Details

The Handbook of Speech Production


The Handbook of Speech Production


Blackwell Handbooks in Linguistics 1. Aufl.

von: Melissa A. Redford

50,99 €

Verlag: Wiley-Blackwell
Format: PDF
Veröffentl.: 20.04.2015
ISBN/EAN: 9781118584217
Sprache: englisch
Anzahl Seiten: 624

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Beschreibungen

<p><i>The Handbook of Speech Production</i> is the first reference work to provide an overview of this burgeoning area of study. Twenty-four chapters written by an international team of authors examine issues in speech planning, motor control, the physical aspects of speech production, and external factors that impact speech production.</p> <ul> <li>Contributions bring together behavioral, clinical, computational, developmental, and neuropsychological perspectives on speech production to create a rich and truly interdisciplinary resource</li> <li>Offers a novel and timely contribution to the literature and showcases a broad spectrum of research in speech production, methodological advances, and modeling</li> <li>Coverage of planning, motor control, articulatory coordination, the speech mechanism, and the effect of language on production processes</li> </ul>
<p>Notes on Contributors vii</p> <p>Acknowledgments xii</p> <p>1 Introduction 1<br /> <i>Melissa A. Redford</i></p> <p><b>Part I The Speech Mechanism 11</b></p> <p>2 Speech Breathing Across the Life Span and in Disease 13<br /> <i>Jessica E. Huber and Elaine T. Stathopoulos</i></p> <p>3 Mechanisms of Voice Production 34<br /> <i>Brad H. Story</i></p> <p>4 Supralaryngeal Articulators in the Oropharyngeal Region 59<br /> <i>Kiyoshi Honda</i></p> <p>5 Jaw and Lips 79<br /> <i>Pascal H.H.M. Van Lieshout</i></p> <p>6 Velopharyngeal Function in Speech Production: Some Developmental and Structural Considerations 109<br /> <i>David J. Zajac</i></p> <p><b>Part II Coordination and Multimodal Speech 131</b></p> <p>7 Interarticulatory Coordination: Speech Sounds 133<br /> <i>Philip Hoole and Marianne Pouplier</i></p> <p>8 Rhythm and Speech 158<br /> <i>Fred Cummins</i></p> <p>9 Auditory‐Visual Speech Processing: Something Doesn’t Add Up 178<br /> <i>Eric Vatikiotis‐Bateson and Kevin G. Munhall</i></p> <p>10 Multimodal Speech Production 200<br /> <i>Lucie Ménard</i></p> <p><b>Part III Speech Motor Control 223</b></p> <p>11 Motor Equivalence in Speech Production 225<br /> <i>Pascal Perrier and Susanne Fuchs</i></p> <p>12 Orofacial Cutaneous Function in Speech Motor Control and Learning 248<br /> <i>Takayuki Ito</i></p> <p>13 Auditory Feedback 267<br /> <i>John Houde and Srikantan Nagarajan</i></p> <p>14 Speech Production in Motor Speech Disorders: Lesions, Models, and a Research Agenda 298<br /> <i>Gary Weismer and Jordan R. Green</i></p> <p>15 Process‐Oriented Diagnosis of Childhood and Adult Apraxia of Speech (CAS and AOS) 331<br /> <i>Ben Maassen and Hayo Terband</i></p> <p><b>Part IV Sequencing and Planning 351</b></p> <p>16 Central Tenets of the Frame/Content Theory of Evolution and Acquisition of Speech Production 353<br /> <i>Peter F. MacNeilage</i></p> <p>17 The Acquisition of Temporal Patterns 379<br /> <i>Melissa A. Redford</i></p> <p>18 Insights for Speech Production Planning from Errors in Inner Speech 404<br /> <i>Gary S. Dell and Gary M. Oppenheim</i></p> <p>19 Prosodic Frames in Speech Production 419<br /> <i>Stefanie Shattuck‐Hufnagel</i></p> <p>20 Fluency and Disfluency 445<br /> <i>Robin J. Lickley</i></p> <p><b>Part V Language Factors 475</b></p> <p>21 Insights from the Field 477<br /> <i>Didier Demolin</i></p> <p>22 Language Effects on Timing at the Segmental and Suprasegmental Levels 505<br /> <i>Taehong Cho</i></p> <p>23 Cross‐Language Differences in Acquisition 530<br /> <i>Jan R. Edwards, Mary E. Beckman, and Benjamin Munson</i></p> <p>24 Effects of Language on Motor Processes in Development 555<br /> <i>Lisa Goffman</i></p> <p>Index of Authors 578</p> <p>Index of Subjects 592</p>
