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A Companion to Rainer Werner Fassbinder

Wiley Blackwell Companions to Film Directors, Band 13 1. Aufl.

von: Brigitte Peucker
159,99 €
Verlag:	Wiley-Blackwell
Format:	PDF
Veröffentl.:	28.11.2011
ISBN/EAN:	9781444354041
Sprache:	englisch
Anzahl Seiten:	656

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Titelbeschreibung

A Companion to Rainer Werner Fassbinder is the first of its kind to engage with this important figure. Twenty-eight essays by an international group of scholars consider this controversial director's contribution to German cinema, German history, gender studies, and auteurship. <ul> <li>A fresh collection of original research providing diverse perspectives on Fassbinder’s work in films, television, poetry, and underground theatre.</li> <li>Rainer Werner Fassbinder remains the preeminent filmmaker of the New German Cinema whose brief but prolific body of work spans from the latter half of the 1960s to the artist’s death in 1982.</li> <li>Interrogates Fassbinder’s influence on the seminal ideas of his time: auteurship, identity, race, queer studies, and the cataclysmic events of German twentieth century history</li> <li>Contributions from internationally diverse scholars specializing in film, culture, and German studies.</li> <li>Includes coverage of his key films including: Gods of the Plague (1970), Beware of a Holy Whore (1971), The Bitter Tears of Petra von Kant (1972), Martha (1973) (TV), World on a Wire (1973), Effi Briest (1974), Ali: Fear Eats the Soul (1974), Fox and His Friends (1975), Fear of Fear (1975), Chinese Roulette (1976), In a Year With 13 Moons (1978), Despair (1978), The Third Generation (1979), Berlin Alexanderplatz (1980) (TV), and Querelle (1982).</li> </ul>

Inhaltsverzeichnis

Notes on Contributors viii Acknowledgments xiv Introduction 1 Brigitte Peucker Part I Life and Work 15 1 The Other Planet Fassbinder 17 Juliane Lorenz 2 R. W. Fassbinder: Prodigal Son, Not Reconciled? 45 Thomas Elsaesser 3 Rainer "Maria" Fassbinder: Cinema between Literature and Life 53 Leo A. Lensing 4 Five Fassbinder Scenes 67 Wayne Koestenbaum Part II Genre; Influence; Aesthetics 77 5 Imitation, Seriality, Cinema: Early Fassbinder and Godard 79 Laura McMahon 6 Exposed Bodies; Evacuated Identities 101 Claire Kaiser 7 Redressing the Inaccessible through the Re‐Inscribed Body: In a Year with 13 Moons and Almodóvar’s Bad Education 118 Victor Fan 8 Nudity and the Question: Chinese Roulette 142 Eugenie Brinkema 9 Color, Melodrama, and the Problem of Interiority 159 Brian Price 10 Fassbinder's Work : Style, Sirk, and Queer Labor 181 John David Rhodes 11 A Nagging Physical Discomfort: Fassbinder and Martha 204 Joe McElhaney 12 Beyond the Woman's Film: Reflecting Difference in the Fassbinder Melodrama 226 Nadine Schwakopf 13 Through the Looking Glass: Fassbinder's World on a Wire 245 Brad Prager Part III Other Texts; Other Media 267 14 Violently Oscillating: Science, Repetition, and Affective Transmutation in Fassbinder's Berlin Alexanderplatz 269 Elena del Rio 15 In Despair : Performance, Citation, Identity 290 Brigitte Peucker 16 Declined Invitations: Repetition in Fassbinder's Queer "Monomusical" 313 Caryl Flinn 17 Fassbinder's France: Genet's Miseen Scène in Fassbinder's Films 333 Olga Solovieva 18 Un-framing the Image: Theatricality and the Art World of Bitter Tears 352 Brigitte Peucker 19 A Novel Film: Fassbinder's Fontane Effi Briest 372 Elke Siegel 20 Swearing and Forswearing Fidelity in Fassbinder's Berlin Alexanderplatz 398 Paul Coates Part IV History; Ideology; Politics 421 21 "There Are Many Ways to Fight a Battle": Young Fassbinder and the Myths of 1968 423 Eric Rentschler 22 A Generation Later and Still Unrepresentable?: Fassbinder and the Red Army Faction 441 Frances Guerin 23 Two Kinds of Excess: Fassbinder and Veit Harlan 461 Laura J. Heins 24 Jolie Laide: Fassbinder, Anti‐Semitism, and the Jewish Image 485 Rosalind Galt 25 Impossible, Impolitic: Ali: Fear Eats the Soul and Fassbinder's Asynchronous Bodies 502 Elena Gorfinkel 26 "So Much Tenderness": Rainer Werner Fassbinder, Günther Kaufmann, and the Ambivalences of Interracial Desire 516 Tobias Nagl and Janelle Blankenship 27 Rainer, Rosa, and Werner: New Gay Film as Counter-Public 542 Randall Halle 28 Fassbinder's Fox and His Friends and Gay Politics in the 1970s 564 Ronald Gregg 29 Querelle's Finality 579 Roy Grundmann Selected Bibliography 604 Index 623

