<p>CONTRIBUTORS TO THIS VOLUME : <p>Lindsay Allason-Jones, Rhiannon Ash, Elizabeth Bartman, Anne Bielman, T. Corey Brennan, Elizabeth D. Carney, Cheryl A. Cox, Eve D’Ambra, Marguerite Deslauriers, A. A. Donohue, Cristiana Franco, Amy R. Gansell, Judith P. Hallett, Emily A. Hemelrijk, Madeleine M. Henry, Maura K. Heyn, Lora L. Holland, Vedia Izzet, Sharon L. James, Ioli Kalavrezou, Alison Keith, Ross S. Kraemer, Mireille M. Lee, Barbara Levick, Laura S. Lieber, Maria A. Liston, Rachel Meyers, Jennifer Sheridan Moss, Jenifer Neils, Marianna Nikolaïdou, Maryline Parca, Holt Parker, Werner Riess, Christina Riggs, Christina A. Salowey, Gillian Shepherd, Eva Stehle, Kasia Szpakowska, Lauren Talalay, Kathryn Topper, Monika Trümper. <p>THE EDITORS <p><b>Sharon L. James </b>is Associate Professor of Classics at the University of North Carolina at Chapel Hill. She is the author of <i>Learned Girls and Male Persuasion: Gender and Reading in Roman Love Elegy </i>(2003) and the forthcoming <i>Women in Greek and Roman New Comedy</i>. <p><b>Sheila Dillon </b>is Associate Professor in the Department of Art, Art History, and Visual Studies at Duke University with a secondary appointment in the Department of Classical Studies. She is the author of <i>Ancient Greek Portrait Sculpture </i>(2006) and <i>The Female Portrait Statue in the Greek World </i>(2010).