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A History of Romantic Literature


A History of Romantic Literature


Blackwell History of Literature 1. Aufl.

von: Frederick Burwick

108,99 €

Verlag: Wiley-Blackwell
Format: PDF
Veröffentl.: 14.10.2019
ISBN/EAN: 9781119044376
Sprache: englisch
Anzahl Seiten: 448

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Beschreibungen

<p><b>Historical Narrative Offers Introduction to Romanticism by Placing Key Figures in Overall Social Context</b> </p> <p>Going beyond the general literary survey, <i>A History of Romantic Literature</i> examines the literatures of sensibility and intensity as well as the aesthetic dimensions of horror and terror, sublimity and ecstasy, by providing a richly integrated account of shared themes, interests, innovations, rivalries and disputes among the writers of the late eighteenth and early nineteenth centuries.</p> <p>Drawing from the assemblage theory, Prof. Burwick maintains that the literature of the period is inseparable from prevailing economic conditions and ongoing political and religious turmoil, as well as developments in physics, astronomy, music and art. Thus, rather than deal with authors as if they worked in isolation from society, he identifies and describes their interactions with their communities and with one another, as well as their responses to current events. By connecting seemingly scattered and random events such as the bank crisis of 1825, he weaves the coincidental into a coherent narrative of the networking that informed the rise and progress of Romanticism. Notable features of the book include:</p> <ul> <li>A strong narrative structure divided into four major chronological periods: Revolution, 1789-1798; Napoleonic Wars, 1799-1815; Riots, 1815-1820; Reform, 1821-1832</li> <li>Thorough coverage of major and minor figures and institutions of the Romantic movement (including Mary Wollstonecraft, Elizabeth Montague and the Bluestockings, Lord Byron, John Keats, Letitia Elizabeth Landon etc.)</li> <li>Emphasis on the influence of social networks among authors, such as informal dinners and teas, clubs, salons and more formal institutions</li> </ul> <p>With its extensive coverage and insightful analysis set within a lively historical narrative, <i>History of Romantic Literature</i> is highly recommended for courses on British Romanticism at both undergraduate and post-graduate levels. It will also prove a highly useful reference for advanced scholars pursuing their own research.</p>
<p>Illustrations viii</p> <p><b>Introduction 1</b></p> <p><b>I Revolution (1789–1798) 22</b></p> <p>The ‘Revolution Controversy’ 22</p> <p>Newington Green Circle and Richard Price 25</p> <p>Mary Wollstonecraft 26</p> <p>Anna Laetitia Barbauld 29</p> <p>Abolition Movement 30</p> <p>Thomas Beddoes, Pneumatic Institution 38</p> <p>Slave Trade, Opium Trade 41</p> <p>Elizabeth Montagu and the Bluestockings 47</p> <p>Helen Maria Williams 51</p> <p>William Blake 54</p> <p>Anna Seward 63</p> <p>Dissenters 64</p> <p>Historical Nodes 66</p> <p>Corresponding Societies and Treason Trials 67</p> <p>Erasmus Darwin 70</p> <p>Charles Lloyd 72</p> <p>John Thelwall 74</p> <p>John Horne Tooke 75</p> <p>Nonconformists 77</p> <p>William Blake: Vision and Prophecy 78</p> <p>George Crabbe 81</p> <p>Thomas Holcroft 83</p> <p>Gothic, Domestic Violence, Sadism 92</p> <p>The Irish Rebellion 