Rezension

"This account includes interesting points of view that compliment and supplement one another as they shed light on a complex film practice and its practitioner." (NeoPopRealism Journal, 2011)

Autorenportrait

Brigitte Peucker is the Elias Leavenworth Professor of German and a Professor of Film Studies at Yale University. She is the author of many essays on questions of representation in film and literature. Earlier books include Lyric Descent in the German Romantic Tradition (1987), Incorporating Images: Film and the Rival Arts (1995), and The Material Image: Art and the Real in Film (2007).

Back cover copy

“A welcome reminder of Fassbinder’s astonishing breadth and continued resonance, this wide-ranging and brilliant collection of essays is an indispensable resource.” Anton Kaes, University of California, Berkeley “As varied, replete, and edgy as Fassbinder’s work itself, and as deftly edited, this montage of essays takes the measure not just of an oeuvre but of an epoch.” Garrett Stewart, author of Framed Time: Toward a Postfilmic Cinema “Few filmmakers in the history of cinema have been as productive, as important, and as provocative as R. W. Fassbinder. With this stellar collection of essays, the achievements of his career unfold in all their astonishing range and diversity, across all their beauties and shocks, with all their pleasures and difficulties.” Timothy Corrigan, University of Pennsylvania A Companion to Rainer Werner Fassbinder is a groundbreaking collection. The first to engage fully with this important figure, whose untimely death in 1982 is said to have marked the end of New German cinema. Twenty-nine chapters consider this controversial director’s contribution to German cinema, German history, gender and queer studies, and auteurship. Riding a wave of renewed interest in Fassbinder as a result of the increasing availability of his work, this collection puts the enigmatic director, actor, and character in context and considers the reach of his influence on a new generation of film makers. These contributions by an international group of scholars provide a range of multiple perspectives through which Fassbinder emerges as an even more engagingly complex—and more brilliant—auteur than ever before.

Unpublished endorsement

“A welcome reminder of Fassbinder's astonishing breadth and continued resonance, this wide-ranging and brilliant collection of essays is an indispensable resource.” -- Anton Kaes, University of California, Berkeley “As varied, replete, and edgy as Fassbinder’s work itself, and as deftly edited, this montage of essays takes the measure not just of an oeuvre but of an epoch.” -- Garrett Stewart, author of Framed Timed: Toward a Postfilmic Cinema “Few filmmakers in the history of cinema have been as productive, as important, and as provocative as R. W. Fassbinder. With this stellar collection of essays, the achievements of his career unfold in all their astonishing range and diversity, across all their beauties and shocks, with all their pleasures and difficulties.” -- Timothy Corrigan, University of Pennsylvania