li> </ul>
Notes on Contributors viii <p>List of Abbreviations xiv</p> <p>Introduction 1<br /> <i>Keith Wilson</i></p> <p><b>Part I The Life 5</b></p> <p>1 Hardy as Biographical Subject 7<br /> <i>Michael Millgate</i></p> <p><b>Part II The Intellectual Context 19</b></p> <p>2 Hardy and Philosophy 21<br /> <i>Phillip Mallett</i></p> <p>3 Hardy and Darwin: An Enchanting Hardy? 36<br /> <i>George Levine</i></p> <p>4 Hardy and the Place of Culture 54<br /> <i>Angelique Richardson</i></p> <p>5 “The Hard Case of the Would-be-Religious”: Hardy and the Church from Early Life to Later Years 71<br /> <i>Pamela Dalziel</i></p> <p>6 Thomas Hardy’s Notebooks 86<br /> <i>William Greenslade</i></p> <p>7 “Genres are not to be mixed. . . . I will not mix them”: Discourse, Ideology, and Generic Hybridity in Hardy’s Fiction 102<br /> <i>Richard Nemesvari</i></p> <p>8 Hardy and his Critics: Gender in the Interstices 117<br /> <i>Margaret R. Higonnet</i></p> <p><b>Part III The Socio-Cultural Context 131</b></p> <p>9 “His Country”: Hardy in the Rural 133<br /> <i>Ralph Pite</i></p> <p>10 Thomas Hardy of London 146<br /> <i>Keith Wilson</i></p> <p>11 “A Thickness of Wall”: Hardy and Class 162<br /> <i>Roger Ebbatson</i></p> <p>12 Reading Hardy through Dress: The Case of Far From the Madding Crowd 178<br /> <i>Simon Gatrell</i></p> <p>13 Hardy and Romantic Love 194<br /> <i>Michael Irwin</i></p> <p>14 Hardy and the Visual Arts 210<br /> <i>J. B. Bullen</i></p> <p>15 Hardy and Music: Uncanny Sounds 223<br /> <i>Claire Seymour</i></p> <p><b>Part IV The Works 239</b></p> <p>16 The Darkening Pastoral: Under the Greenwood Tree and Far From the Madding Crowd 241<br /> <i>Stephen Regan</i></p> <p>17 “Wild Regions of Obscurity”: Narrative in The Return of the Native 254<br /> <i>Penny Boumelha</i></p> <p>18 Hardy’s “Novels of Ingenuity” Desperate Remedies, The Hand of Ethelberta, and A Laodicean: Rare Hands at Contrivances 267<br /> <i>Mary Rimmer</i></p> <p>19 Hardy’s “Romances and Fantasies” A Pair of Blue Eyes, The Trumpet-Major, Two on a Tower, and The Well-Beloved: Experiments in Metafiction 281<br /> <i>Jane Thomas</i></p> <p>20 The Haunted Structures of The Mayor of Casterbridge 299<br /> <i>Julian Wolfreys</i></p> <p>21 Dethroning the High Priest of Nature in The Woodlanders 313<br /> <i>Andrew Radford<br /> </i></p> <p>22 Melodrama, Vision, and Modernity: Tess of the d’Urbervilles 328<br /> <i>Tim Dolin</i></p> <p>23 Jude the Obscure and English National Identity: The Religious Striations of Wessex 345<br /> <i>Dennis Taylor</i></p> <p>24 “. . . into the hands of pure-minded English girls”: Hardy’s Short Stories and the Late Victorian Literary Marketplace 364<br /> <i>Peter Widdowson</i></p> <p>25 Sequence and Series in Hardy’s Poetry 378<br /> <i>Tim Armstrong</i></p> <p>26 Hardy’s Poems: The Scholarly Situation 395<br /> <i>William W. Morgan</i></p> <p>27 That’s Show Business: Spectacle, Narration, and Laughter in The Dynasts 413<br /> <i>G. Glen Wickens</i></p> <p><b>Part V Hardy the Modern 431</b></p> <p>28 Modernist Hardy: Hand-Writing in The Mayor of Casterbridge 433<br /> <i>J. Hillis Miller</i></p> <p>29 Inhibiting the Voice: Thomas Hardy and Modern Poetics 450<br /> <i>Charles Lock</i></p> <p>30 Hardy’s Heirs: D. H. Lawrence and John Cowper Powys 465<br /> <i>Terry R. Wright</i></p> <p>Index 479</p>
<p>“Perhaps Hardy the poet needs a separate Companion.  If it matched this one in the quality of writing and usefulness to the student, it would be a treasure.”  (<i>Victorian Studies</i>, 1 October 2012)</p>
