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A Companion to Medieval English Literature and Culture, c.1350 - c.1500


A Companion to Medieval English Literature and Culture, c.1350 - c.1500


Blackwell Companions to Literature and Culture 1. Aufl.

von: Peter Brown

170,99 €

Verlag: Wiley-Blackwell
Format: PDF
Veröffentl.: 15.04.2008
ISBN/EAN: 9781405171960
Sprache: englisch
Anzahl Seiten: 686

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Beschreibungen

<i>A Companion to Medieval English Literature and Culture, c.1350-c.1500</i> challenges readers to think beyond a narrowly defined canon and conventional disciplinary boundaries. <p>A ground-breaking collection of newly-commissioned essays on medieval literature and culture.</p> <ul> <li>Encourages students to think beyond a narrowly defined canon and conventional disciplinary boundaries.</li> <li>Reflects the erosion of the traditional, rigid boundary between medieval and early modern literature.</li> <li>Stresses the importance of constructing contexts for reading literature.</li> <li>Explores the extent to which medieval literature is in dialogue with other cultural products, including the literature of other countries, manuscripts and religion.</li> <li>Includes close readings of frequently-studied texts, including texts by Chaucer, Langland, the Gawain poet, and Hoccleve.</li> <li>Confronts some of the controversies that exercise students of medieval literature, such as those connected with literary theory, love, and chivalry and war.</li> </ul>
List of Illustrations ix <p>Notes on Contributors x</p> <p>Acknowledgements xv</p> <p>Abbreviations xvi</p> <p>Introduction 1</p> <p><b>PART I</b> <i>Overviews</i> 7</p> <p>1. Critical Approaches 9<br /> <i>David Raybin</i></p> <p>2. English Society in the Later Middle Ages: Deference, Ambition and Conflict 25<br /> <i>S. H. Rigby</i></p> <p>3. Religious Authority and Dissent 40<br /> <i>Mishtooni Bose</i></p> <p>4. City and Country, Wealth and Labour 56<br /> <i>Sarah Rees Jones</i></p> <p>5. Women's Voices and Roles 74<br /> <i>Carol M. Meale</i></p> <p><b>PART II</b> <i>The Production and Reception of Texts</i> 91</p> <p>6. Manuscripts and Readers 93<br /> <i>A. S. G. Edwards</i></p> <p>7. From Manuscript to Modern Text 107<br /> <i>Julia Boffey</i></p> <p>8. Translation and Society 123<br /> <i>Catherine Batt<br /> </i></p> <p><b>PART III</b> <i>Language and Literature</i> 141</p> <p>9. The Languages of Medieval Britain 143<br /> <i>Laura Wright</i></p> <p>10. The Forms of Speech 159<br /> <i>Donka Minkova</i></p> <p>11. The Forms of Verse 176<br /> <i>Donka Minkova</i></p> <p><b>PART IV</b> <i>Encounters with Other Cultures</i> 197</p> <p>12. England and France 199<br /> <i>Ardis Butterfi eld</i></p> <p>13. Britain and Italy: Trade, Travel, Translation 215<br /> <i>Nick Havely</i></p> <p>14. England's Antiquities: Middle English Literature and the Classical Past 231<br /> <i>Christopher Baswell</i></p> <p>15. Jews, Saracens, 'Black Men', Tartars: England in a World of Racial Difference 247<br /> <i>Geraldine Heng</i></p> <p><b>PART V</b> <i>Special Themes</i> 271</p> <p>16. War and Chivalry 273<br /> <i>Richard W. Kaeuper and Montgomery Bohna</i></p> <p>17. Literature and Law 292<br /> <i>Richard Firth Green</i></p> <p>18. Images 307<br /> <i>Peter Brown</i></p> <p>19. Love 322<br /> <i>Barry Windeatt</i></p> <p><b>PART VI</b> <i>Genres</i> 339</p> <p>20. Middle English Romance 341<br /> <i>Thomas Hahn and Dana M. Symons</i></p> <p>21. Writing Nation: Shaping Identity in Medieval Historical Narratives 358<br /> <i>Raluca L. Radulescu</i></p> <p>22. Dream Poems 374<br /> <i>Helen Phillips</i></p> <p>23. Lyric 387<br /> <i>Rosemary Greentree</i></p> <p>24. Literature of Religious Instruction 406<br /> <i>E. A. Jones</i></p> <p>25. Mystical and Devotional Literature 423<br /> <i>Denise N. Baker</i></p> <p>26. Accounts of Lives 437<br /> <i>Kathleen Ashley</i></p> <p>27. Medieval English Theatre: Codes and Genres 454<br /> <i>Meg Twycross</i></p> <p>28. Morality and Interlude Drama 473<br /> <i>Darryll Grantley</i></p> <p><b>PART VII</b> <i>Readings</i> 489</p> <p>29. York Mystery Plays 491<br /> <i>Pamela King</i></p> <p>30. The <i>Book of Margery Kempe</i> 507<br /> <i>Ruth Evans</i></p> <p>31. Julian of Norwich 522<br /> <i>Santha Bhattacharji</i></p> <p>32. <i>Piers Plowman</i> 537<br /> <i>Stephen Kelly</i></p> <p>33. Subjectivity and Ideology in the <i>Canterbury Tales</i> 554<br /> <i>Mark Miller</i></p> <p>34. John Gower and John Lydgate: Forms and Norms of Rhetorical Culture 569<br /> <i>J. Allan Mitchell</i></p> <p>35. Thomas Hoccleve, <i>La Male Regle</i> 585<br /> <i>Nicholas Perkins</i></p> <p>36. Discipline and Relaxation in the Poetry of Robert Henryson 604<br /> <i>R. James Goldstein</i></p> <p>37. <i>Sir Gawain and the Green Knight</i> 619<br /> <i>Kevin Gustafson</i></p> <p>38. Blood and Love in Malory's <i>Morte Darthur</i> 634<br /> <i>Catherine La Farge</i></p> <p>Index 649</p>