<p><b>Melissa A. Redford</b> is Professor of Linguistics at University of Oregon, USA, with a broad cognitive sciences background. She received her PhD in Psychology at the University of Texas and completed an NRSA Individual Postdoctoral Fellowship in Computer Science, also at the University of Texas, before joining the faculty at the University of Oregon in 2002. Her research focuses on the development and structure of the speech plan and on the parameters that control rate, rhythm, emphasis, and style changes in spoken language.
<p><i>"The Handbook of Speech Production</i> provides an excellent up-to-date coverage of the planning, acquisition and production mechanisms of phonetic sounds and higher level linguistic units both in normal and disordered speech. It should become a reference book for linguists, psychologists and speech pathologists in years to come."</br> Daniel Recasens, Universitat Autònoma de Barcelona, Spain <p><i>"The Handbook of Speech Production</i> represents a highly valuable work based upon a comprehensive collection of state-of-the-art surveys, extending from speech breathing mechanisms to the interaction of 'language factors' with motor processes during speech acquisition."</br> Herrman Ackermann, University of Tuebingen, Germany <p>"This collection is well focused and timely, associating basic structures of language and speech. It's good to see cognitive aspects of speech are represented. Definitely a must for anyone with an interest in speech production modelling."</br> Katherine Morton (PhD), former Research Fellow <p><i>The Handbook of Speech Production</i> provides a state-of-the-art survey of the interdisciplinary field of speech production. Twenty-four chapters from leading international researchers, representing a broad range of academic backgrounds including otolaryngology, information sciences, and linguistics, cover key areas of research in this burgeoning area of study. The contributions bring together behavioral, clinical, computational, developmental, and neuropsychological perspectives on speech production with an emphasis on kinematics, control, and planning in production. The work is divided into five sections: The Speech Mechanism, Coordination and Multimodal Speech, Speech Motor Control, Sequencing and Planning, and Language Factors (which includes issues such as understudied languages, language acquisition, and developmental aspects). This structure showcases the broad spectrum of research in speech production and the advances in both research methodology and theoretical modeling. The <i>Handbook</i> is an ideal resource for both advanced students and researchers interested in exploring cutting-edge research which complements existing work in speech perception and enhances our understanding of how speech works.
"<i>The Handbook of Speech Production</i> provides an excellent up-to-date coverage of the planning, acquisition and production mechanisms of phonetic sounds and higher level linguistic units both in normal and disordered speech.  It should become a reference book for linguists, psychologists and speech pathologists in years to come."<br /><b>Daniel Recasens</b>, Universitat Autonoma de Barcelona, Spain<br /><br />"<i>The Handbook of Speech Production</i> represents a highly valuable work based upon a comprehensive collection of state-of-the-art surveys, extending from speech breathing mechanisms to the interaction of 'language factors' with motor processes during speech acquisition."<br /><b>Herrman Ackermann</b>, University of Tuebingen, Germany<br /><br />"This collection is well focused and timely, associating basic structures of language and speech.  It's good to see cognitive aspects of speech are represented.  Definitely a must for anyone with an interest in speech production modelling."<br /><b>Katherine Morton</b> (<b>PhD</b>), former Research Fellow

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