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A Companion to the American Novel


A Companion to the American Novel


Blackwell Companions to Literature and Culture, Band 181 1. Aufl.

von: Alfred Bendixen

42,99 €

Verlag: Wiley-Blackwell
Format: PDF
Veröffentl.: 21.02.2012
ISBN/EAN: 9781118220399
Sprache: englisch
Anzahl Seiten: 704

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Beschreibungen

Featuring 37 essays by distinguished literary scholars, <i>A Companion to the American Novel</i> provides a comprehensive single-volume treatment of the development of the novel in the United States from the late 18th century to the present day. <ul> <li>Represents the most comprehensive single-volume introduction to this popular literary form currently available </li> <li>Features 37 contributions from a wide range of distinguished literary scholars </li> <li>Includes essays on topics and genres, historical overviews, and key individual works, including <i>The Scarlet Letter, Moby Dick, The Great Gatsby, Beloved</i>, and many more. </li> </ul>
<p>Notes on Contributors ix</p> <p>Preface xix</p> <p>Acknowledgments xxi</p> <p>A Chronology of the American Novel xxii</p> <p><b>Part I: Historical Developments 1</b></p> <p>1 The Development of the American Novel: The Transformations of Genre 3<br /> <i>Alfred Bendixen</i></p> <p>2 The American Novel: Beginnings Through the American Renaissance 19<br /> <i>Maria Karafilis</i></p> <p>3 The American Novel: Realism and Naturalism (1860–1920) 42<br /> <i>Jeanne Campbell Reesman</i></p> <p>4 Modernism and the American Novel 60<br /> <i>Peter L. Hays</i></p> <p>5 Beyond Modernism: The American Novel Between the World Wars 76<br /> <i>Alfred Bendixen</i></p> <p>6 The Cold War Novel: The American Novel Between 1945–1970 90<br /> <i>Sharon Becker and Wendy Martin</i></p> <p>7 The Novel in a Changing America: Multiculturalism and Other Issues (1970–Present) 109<br /> <i>Martha J. Cutter</i></p> <p><b>Part II: Genres and Traditions 127</b></p> <p>8 Fear, Ambiguity, and Transgression: The Gothic Novel in the United States 129<br /> <i>Charles L. Crow</i></p> <p>9 The American Historical Romance: From James Fenimore Cooper and Nathaniel Hawthorne to Toni Morrison, Louise Erdrich, and E. L. Doctorow 147<i><br /> Emily Miller Budick</i></p> <p>10 Making This Whole Nation Feel: The Sentimental Novel in the United States 170<br /> <i>Marianne Noble</i></p> <p>11 Social Protest, Reform, and the American Political Novel 187<br /> <i>Chip Rhodes</i></p> <p>12 The American War Novel Tradition and the Individual Soldier 206<br /> <i>James H. Meredith</i></p> <p>13 From the Sublime to the Ridiculous: Comic Traditions in the American Novel 218<br /> <i>Judith Yaross Lee</i></p> <p>14 Plotting a Way Home: The Jewish American Novel 241<br /> <i>Derek Parker Royal</i></p> <p>15 Chicano/a Traditions in the American Novel 259<br /> <i>Juan J. Alonzo</i></p> <p>16 African American Traditions and the American Novel 274<br /> <i>Melvin Donalson</i></p> <p>17 The American Novel of Mystery, Crime, and Detection 291<br /> <i>Leonard Cassuto</i></p> <p>18 O Brave New Worlds: Science Fiction and the American Novel 309<br /> <i>Eric S. Rabkin</i></p> <p>19 Dreaming of a White Future: Mary E. Bradley Lane, Edward Bellamy, and the Origins of the Utopian Novel in the United States 323<br /> <i>Jean Pfaelzer</i></p> <p>20 Queer Theory and the American Novel 342<br /> <i>Deborah Carlin</i></p> <p>21 The American Short-Story Cycle: Out From the Novel’s Shadow 357<br /> <i>Robert M. Luscher</i></p> <p><b>Part III: Major Texts 373</b></p> <p>22 The Woman’s Law in Hawthorne’s The Scarlet Letter 375<br /> <i>Monika Elbert</i></p> <p>23 Writ in Water: The Books of Melville’s Moby-Dick 394<br /> <i>Wyn Kelley</i></p> <p>24 Wonder of Wonders: Harriet Beecher Stowe’s Uncle Tom’s Cabin 408<br /> <i>Susan Belasco</i></p> <p>25 Citational Strategies and Literary Traditions: Placing Henry James’s The Portrait of a Lady 422<br /> <i>Greg W. Zacharias</i></p> <p>26 Mark Twain’s Adventures of Huckleberry Finn: A Child’s Search for Comfort and Peace 443<br /> <i>Michael J. Kiskis</i></p> <p>27 What Women Want: Kate Chopin’s The Awakening 454<br /> <i>Emily