<p><b>Keith Wilson</b> is Professor of English at the University of Ottawa. He is the author of <i>Thomas Hardy on Stage</i> (1995), editor of the Penguin Classics editions of <i>The Mayor of Casterbridge</i> (1997; 2003) and <i>The Fiddler of the Reels and Other Stories</i> (2003, with Kristin Brady), and editor of <i>Thomas Hardy Reappraised: Essays in Honour of Michael Millgate</i> (2006). He is also the co-editor, with Michael Millgate, of the 8th volume of <i>The Collected Letters of Thomas Hardy</i><i>, and editor for the forthcoming Cambridge edition of </i><i>Tess of the d'Urbervilles. </i>In addition to his work on Hardy, he has also published widely on nineteenth- and twentieth-century British literature, Victorian and Edwardian music hall, and the literary representation of London.</p>
<i>A Companion to Thomas Hardy</i> brings together new essays on all aspects of Thomas Hardy’s work by thirty of the world’s most distinguished Hardy scholars. Groundbreaking insights are revealed through examinations of his novels, short stories, poetry, and the often neglected epic-drama, <i>The Dynasts</i>, that Hardy, like many of his contemporaries, considered to be his major achievement. The Companion provides an influential re-assessment of Hardy’s place in both Victorian and Modern literature, with essays that consider his complexity as a biographical subject, probe his ideas and attitudes in relation to their socio-cultural, scientific, and philosophical contexts, analyze his distinctive achievements in the remarkable variety of genres in which he worked, and assess his legacy for subsequent modernist writers. <p>Comprehensive and authoritative, <i>A Companion to Thomas Hardy</i> offers an unparalleled range of contemporary scholarship on an author whose transitional position between the late nineteenth- and early twentieth-centuries makes him central to the study of both. This Companion provides a seamless overview of the entirety of Hardy’s oeuvre, through historical contextualization and analysis of key works.</p>
<p>"Keith Wilson's <i>A Companion to Thomas Hardy</i>, is distinguished for the thoroughness with which it covers intellectual contexts and for the quality of its contributors. Scholars and students of Hardy will not want to be without it."—<i>Studies in English Literature</i></p> <p>"Like the many other titles in the <i>Blackwell Companions to Literature and Culture</i> series, this volume offers comprehensive, newly written work that meets the needs of experienced undergraduates, graduate students, and all who seek the best recent scholarship on Hardy ... These fresh perspectives on Hardy will lead many to reread Hardy with new vision."—<i>English Literature in Transition</i></p> <p>“There must be at least ten good books' worth of ideas and analysis in these thirty essays" (<i>Hardy Review)</i></p> <p>“Hardy was a diverse, complex author, and this text mirrors his diversity and does much to explain his complexity. Highly recommended.”—<i>Choice</i>  </p> <p>“Given the range and number of its essays as well as its treatment of those who influenced Hardy, such as Darwin and Mill, this book will be indispensable for anyone conducting research in the nineteenth-century novel or poetry or teaching in the area … With thirty critical essays from some of the most prominent experts in Hardy scholarship, in addition to Keith Wilson's provocative and concise introduction, this new book will inspire readers to return to the texts themselves.” <i>(New Books on Literature)</i> </p> <p>“This collection of essays is accessible to both the general reader and the scholar … The typeface is clear, the page quality and binding of a high standard, making this, like other titles in the series, an excellent addition to any academic library collection serving English literary studies and the public library looking to provide an up to date critical context for its fiction collection.” (<i>Reference Reviews)</i></p>

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