Details

<p>List of Figures ix</p> <p>How to Use This Book xvi</p> <p>Acknowledgments xix</p> <p>About the Companion Blog xxi</p> <p>1 Introduction 1</p> <p><i>Fatal Attraction and Scarface</i></p> <p>2 Narrative Structure 27</p> <p><i>Jurassic Park and Rashomon</i></p> <p>3 Formal Analysis 61</p> <p><i>Rules of the Game and The Sixth Sense</i></p> <p>4 Authorship 87</p> <p><i>The Searchers and Jungle Fever</i></p> <p>5 Genres 111</p> <p><i>Sin City and Gunfight at the OK Corral</i></p> <p>6 Series, Sequels, and Remakes 141</p> <p><i>Goldfinger and King Kong (1933 and 2005)</i></p> <p>7 Actors and Stars 171</p> <p><i>Morocco and Dirty Harry</i></p> <p>8 Audiences and Reception 197</p> <p><i>A Woman of Paris and The Crying Game</i></p> <p>9 Film and the Other Arts 222</p> <p><i>Dr. Jekyll and Mr. Hyde (1933) and The Girl with the Dragon Tattoo (2011)</i></p> <p>10 Film and its Relation to Radio and Television 257</p> <p><i>Richard Diamond, Private Detective; Peter Gunn; Victor/Victoria; 24; and Homeland</i></p> <p>11 Realism and Theories of Film 296</p> <p><i>The Battleship Potemkin and Umberto D</i></p> <p>12 Gender and Sexuality 317</p> <p>The Silence of the Lambs and American Gigolo</p> <p>13 Race 341</p> <p><i>Out of the Past, LA Confidential, and Boyz N the Hood</i></p> <p>14 Class 371</p> <p><i>Pretty Woman and The People Under the Stairs</i></p> <p>15 <i>Citizen Kane</i>: An Analysis 396</p> <p><i>Citizen Kane</i></p> <p>16 Current Trends: Globalization and China, 3D, IMAX, Internet TV 419</p> <p>Glossary 441</p> <p>Index 446</p>

<p><b>Peter Lehman</b> is Professor of Film and Media Studies in English and Director of the Center for Film, Media and Popular Culture at Arizona State University. He is author, coauthor, and editor of 12 books and a former president of the Society for Cinema and Media Studies. He is also the Founding Editor of <i>Wide Angle: A Film Quarterly of Theory, Criticism, and Practice</i>. He lectures widely, both nationally and internationally. <p><b>William Luhr</b> is Professor of English and Film at Saint Peter's University and Co-Chair of the faculty-level Columbia University Seminar on Cinema and Interdisciplinary Interpretation. He has published over a dozen books as well as numerous articles and interviews primarily concerned with film studies, the most recent being <i>Film Noir</i>, published by Wiley-Blackwell in 2012 (Chinese language edition, 2014). He has lectured widely, both nationally and internationally.

<p>"In this intelligently structured book, every chapter invites film students and professors, alike, to embark on an engagingly coherent yet open-ended journey through the fundamental roads of film aesthetics, form, style, history, and the unpredictable avenues of film's mediating role in representing and responding to varied historical, cultural, and industrial contexts."<br/> <b>—Professor Cynthia Lucia,</b> Rider University, US, and <i>Cineaste</i> <p>"This thoroughly revised and up-to-date edition of Lehman and Luhr's celebrated textbook will continue to inform and inspire new generations of students and researchers of film and media. Every student of film and media should read this book."<br/> <b>—Professor Santiago Fouz-Hernández,</b> Durham University, UK <p>"Filled with extremely helpful images and delightfully detailed, insightful analyses of films and other media, <i>Thinking about Movies</i> shows two of our most eminent film scholars in excellent form."<br/> <b>— Professor David Lugowski,</b> Manhattanville College, US <p><b>A complete introduction to analyzing and enjoying a wide variety of movies, for film students and movie lovers alike</b> <p><i>Thinking about Movies: Watching, Questioning, Enjoying, Fourth Edition</i> is a thorough overview of movie analysis designed to enlighten both students and enthusiasts, and heighten their enjoyment of films. Readers will delve into the process of thinking about movies critically and analytically, and find how doing so can greatly enhance the pleasure of watching movies. Divided roughly into two parts, the book addresses film studies within the context of the dynamics of cinema, before moving on to a broader analysis of the relationship of films to the larger social, cultural, technological, and industrial issues informing them. <p>This updated fourth edition includes an entirely new section devoted to a complete analysis of the film adaptation <i>The Girl with the Dragon Tattoo</i>, along with in-depth discussions on important films from <i>Citizen Kane</i> to <i>Silence of the Lambs</i>. The authors clearly present various methodologies for analyzing movies and illustrate them with detailed, well-illustrated examples from a range of films from cult classics to big-budget, award-winning movies. This helps viewers see new things in movies and also better understand and explain why they like some better than others. <p><i>Thinking about Movies: Watching, Questioning, Enjoying, Fourth Edition</i> is ideal for film students immersed in the study of this important, contemporary medium and art form as well as individuals who have never taken a class on cinema before.

<p><b>LEHMAN ENDORSEMENTS</b></p> <p><b> </b>“This thoroughly revised and up-to-date edition of Lehman’s and Luhr’s celebrated textbook will continue to inform and inspire new generations of students and researchers of film and media. It combines a commendable clarity of argument with incisive and innovative close analysis of key illustrative examples. The book covers a wide range of key aspects of film and media studies (narrative, analysis, authorship, stars, genres, seriality or reception) and key theoretical issues and frameworks. Every student of film and media should read this book.”</p> <p><b>--Professor Santiago Fouz-Hernández, Durham University, UK</b></p> <p> “This incomparable introductory film textbook is one that I truly <i>want</i> to read and <i>continue</i> reading—even as a film professor who has used a number of the most lauded texts on the market over my many years of teaching. In this intelligently structured book, every chapter invites film students and professors, alike, to embark on an engagingly coherent yet open-ended journey through the fundamental roads of film aesthetics, form, style, history, and—quite crucially—through the unpredictable avenues of film’s mediating role in representing and responding to varied historical, cultural, and industrial contexts. Posing many honest, and often, unanswerable questions—yet within strongly articulated and informative frameworks for analysis—all chapters place fascinating films in dialogue with each other and encourage readers, at whatever level, to consider and reconsider their responses to and understanding of the traditional cinema and its emerging iterations in the digital age.”</p> <p><b>--Cynthia Lucia, Rider University, US and <i>Cineaste</i> </b></p> <p>"Filled with extremely helpful images and delightfully detailed, insightful analyses of films and other media, <i>Thinking About Movies</i> shows two of our most eminent film scholars in excellent form. Besides its obvious use for introductory cinema studies courses, this engaging, highly readable text could also prove valuable in courses dedicated to close textual analysis, the politics of representation, and film theory, and should have considerable interest for general readers as well. This new edition explores issues of new technology, globalization and more with the same thoughtfulness and erudition as the rest of the book. An impressive achievement, designed and certain to provoke healthy discussion."</p> <p><b>--David Lugowski, Manhattanville College, US</b></p>

US