Toth</i></p> <p>28 Private Fleming’s Various Battles: Stephen Crane’s The Red Badge of Courage 465<br /> <i>James Nagel</i></p> <p>29 Lily’s Story: Edith Wharton’s House of Mirth 475<br /> <i>Kathy Fedorko</i></p> <p>30 The Confessional Narration of Ernest Hemingway’s The Sun Also Rises 488<br /> <i>James Nagel</i></p> <p>31 Fitzgerald’s The Great Gatsby and the Myth of the Land 499<br /> <i>Richard Lehan</i></p> <p>32 Ground Zero: Faulkner’s The Sound and the Fury 510<br /> <i>Philip Weinstein</i></p> <p>33 A Bigger Vision: Richard Wright’s Native Son and the Great American Novel 525<br /> <i>Andrew Warnes</i></p> <p>34 Our Invisible Man: The Aesthetic Genealogy of US Diversity 537<br /> <i>John Carlos Rowe</i></p> <p>35 The Visionary Exuberance of Saul Bellow’s The Adventures of Augie March 554<br /> <i>Ben Siegel</i></p> <p>36 The Flesh and the Word: Toni Morrison’s Beloved 570<br /> <i>Valerie Smith</i></p> <p>37 A Different Kind of Love Story: Cormac McCarthy’s The Road 582<br /> <i>Olivia Carr Edenfield</i></p> <p>Selected Readings in the Genres of the American Novel 598</p> <p>Index 610</p>
<p>“In addition to the various groups of essays, the book features a substantial chronology of American novels (from 1752 to 2000) and a series of lists of representative works in some of the most important traditions and genres discussed.”  (<i>Poetics Today</i>, 1 May 2014)</p> <p>“As a consolidation of prior scholarship and a spur to further investigation, it makes a meaningful and substantial contribution to the ongoing scholarly conversation about the American novel.”  (<i>Review 19</i>, 1 April 2013)</p> <p>“Summing Up: Recommended.  Upper-division undergraduates and above.”  (<i>Choice</i>, 1 November 2012)</p>
<p><b>Alfred Bendixen</b> teaches American literature at Princeton University, USA, and is the founder and Executive Director of the American Literature Association. His books include <i>The Cambridge History of American Poetry</i> (co-edited with Stephen Burt, 2014), <i>A Companion to the American Short Story</i> (co-edited with James Nagel, Wiley Blackwell, 2010), <i>Ihe Cambridge Companion to American Travel Writing</i> (co-edited with Judith Hamera, 2009), <i>Edith Wharton: New Critical Essays</i> (co-edited with Annette Zilversmit, 1992), <i>‘lhe Amber Gods and Other Stories by Harriet Prescott Spofford</i> (1989), an edition of the composite novel <i>The Whole Family</i> (1986), and <i>Haunted Women</i> (1985).
<p><b>A COMPANION TO<BR>THE AMERICAN NOVEL</p> Edited by Alfred Bendixen</b> <p>“As a consolidation of prior scholarship and a spur to further investigation, [<i>A Companion to the American Novel</i>] makes a meaningful and substantial contribution to the ongoing scholarly conversation about the American novel.” <b>Review 19</b> <p>“Alfred Bendixen’s conceptual map for this Companion to the American novel is elegant and smart.” <b>Journal of American Studies</b> <p><i>A Companion to the American Novel</i> provides a comprehensive treatment of the development of the novel in the United States from its emergence in the eighteenth century to the present. Through a series of 38 essays written by a distinguished cast of literary scholars, the <i>Companion</i> provides a broad historical overview of the nature and development of the novel; perceptive studies of the crucial genres, topics, and traditions that define the literary form; and insightful analyses of 16 of the most important works of American fiction, including <i>The Scarlet Letter, Moby-Dick, Wye Great Gatsby, Beloved</i>, and many more. The variety of approaches presented here reflects the rich diversity of the form as it has evolved in the United States over the past two centuries. With its in-depth coverage and wealth of insights, <i>A Companion to the American Novel</i> is the most valuable single-volume examination of this major literary form available today.
<p>“As a consolidation of prior scholarship and a spur to further investigation, [this book] makes a meaningful and substantial contribution to the ongoing scholarly conversation about the American novel.” <br /> (<i>Review 19</i>, 1 April 2013).</p>

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