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Cultural Mediations of Brands


Cultural Mediations of Brands

Unadvertization and Quest for Authority
1. Aufl.

von: Caroline Marti

139,99 €

Verlag: Wiley
Format: PDF
Veröffentl.: 10.01.2020
ISBN/EAN: 9781119694663
Sprache: englisch
Anzahl Seiten: 266

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Beschreibungen

<p>Brands, which are major economic entities and major symbols of market mediations, are increasingly appearing in the social arena as cultural actors in their own right. Their quest for social legitimacy and to have control over the markets goes beyond the usual framework of their communication with initiatives that have begun to have an impact on the French cultural landscape. Media, digital content, educational kits, museum exhibitions and so on are the actions of an unadvertization, which has the potential to transform not only the rapport brands have with the public but also representations of knowledge and culture.<p> <p>The communicative approach at the heart of this book illuminates the contemporary transformations of communication, highlighting three main types of cultural mediations: media, education, and cultural heritage institutions. Cultural Mediations of Brands thus provides a theoretical and critical analysis of the brand and the symbolic effectiveness attributed to it.<p>
<p>Foreword ix</p> <p>Acknowledgements xiii</p> <p>Introduction xv</p> <p><b>Part 1. Adapting the Media Model </b><b>1</b></p> <p><b>Introduction to Part 1 </b><b>3</b></p> <p><b>Chapter 1. Legitimacy and Foundations of Authority Through Media Appropriation </b><b>5</b></p> <p>1.1. Speaking out: power 5</p> <p>1.2. The porosity of the boundary between advertising and journalism: a tradition 8</p> <p>1.3. The media and advertising thought process 13</p> <p><b>Chapter 2. The Media Opportunism of Brands and Its Silences </b><b>15</b></p> <p>2.1. Virtues of inscription-embodiment material and editorial design 15</p> <p>2.2. Media design 18</p> <p>2.3. A media ideal, engagement and circulation 19</p> <p>2.4. The journalist: the guarantor, a contemporary hero of public speech 23</p> <p>2.5. A social power 25</p> <p><b>Chapter 3. A Media of One’s Own: Brands and the Struggle for Auctoriality </b><b>27</b></p> <p>3.1. The rise of native advertising 27</p> <p>3.2. Engagement and defection in advertising methods 29</p> <p>3.3. The Internet and the regeneration of a common concept 31</p> <p>3.4. The auctoriality in question 32</p> <p>3.5. Auctoriality of brands and journalistic claims 33</p> <p><b>Chapter 4. Changes in the Media Landscape and Transfers of Authority </b><b>37</b></p> <p>4.1. Procedures for exploiting journalists 37</p> <p>4.2. New categorizations 38</p> <p>4.3. Pre-eminence of the channel and media changes 41</p> <p>4.4. Media and reciprocal configurations 46</p> <p>Conclusion to Part 1 49</p> <p><b>Part 2. Asserting Intellectual Authority through Knowledge Mediation </b><b>53</b></p> <p><b>Introduction to Part 2 </b><b>55</b></p> <p><b>Chapter 5. Metaphor of the Consumer-Learner and Branded Ethos: Representations in the Commercial Environment </b><b>59</b></p> <p>5.1. From learning to education, a leitmotif of marketing 59</p> <p>5.2. The manufacture of a brand ethos 64</p> <p><b>Chapter 6. Virtues and Modalities of Ordinary Subordination in the Commercial Environment </b><b>69</b></p> <p>6.1. Educating the consumer 69</p> <p>6.2. Modalities of didactic impressiveness: from prescription to solicitude 73</p> <p><b>Chapter 7. The Institutionalized Didactic Position: The Masterly Hold </b><b>79</b></p> <p>7.1. Institutionalization of knowledge mobilized for brands 80</p> <p>7.2. The “missions” of educational kits 83</p> <p><b>Chapter 8. The Temptations of Scientific Mediation </b><b>91</b></p> <p>8.1. Scientific mediation and expertise: a construction of authorities in the public space 91</p> <p>8.2. Figurations and partnership instrumentalization 94</p> <p>8.3. The missions of the Danone Institute 100</p> <p>Conclusion to Part 2 107</p> <p><b>Part 3. Investing Social Memory Through Cultural Mediation </b><b>111</b></p> <p><b>Introduction to Part 3 </b><b>113</b></p> <p><b>Chapter 9. Cultural Mediation: Regulating the Circulation of Knowledge in the Public Space </b><b>117</b></p> <p>9.1. The “cultural being” that has become a communicative object: mediation through ranking 118</p> <p>9.2. Cultural mediation: creating interpretations for the public 123</p> <p><b>Chapter 10. From Event Management to Patrimonialization </b><b>129</b></p> <p>10.1. A museum event 130</p> <p>10.2. Cartier’s presence at the Grand Palais: occupying the space, being admired, being recognized 134</p> <p>10.3. The challenges of patrimonialization: mediation and authority 139</p> <p><b>Chapter 11. The Conditions for Institutionalization </b><b>145</b></p> <p>11.1. Lack of essentialism of value and categorization 146</p> <p>11.2. Sustainability 148</p> <p>11.3. Public configuration 154</p> <p>Conclusion to Part 3 159</p> <p><b>Part 4. Brands: From Mediations to Communicative Matrices of Social Authority </b><b>163 Introduction to Part 4 165</b></p> <p><b>Chapter 12. Brands: Mediation Devices for Symbolic Effectiveness </b><b>167</b></p> <p>12.1. The conditions of mediation: misappropriation, predilection, and adjustments 168</p> <p>12.2. The brand: a mediation system 171</p> <p><b>Chapter 13. A Socially Active Symbolic Operativity: From the Factory to the Matrix of Credibility </b><b>179</b></p> <p>13.1. Building relational devices 179</p> <p>13.2. Creating credibility, rhetoric of forgetting and persuasion 183</p> <p>13.3. The brand: a reproducible semiotic management 186</p> <p><b>Chapter 14. The Brand That Has Become a Communication Matrix </b><b>193</b></p> <p>14.1. The expansion of brand engineering: from unconscious thinking to organizational maieutics 193</p> <p>14.2. Social displacements and communicative derivations: branding as a process of action and play in competition 197</p> <p>14.3. From management to symbolic management: a generalized extension 201</p> <p>Conclusion to Part 4 209</p> <p>Bibliography 211</p> <p>Index 223</p>
Caroline Marti is a Professor in SIC (Information and Communication Sciences) at CELSA, Sorbonne University, France and researcher at GRIPIC (Interdisciplinary Research Group on Information and Communication Processes). She also leads and supervises research in marketing and consumption with an Information and Communication Sciences approach.

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