99</p> <p>Coleridge at Cambridge 100</p> <p>William Frend 101</p> <p>John Tweddell and James Losh 103</p> <p>Freedom of the Press 105</p> <p><i>Letters of Junius </i>107</p> <p>George Dyer 115</p> <p>Mary Hays 120</p> <p>Elizabeth Hamilton 127</p> <p>Mary Robinson 127</p> <p>Coleridge and Wordsworth 128</p> <p>Joanna Baillie 136</p> <p>Maria Edgeworth 139</p> <p>Charlotte Smith 139</p> <p><b>II Napoleonic Wars (1799–1815) 158</b></p> <p>The French Consulate and Great Britain 158</p> <p>Coalitions 159</p> <p>Toussaint L’Ouverture 168</p> <p>Peace of Amiens 168</p> <p>The ‘Dejection’ Dialogue 171</p> <p>The Growth of <i>The Prelude </i>177</p> <p>Back to Nature 188</p> <p>Coleridge: Conversation Poems 190</p> <p>Continental Romanticism 205</p> <p>Jane Porter 211</p> <p>Thomas Bewick 213</p> <p>Moral Causality 214</p> <p>1805: Connections and Coincidences 215</p> <p>The Periodical Press 219</p> <p>Exaltation and Exploitation of the Child 226</p> <p>The Lecture 229</p> <p>Lord Byron: ‘Fools are my theme, let satire be my song’ 234</p> <p>The Novel 237</p> <p>Interconnections: Jane Austen, Sir Walter Scott, George Crabbe, Joanna Baillie, Charlotte Smith, Anna Laetitia Barbauld 239</p> <p><b>III Riots (1815–1820) 297</b></p> <p>Waterloo 297</p> <p>Corn Laws: Cobbett, Bamford, Wroe, Elliott 309</p> <p>Lord Byron: <i>Childe Harold’s Pilgrimage </i>Cantos III and IV 313</p> <p>Lord Byron: <i>Manfred </i>318</p> <p>Percy Bysshe Shelley 328</p> <p>Samuel Rogers 333</p> <p>Coleridge: <i>Principles of Genial Criticism </i>and <i>Biographia Literaria </i>334</p> <p>Coleridge: ‘Kubla Khan’ and ‘Christabel’ 339</p> <p>Keats: Networking 349</p> <p>Keats: <i>Hyperion </i>and <i>Fall of Hyperion </i>351</p> <p>Keats: ‘Eve of St. Agnes’ and <i>Lamia </i>353</p> <p>Keats: The ‘Great Odes’ 358</p> <p>Belatedness 366</p> <p>Wordsworth, Shelley, Reynolds: <i>Peter Bell</i>, First, Second, Third, and Fourth 367</p> <p>Wordsworth: <i>Benjamin the Waggoner </i>375</p> <p>Cato Street Conspiracy 376</p> <p>Leigh Hunt 381</p> <p>March of the Blanketeers 383</p> <p>Satire and the Gagging Acts 385</p> <p>Shelley: <i>Mask of Anarchy </i>388</p> <p>Beau Brummell 388</p> <p>Blake: <i>Jerusalem </i>389</p> <p>Shelley: <i>Prometheus Unbound </i>393</p> <p><b>IV Reform (1821–1832) 413</b></p> <p>Trial of Queen Caroline 413</p> <p>Shelley, <i>Swellfoot the Tyrant </i>419</p> <p>Shelley, <i>Witch of Atlas </i>425</p> <p>Byron, <i>Don Juan </i>427</p> <p>John Clare, <i>The Village Minstrel </i>431</p> <p>De Quincey, <i>Confessions </i>433</p> <p>Maria Edgeworth, <i>Tomorrow </i>435</p> <p>Charles Lamb: Essayist, Critic, Playwright 439</p> <p>William Hazlitt, <i>Spirit of the Age </i>447</p> <p>Deaths: Keats, Napoleon, Shelley, Castlereagh, Byron, Radcliffe 451</p> <p>Letitia Elizabeth Landon: <i>Improvisatrice </i>453</p> <p>Samuel Rogers: <i>Italy </i>455</p> <p>George Dyer 457</p> <p>Mary Russell Mitford, <i>Foscari </i>458</p> <p>Walter Savage Landor, <i>Imaginary Conversations </i>466</p> <p>Panic of 1825 468</p> <p>Felicia Hemans 470</p> <p>Thomas Love Peacock, <i>Misfortune of Elphin </i>(1829) 472</p> <p>Thomas Lovell Beddoes, <i>Death’s Jest Book </i>475</p> <p>Parliamentary Reform 478</p> <p>Abolition 478</p> <p>Deaths: Blake, Hazlitt, Scott, Goethe, Coleridge Crabbe, Lamb, Thelwall 479</p> <p>Conclusion 489</p> <p>Index 492</p>

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