"Overall, this book, another one of Peter Brown's Herculean labors, is a true gift to medieval scholarship. A compendium of useful information and bibliographic references, it will be useful to a wide variety of medieval-ists, whether undergraduates, graduates, faculty, or independent scholars, formany years to come." (Modern Philology, 2 November 2011) <p>"A very solid introduction to the scansion of fourteenth- and fifteenth-century verse is published in the new volume of Wiley-Blackwell's Companion series: A Companion to Medieval Literature and Culture, c.1350-c.1500, edited by Peter Brown." (Ywes, 28 August 2011)</p> <p>“These thorough, engaging essays decertify many canonical certainties … Highly Recommended.” CHOICE</p> <p>“Another grand project that combines breadth and depth … A highly eminent collection of thirty-eight contributions ranges over a variety of topics.”<br /> <i>Medium Aevum</i></p> <p>"There is plenty here for everybody, and all of it written in a way accessible to the general reader as well as to the student, or fellow specialist."<br /> <i>Reference Reviews<br /> </i></p>
<b>Peter Brown</b> is Professor of Medieval English Literature at the University of Kent. His book publications include <i>A Companion to Chaucer</i> (Wiley-Blackwell, 2000), <i>Reading Dreams: The Interpretation of Dreams from Chaucer to Shakespeare</i> (1999), <i>Chaucer at Work: The Making of the Canterbury Tales</i> (1994) and, with Andrew Butcher, <i>The Age of Saturn: Literature and History in the Canterbury Tales</i> (1991).
<i>A Companion to Medieval English Literature and Culture c.1350</i>–<i>c.1500</i> challenges readers to think beyond a narrowly defined canon and conventional disciplinary boundaries in a number of important ways. <br /> <p>Firstly, the companion’s date range reflects the erosion of the traditional, rigid boundary between medieval and early modern literature. Secondly, the structure of the book stresses the importance of constructing contexts for reading literature. Thirdly, the companion explores the extent to which medieval literature is in dialogue with other cultural products, including the literature of other countries, manuscripts and religion.<br /> </p> <p>Students will welcome the companion’s close readings of frequently studied texts, together with its discussions of larger groupings, such as the literature of religious instruction, dream poems, and chronicle and history. They will also appreciate the way the book tackles controversies, including those connected with literary theory, love, chivalry and war.</p>
"Brown stresses the centrality of religious works to any discussion of the era, including texts outside the traditional canons: government and legal documents; instructional, confessional, devotional, mystical, and contemplative works; the writings of critics, dissenters, and Lollards. The collection does not accept traditional hegemonies, aristocracy, church hierarchy, courtly culture, and linguistic homogeneity. For example, essays look at the boundary between high and popular romance as blurred and artificial; the fin amour codes of love-conduct as having minimal restraint on violent chivalric pursuit of martial prowess; the concepts of masculinity, Christianity, European identity, and whiteness as dominant paradigms defining and marginalizing women and members of all nonwhite races; the violence deemed permissible for excluding these groups. In short, these thorough, engaging essays decertify many canonical certainties...Highly Recommended." <i>Choice<!--end--></i><br /> <p>“Another grand project that combines breadth and depth … A highly eminent collection of thirty-eight contributions ranges over a variety of topics.”<br /> <i>Medium Aevum</i><br /> </p> <p>"There is plenty here for everybody, and all of it written in a way accessible to the general reader as well as to the student, of fellow specialist."<br /> <i>Reference Reviews<br /> </i></p>

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