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A New Companion to Digital Humanities


A New Companion to Digital Humanities


Blackwell Companions to Literature and Culture 2. Aufl.

von: Susan Schreibman, Ray Siemens, John Unsworth

39,99 €

Verlag: Wiley-Blackwell
Format: EPUB
Veröffentl.: 12.11.2015
ISBN/EAN: 9781118680636
Sprache: englisch
Anzahl Seiten: 592

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Beschreibungen

<p>This highly-anticipated volume has been extensively revised to reflect changes in technology, digital humanities methods and practices, and institutional culture surrounding the valuation and publication of digital scholarship.<br /><br /></p> <ul> <li>A fully revised edition of a celebrated reference work, offering the most comprehensive and up-to-date collection of research currently available in this rapidly evolving discipline</li> <li>Includes new articles addressing topical and provocative issues and ideas such as retro computing, desktop fabrication, gender dynamics, and globalization</li> <li>Brings together a global team of authors who are pioneers of innovative research in the digital humanities</li> <li>Accessibly structured into five sections exploring infrastructures, creation, analysis, dissemination, and the future of digital humanities</li> <li>Surveys the past, present, and future of the field, offering essential research for anyone interested in better understanding the theory, methods, and application of the digital humanities</li> </ul>
<p>Notes on Contributors viii</p> <p>Preface xvii</p> <p><b>Part I Infrastructures 1</b></p> <p>1 Between Bits and Atoms: Physical Computing and Desktop Fabrication in the Humanities 3<br /> <i>Jentery Sayers, Devon Elliott, Kari Kraus, Bethany Nowviskie, and William J. Turkel</i></p> <p>2 Embodiment, Entanglement, and Immersion in Digital Cultural Heritage 22<br /> <i>Sarah Kenderdine</i></p> <p>3 The Internet of Things 42<br /> <i>Finn Arne Jorgensen</i></p> <p>4 Collaboration and Infrastructure 54<br /> <i>Jennifer Edmond</i></p> <p><b>Part II Creation 67</b></p> <p>5 Becoming Interdisciplinary 69<br /> <i>Willard McCarty</i></p> <p>6 New Media and Modeling: Games and the Digital Humanities 84<br /> <i>Steven E. Jones</i></p> <p>7 Exploratory Programming in Digital Humanities Pedagogy and Research 98<br /> <i>Nick Montfort</i></p> <p>8 Making Virtual Worlds 110<br /> <i>Christopher Johanson</i></p> <p>9 Electronic Literature as Digital Humanities 127<br /> <i>Scott Rettberg</i></p> <p>10 Social Scholarly Editing 137<br /> <i>Kenneth M. Price</i></p> <p>11 Digital Methods in the Humanities: Understanding and Describing their Use across the Disciplines 150<br /> <i>Lorna Hughes, Panos Constantopoulos, and Costis Dallas</i></p> <p>12 Tailoring Access to Content 171<br /> <i>Seamus Lawless, Owen Conlan, and Cormac Hampson</i></p> <p>13 Ancient Evenings: Retrocomputing in the Digital Humanities 185<br /> <i>Matthew G. Kirschenbaum</i></p> <p><b>Part III Analysis 199</b></p> <p>14 Mapping the Geospatial Turn 201<br /> <i>Todd Presner and David Shepard</i></p> <p>15 Music Information Retrieval 213<br /> <i>John Ashley Burgoyne, Ichiro Fujinaga, and J. Stephen Downie</i></p> <p>16 Data Modeling 229<br /> <i>Julia Flanders and Fotis Jannidis</i></p> <p>17 Graphical Approaches to the Digital Humanities 238<br /> <i>Johanna Drucker</i></p> <p>18 Zen and the Art of Linked Data: New Strategies for a Semantic Web of Humanist Knowledge 251<br /> <i>Dominic Oldman, Martin Doerr, and Stefan Gradmann</i></p> <p>19 Text Analysis and Visualization: Making Meaning Count 274<br /> <i>Stefan Sinclair and Geoffrey Rockwell</i></p> <p>20 Text‐Mining the Humanities 291<br /> <i>Matthew L. Jockers and Ted Underwood</i></p> <p>21 Textual Scholarship and Text Encoding 307<br /> <i>Elena Pierazzo</i></p> <p>22 Digital Materiality 322<br /> <i>Sydney J. Shep</i></p> <p>23 Screwmeneutics and Hermenumericals: the Computationality of Hermeneutics 331<br /> <i>Joris J. van Zundert</i></p> <p>24 When Texts of Study are Audio Files: Digital Tools for Sound Studies in Digital Humanities 348<br /> <i>Tanya E. Clement</i></p> <p>25 Marking Texts of Many Dimensions 358<br /> <i>Jerome McGann</i></p> <p>26 Classification and its Structures 377<br /> <i>C. M. Sperberg‐McQueen</i></p> <p><b>Part IV Dissemination 395</b></p> <p>27 Interface as Mediating Actor for Collection Access, Text Analysis, and Experimentation 397<br /> <i>Stan Ruecker</i></p> <p>28 Saving the Bits: Digital Humanities Forever? 408<br /> <i>William Kilbride</i></p> <p>29 Crowdsourcing in the Digital Humanities 420<br /> <i>Melissa Terras</i></p> <p>30 Peer Review 439<br /> <i>Kathleen Fitzpatrick</i></p> <p>31 Hard Constraints: Designing Software in the Digital Humanities 449<br /> <i>Stephen Ramsay</i></p> <p><b>Part V Past, Present, Future of Digital Humanities 459</b></p> <p>32 Beyond the Digital Humanities Center: the Administrative Landscapes of the Digital Humanities 461<br /> <i>Andrew Prescott</i></p> <p>33 Sorting Out the Digital Humanities 476<br /> <i>Patrik Svensson</i></p> <p>34 Only Connect: The Globalization of the Digital Humanities 493<br /> <i>Daniel Paul O’Donnell, Katherine L. Walter, Alex Gil, and Neil Fraistat</i></p> <p>35 Gendering Digital Literary History: What Counts for Digital Humanities 511<br /> <i>Laura C. Mandell</i></p> <p>36 The Promise of the Digital Humanities and the Contested Nature of Digital Scholarship 524<br /> <i>William G. Thomas III</i></p> <p>37 Building Theories or Theories of Building? A Tension at the Heart of Digital Humanities 538<br /> <i>Claire Warwick</i></p> <p>Index 553</p>
<p><b>Susan Schreibman</b> is Professor of Digital Humanities and Director of An Foras Feasa, the Institute for Research in Irish Historical & Cultural Traditions at NUI Maynooth. Her research in the digital humanities ranges from text encoding and the creation of digital scholarly editions, to more recent interests in virtual worlds and data mining. She is the co-editor of <i>A Companion to Digital Literary Studies</i> (with Ray Siemens, Wiley Blackwell, 2007), and the founding editor of several web-based projects, including Letters of 1916 (hhtp://letters1916.ie), The Thomas MacGreevy Archive (http://macgreevy.org), Irish Resources in the Humanities (hhtp://irith.org), and The Versioning Machine (http://v-machine.org), a tool to edit and visualize multiple versions of deeply-encoded text.</p> <p><b>Ray Siemens</b> is Canada Research Chair in Humanities Computing and Distinguished Professor in the Faculty of Humanities at the University of Victoria. In 2014 he received the Alliance of Digital Humanities Organizations’ Antonio Zampolli Prize for outstanding scholarly achievement in humanities computing. Dr. Siemens has published numerous articles on the intersection of literary studies and computational methods and is the co-editor of <i>A</i> <i>Companion to Digital Literary Studies </i>(with Susan Schreibman, Wiley Blackwell, 2007) and <i>Literary Studies in the Digital Age: An Evolving Anthology</i> (with Kenneth M. Price, 2013), the MLA's first born digital open access anthology. http://web.uvic.ca/~siemens/.</p> <p><b>John Unsworth</b> is Professor of English, Vice Provost for Library and Technology Services, Chief Information Office, and University Librarian at Brandeis University. In August of 2013, he was appointed by President Obama to serve on the National Humanities Council. A co-founder of <i>Postmodern Culture</i>, the first peer-reviewed electronic journal in the humanities, he organized, incorporated, and chaired the Text Encoding Initiative Consortium; co-chaired the Modern Language Association's Committee on Scholarly Editions; served as President of the Association for Computers and the Humanities and later as chair of the steering committee for the Alliance of Digital Humanities Organizations; as well as serving on many other editorial and advisory boards.</p>
<p>Revised and updated to reflect changes in technology, digital humanities methods and practices, and institutional culture surrounding the valuation and publication of digital scholarship, <i>A New Companion to Digital Humanities</i> offers the most comprehensive and up-to-date collection of research currently available in this dynamic and burgeoning field.</p> <p>The volume brings together a global team of authors who are pioneers of innovative research in the digital humanities. It is accessibly structured into five sections exploring infrastructures, creation, analysis, dissemination, and the future of digital humanities, and includes new articles addressing topical and provocative issues and ideas such as retro computing, desktop fabrication, gender dynamics, and globalization. This highly-anticipated revision of a respected collection creates an authoritative survey of the past, present, and future of the field, andwill be an essential tool for anyone interested in better understanding this rapidly evolving discipline.</p>

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